{"title":"“我想看它沸腾”:讽刺作为生态政治表演出现在Talking Heads的《(除了)花》(1988)和阿诺尼的《4度》(2015)中","authors":"Håvard Haugland Bamle","doi":"10.3390/arts14040096","DOIUrl":null,"url":null,"abstract":"This article examines the use of satire in the song lyrics of two eco-themed pop songs: Talking Heads’s “(Nothing but) Flowers” (1988) and Anohni’s “4 Degrees” (2015). A close listening approach to these songs reveals ironic discrepancies between the experience produced by musical performance and the sentiments expressed in the song lyrics. A rhetorical framework informs how an examination of such discrepancies may enable new perceptions of the environmental theme to come to mind through what Charles A. Knight calls a satiric “frame of mind”. The satire in these songs not only targets attitudes to convey a moral judgment on them but also provokes audiences to undertake the task of self-examination. If successful, satire in popular song lyrics can contribute to the reconfiguration of listeners’ perceptions of the relationship between humans and nonhuman nature.","PeriodicalId":30547,"journal":{"name":"Arts","volume":"15 1","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2025-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"“I Wanna See It Boil”: Satire as Eco-Political Performance in Talking Heads’s “(Nothing But) Flowers” (1988) and Anohni’s “4 Degrees” (2015)\",\"authors\":\"Håvard Haugland Bamle\",\"doi\":\"10.3390/arts14040096\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This article examines the use of satire in the song lyrics of two eco-themed pop songs: Talking Heads’s “(Nothing but) Flowers” (1988) and Anohni’s “4 Degrees” (2015). A close listening approach to these songs reveals ironic discrepancies between the experience produced by musical performance and the sentiments expressed in the song lyrics. A rhetorical framework informs how an examination of such discrepancies may enable new perceptions of the environmental theme to come to mind through what Charles A. Knight calls a satiric “frame of mind”. The satire in these songs not only targets attitudes to convey a moral judgment on them but also provokes audiences to undertake the task of self-examination. If successful, satire in popular song lyrics can contribute to the reconfiguration of listeners’ perceptions of the relationship between humans and nonhuman nature.\",\"PeriodicalId\":30547,\"journal\":{\"name\":\"Arts\",\"volume\":\"15 1\",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2025-08-15\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Arts\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3390/arts14040096\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Arts","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3390/arts14040096","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
摘要
本文研究了两首以生态为主题的流行歌曲:Talking Heads的《(Nothing but) Flowers》(1988年)和Anohni的《4度》(2015年)的歌词中讽刺的使用。仔细聆听这些歌曲,就会发现音乐表演所产生的体验与歌词中表达的情感之间具有讽刺意味的差异。一个修辞框架告诉我们,通过查尔斯·A·奈特(Charles A. Knight)所谓的讽刺“心态”,对这些差异的审视如何使人们对环境主题产生新的认识。这些歌曲中的讽刺不仅针对态度,传达对他们的道德判断,而且引发听众进行自我反省的任务。如果成功的话,流行歌曲歌词中的讽刺可以有助于重新配置听众对人类与非人类本质之间关系的看法。
“I Wanna See It Boil”: Satire as Eco-Political Performance in Talking Heads’s “(Nothing But) Flowers” (1988) and Anohni’s “4 Degrees” (2015)
This article examines the use of satire in the song lyrics of two eco-themed pop songs: Talking Heads’s “(Nothing but) Flowers” (1988) and Anohni’s “4 Degrees” (2015). A close listening approach to these songs reveals ironic discrepancies between the experience produced by musical performance and the sentiments expressed in the song lyrics. A rhetorical framework informs how an examination of such discrepancies may enable new perceptions of the environmental theme to come to mind through what Charles A. Knight calls a satiric “frame of mind”. The satire in these songs not only targets attitudes to convey a moral judgment on them but also provokes audiences to undertake the task of self-examination. If successful, satire in popular song lyrics can contribute to the reconfiguration of listeners’ perceptions of the relationship between humans and nonhuman nature.