{"title":"“I Wanna See It Boil”: Satire as Eco-Political Performance in Talking Heads’s “(Nothing But) Flowers” (1988) and Anohni’s “4 Degrees” (2015)","authors":"Håvard Haugland Bamle","doi":"10.3390/arts14040096","DOIUrl":null,"url":null,"abstract":"This article examines the use of satire in the song lyrics of two eco-themed pop songs: Talking Heads’s “(Nothing but) Flowers” (1988) and Anohni’s “4 Degrees” (2015). A close listening approach to these songs reveals ironic discrepancies between the experience produced by musical performance and the sentiments expressed in the song lyrics. A rhetorical framework informs how an examination of such discrepancies may enable new perceptions of the environmental theme to come to mind through what Charles A. Knight calls a satiric “frame of mind”. The satire in these songs not only targets attitudes to convey a moral judgment on them but also provokes audiences to undertake the task of self-examination. If successful, satire in popular song lyrics can contribute to the reconfiguration of listeners’ perceptions of the relationship between humans and nonhuman nature.","PeriodicalId":30547,"journal":{"name":"Arts","volume":"15 1","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2025-08-15","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Arts","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3390/arts14040096","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
Abstract
This article examines the use of satire in the song lyrics of two eco-themed pop songs: Talking Heads’s “(Nothing but) Flowers” (1988) and Anohni’s “4 Degrees” (2015). A close listening approach to these songs reveals ironic discrepancies between the experience produced by musical performance and the sentiments expressed in the song lyrics. A rhetorical framework informs how an examination of such discrepancies may enable new perceptions of the environmental theme to come to mind through what Charles A. Knight calls a satiric “frame of mind”. The satire in these songs not only targets attitudes to convey a moral judgment on them but also provokes audiences to undertake the task of self-examination. If successful, satire in popular song lyrics can contribute to the reconfiguration of listeners’ perceptions of the relationship between humans and nonhuman nature.