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Vladimir Tatlin: The Transition from the Technological to the Organic? 弗拉基米尔·塔特林：从技术到有机的过渡？
IF 0.5
Arts Pub Date : 2026-03-18 DOI: 10.3390/arts15030060
Christina Lodder
{"title":"Vladimir Tatlin: The Transition from the Technological to the Organic?","authors":"Christina Lodder","doi":"10.3390/arts15030060","DOIUrl":"https://doi.org/10.3390/arts15030060","url":null,"abstract":"This text focuses on Vladimir Tatlin and the different concepts of energy that he embraced during the 1920s: from the technological ethos of his Model for a Monument to the Third International (1920) to the organic forms and renewable energy of The Letatlin, (1932). Despite the differences, I shall argue that there are strong continuities in the way that Tatlin approached the innate properties of material. I shall also suggest that his reservations about technology in the late 1920s may have reflected some misgivings about the government’s industrialization policy.","PeriodicalId":30547,"journal":{"name":"Arts","volume":"13 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2026-03-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147489884","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Special Issue on “Arts and Urban Development” “艺术与城市发展”特刊
IF 0.5
Arts Pub Date : 2026-03-17 DOI: 10.3390/arts15030057
John Zarobell
{"title":"Special Issue on “Arts and Urban Development”","authors":"John Zarobell","doi":"10.3390/arts15030057","DOIUrl":"https://doi.org/10.3390/arts15030057","url":null,"abstract":"When I set out to edit a Special Issue in Arts on urban development and the role of the arts, I wanted to harvest a different perspective on the advantages of culture for urban development [...]","PeriodicalId":30547,"journal":{"name":"Arts","volume":"85 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2026-03-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147490130","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Singing Along with the Social Rhythms: Andrei Bely’s Attempts at Soviet Travel Writing 与社会节奏一起歌唱：安德烈·别列对苏联旅行写作的尝试
IF 0.5
Arts Pub Date : 2026-03-17 DOI: 10.3390/arts15030058
Evgeny Pavlov
{"title":"Singing Along with the Social Rhythms: Andrei Bely’s Attempts at Soviet Travel Writing","authors":"Evgeny Pavlov","doi":"10.3390/arts15030058","DOIUrl":"https://doi.org/10.3390/arts15030058","url":null,"abstract":"In the canon of Soviet travel writings of the 1920s–30s, Andrei Bely’s lesser-known book Veter s Kavkaza (1928, not reprinted since its first publication) and the essay Armenia (1929) are something of an oddity. They are generally seen аs an active attempt on his part to become a Soviet writer. This attempt by all accounts had very limited success, but the intention was genuine, and it enters into a most intriguing constellation with the more successful travel writings of the same period that ostensibly are based on the same practice of participatory observation as was practiced by members of LEF and other literary groups. Bely’s writings are more about observation itself than they are about anything else. His entire approach to the subject matter of his travel narratives is based on an obsessive mapping of the topography of his journey in an attempt to learn (by his own account) the Goethean art of seeing—not just the physical topography but also the past and the future of the human landscape in its revolutionary transformation. Ultimately, Bely’s spatially focused narrative seeks to see and represent time, and for this reason suffers the most spectacular failure, which Bely the Kantian and Bely the Symbolist wants to celebrate, but Bely the Soviet writer desperately tries to overcome. The article examines this failure in the broader political and artistic context of the time.","PeriodicalId":30547,"journal":{"name":"Arts","volume":"13 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2026-03-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147489885","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Erasure as Visibility: The Israeli Gaze and the Politics of Heritage in the Gaza Envelope 作为可见性的擦除：以色列的目光和加沙地带的遗产政治
IF 0.5
Arts Pub Date : 2026-03-16 DOI: 10.3390/arts15030056
Ronit Milano
{"title":"Erasure as Visibility: The Israeli Gaze and the Politics of Heritage in the Gaza Envelope","authors":"Ronit Milano","doi":"10.3390/arts15030056","DOIUrl":"https://doi.org/10.3390/arts15030056","url":null,"abstract":"This article examines the politics of visuality in Israel through the case study of Alami House, a Palestinian home in the village of Hiribya that became the nucleus of Kibbutz Ziqim in 1949 and was later transformed into a heritage site near the Gaza border. Drawing on theories of visual culture, affect, and heritage, the study traces the shifting visual and ideological functions of the site—from its early use as a kibbutz “watchtower,” through its renovation and rebranding as a heritage museum and wine bar, to its symbolic role during and after the Gaza War. It argues that the Israeli gaze toward the Palestinian—manifested in both the spatial design and the performative experience of the site—embodies a dual operation of seeing and unseeing, whereby the Palestinian is simultaneously acknowledged and erased. The essay introduces the concept of disciplined visuality to describe this politically orchestrated management of what may be seen, remembered, or forgotten. By analyzing Alami House as a microcosm of Israeli heritage-making, the article reveals how visuality functions as a tool of power, shaping both the material and conceptual landscape of the Israeli–Palestinian conflict.","PeriodicalId":30547,"journal":{"name":"Arts","volume":"10 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2026-03-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147489842","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Activating Embodied Memory Through a Fusion of Clay and Augmented Reality 通过粘土和增强现实的融合激活具身记忆
IF 0.5
Arts Pub Date : 2026-03-16 DOI: 10.3390/arts15030055
Svetlana Atlavina
{"title":"Activating Embodied Memory Through a Fusion of Clay and Augmented Reality","authors":"Svetlana Atlavina","doi":"10.3390/arts15030055","DOIUrl":"https://doi.org/10.3390/arts15030055","url":null,"abstract":"The ACE-funded project Clay and Augmented Reality (CAR) explored how the combination of tactile and digital media might activate embodied memory, foster art expression, and stimulate new forms of creative learning. The project investigated memory recollection by integrating clay sculpting with immersive Augmented Reality (AR), focusing on psychoanalysis and participatory art research. The created multisensory environment was a significant element in reconnection with early-life experiences. Six workshops engaged over 40 participants in memory-mapping through AR interfaces and tactile activities. Extensive theoretical and methodological research focuses on theories of Freud, Polanyi, Ettinger, and art practice of Hepworth, integrating embodied making with experimental technologies, including 3D scanning, ARvid/HoloLens experiences, and qualitative feedback analysis. The outcome is a hybrid repository of over 120 memory-informed artefacts titled My Mother and I, presented on the sketchfab platform. The collection showcases intergenerational memory, imprints of intangible and visual storytelling. During the research, the significance of slowness, play, and relational presence was underlined as conditions for memory activation. It concludes that memory lives in gesture, spatial perception and given care, and that hybrid arts-based methods offer new epistemologies of healing, creativity and pedagogical inquiry. CAR presents a model for participatory research that bridges physical and digital realms in deeply human ways.","PeriodicalId":30547,"journal":{"name":"Arts","volume":"31 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2026-03-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147489886","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Curating and Creating Collective Artistic Experiences: The Role of the Choral Conductor 策划与创造集体艺术体验：合唱指挥的角色
IF 0.5
Arts Pub Date : 2026-02-26 DOI: 10.3390/arts15030043
Róisín Blunnie, Orla Flanagan
{"title":"Curating and Creating Collective Artistic Experiences: The Role of the Choral Conductor","authors":"Róisín Blunnie, Orla Flanagan","doi":"10.3390/arts15030043","DOIUrl":"https://doi.org/10.3390/arts15030043","url":null,"abstract":"The commonly recognised image of a choral conductor is of a person who stands in front of a group of singers and uses a set of gestures to direct them in performance. In order to arrive at this moment of shared musical experience, however, there is a long journey of preparation that must take place, from devising an artistic concept, to formulating a coherent and stimulating programme of repertoire, to realising such a programme by engaging in an extended period of rehearsal that encompasses vocal, musical, expressive, linguistic, and emotional facets and gathers diverse individual singers into a unified choral instrument with a common expressive purpose. In this article, two experienced choral conductors present structured reflective exegeses on artistic projects undertaken with their respective chamber choirs. Drawing on reflective approaches aligned with practice-based/artistic research, and on leading voices in repertoire programming and choral studies more broadly, the authors articulate and analyse their creative processes, highlighting considerations and goals for choral conductors both in designing programmes as a basis for impactful collective musical experiences and in enacting these experiences in a spirit of co-creation with choir members and other artistic contributors.","PeriodicalId":30547,"journal":{"name":"Arts","volume":"116 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2026-02-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147292551","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Pablo Picasso and the Threat of Death in the Early 1940s 巴勃罗·毕加索和20世纪40年代早期的死亡威胁
IF 0.5
Arts Pub Date : 2026-02-25 DOI: 10.3390/arts15030042
Enrique Mallen
{"title":"Pablo Picasso and the Threat of Death in the Early 1940s","authors":"Enrique Mallen","doi":"10.3390/arts15030042","DOIUrl":"https://doi.org/10.3390/arts15030042","url":null,"abstract":"During the German Occupation, Picasso reacted to the omnipresent threat of death and violence with defiant stoicism, artistic subversion, and a profound memorialization of its victims. Though his work was banned as “degenerate” by the Nazis, he remained in Paris, and chose to fight with his art rather than flee. Picasso was also personally affected by death during this time as he lost several close friends. Among them were the poet Max Jacob, who died in the Drancy concentration camp in 1944. He knew that his art was impacted by the horror around him, even if he did not paint the war directly. That same year, he declared, “I did not paint the war… but there is no doubt that the war is there in the pictures which I painted then.” The artist stripped away any hint of beauty in his wartime portraits and still lifes in favor of brutal, angular compositions. In all the jarring pictures he painted during this period, death is portrayed as a violent threat rather than a peaceful end to life.","PeriodicalId":30547,"journal":{"name":"Arts","volume":"13 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2026-02-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"147278878","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Salamander in the Furnace of the Loggia of Psyche at Villa Farnesina: Alchemy and the Hermetic Tradition in Renaissance Rome (With an Analysis of Jacopo del Sellaio’s Abegg-Stiftung Florentine Psyche Marriage Cassone Panel, as an Adaptation of Botticelli’s Primavera) 法尔内西纳别墅普赛克长廊炉中的火蜥蜴：文艺复兴时期罗马的炼金术与赫尔墨斯传统（兼析雅格布·德尔·塞莱奥的《阿贝格- stiftung佛罗伦萨普赛克婚姻卡松板》，作为波提切利《春光》的改编版）
IF 0.5
Arts Pub Date : 2026-02-16 DOI: 10.3390/arts15020041
Robert Paul Huber
{"title":"The Salamander in the Furnace of the Loggia of Psyche at Villa Farnesina: Alchemy and the Hermetic Tradition in Renaissance Rome (With an Analysis of Jacopo del Sellaio’s Abegg-Stiftung Florentine Psyche Marriage Cassone Panel, as an Adaptation of Botticelli’s Primavera)","authors":"Robert Paul Huber","doi":"10.3390/arts15020041","DOIUrl":"https://doi.org/10.3390/arts15020041","url":null,"abstract":"This article examines the unexplained image of a reptilian creature in the fire of a spandrel of Raphael’s Loggia of Psyche in Villa Farnesina, Rome, from the point of view of alchemy. The essay identifies the probable alchemical literary source upon which the image was based and explains its reason in the overall symbolism of the artwork. Moreover, evidence is brought to bear regarding the Cupid and Psyche myth from Apuleius’ Golden Ass in the Renaissance as being understood as an allegory of the Magnum Opus of alchemy. Alchemy and related astrology, furthermore, are here considered in relation to Hermetism within the context of the period’s notion of the prisca theologia and its learned magia. Medici household interest in the Psyche myth, as demonstrated by illustrations of Apuleius’ fable on three sets of Florentine marriage cassoni, are used as evidence to explicate this. The essay also provides plausible reasons why the patron Agostino Chigi, papal banker from Siena, likely harbored interest in alchemy and the consequent effect on the symbolism in the Loggia of Psyche it implies. The methodology employed is essentially humanistic, in that I consider medieval and Renaissance literary sources regarding the Psyche myth, but also Hermetic philosophy, astrology and alchemy to rationally explain the symbolism of the Psyche tale illustrated in the Loggia of Psyche according to the Hermetic ideals of alchemy.","PeriodicalId":30547,"journal":{"name":"Arts","volume":"4 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2026-02-16","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"146210407","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Japanese Hornpipe: Creative Alteration and Palimpsestic Identity in the Whistling Tradition of Ireland 日本角笛：爱尔兰口哨传统中的创造性改变和改写性认同
IF 0.5
Arts Pub Date : 2026-02-13 DOI: 10.3390/arts15020040
Robert Harvey
{"title":"The Japanese Hornpipe: Creative Alteration and Palimpsestic Identity in the Whistling Tradition of Ireland","authors":"Robert Harvey","doi":"10.3390/arts15020040","DOIUrl":"https://doi.org/10.3390/arts15020040","url":null,"abstract":"Irish traditional music is typically characterised as an ‘oral tradition’ which has been handed down from one generation to the next. Though the process of reworking has been considered central to its transmission, little consideration has thus far been given to the ways in which the music develops diachronically and what factors influence these performance decisions. Cottrell considers the act of performance as a palimpsest where traces of earlier renditions can still be identified in any given performance. Taking the example of ‘The Japanese Hornpipe’, this article will consider the ways in which individual actors and regional styles can reshape fundamental melodic characteristics through creative alteration in successive performances as the melody passed from circus performance act through the Donegal fiddle tradition and the whistling competition at Fleadh Cheoil na hÉireann.","PeriodicalId":30547,"journal":{"name":"Arts","volume":"32 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2026-02-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"146196438","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
The Eyes in Close-Up: Surveillance, Control, and Montage in Three Works by Sergei Eisenstein 特写中的眼睛：谢尔盖·爱森斯坦三部作品中的监视、控制和蒙太奇
IF 0.5
Arts Pub Date : 2026-02-10 DOI: 10.3390/arts15020039
Joana Jacob Ramalho
{"title":"The Eyes in Close-Up: Surveillance, Control, and Montage in Three Works by Sergei Eisenstein","authors":"Joana Jacob Ramalho","doi":"10.3390/arts15020039","DOIUrl":"https://doi.org/10.3390/arts15020039","url":null,"abstract":"This article outlines the central role of the human eye as a consistent and recurring aesthetic strategy in the cinematic oeuvre of Sergei Eisenstein via an investigation of three films—Strike (1925), Potemkin (1925), and the unfinished, two-part Ivan the Terrible (1945, 1958). It analyses seeing, being seen, and shut and open eyes, in conjunction with the use of the close-up, as crucial to Eisenstein’s visual vocabulary and argues for the need to think about the persistent focus on eyes and vision in terms of panoptic mechanisms of political surveillance and control. Meaning is generated from eye to eye, through configurations of looking and spying, revealing and concealing—formal and aesthetic strategies which condition the gaze of the spectator, creating sites of affect that provide continuity between the films. It furthermore contextualises Soviet montage and Eisenstein’s work in relation to European avant-gardes, specifically French Impressionism and German Expressionism, whose influence on the director’s filmography has received little scholarly attention.","PeriodicalId":30547,"journal":{"name":"Arts","volume":"41 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2026-02-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"146196441","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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