Fragments of the Liturgical-Musical Codex from the Archdiocesan Archive of Gniezno (Poland): Source Analysis and Provenance Hypotheses

IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY
Arts Pub Date : 2024-07-22 DOI:10.3390/arts13040125
Piotr Wiśniewski
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引用次数: 0

Abstract

This paper discusses hitherto unidentified loose folios of a parchment liturgical and musical book held in the Archdiocesan Archive of Gniezno (Poland), containing the offertory and communion antiphons for the feasts De Trinitate and Corpus Christi. The author provides the codicological description of the leaves (analyzing Latin script, musical notation, ornamentation); identifies the time of their creation (15th century); indicates the type of the liturgical book to which they belong (graduale); seeks a melodic model for them and puts forward provenance hypotheses. He states that the melodics of the antiphons, although closest to the Cistercian tradition, are nevertheless variantly different from the melodic line preserved in foreign and Polish codices. It is possible to narrow down the dating of the leaves thanks to the type of Latin script, the calligraphic ornamentation of the initials and the spelling of certain letters.
格涅兹诺(波兰)大主教区档案馆藏礼仪音乐手抄本残片:来源分析和出处假设
本文讨论了格涅兹诺(波兰)大主教区档案馆收藏的羊皮纸礼仪和音乐书籍中迄今为止尚未查明的散页对开页,其中包含圣三一节和基督圣体节的献祭和圣餐祷文。作者对这些乐谱进行了编纂学描述(分析了拉丁字母、音乐符号和装饰);确定了它们的创作时间(15 世纪);指出了它们所属的礼仪书籍类型(渐进式);为它们寻找旋律模式并提出了出处假设。他指出,颂歌的旋律虽然最接近熙笃会的传统,但与外国和波兰古抄本中保存的旋律有不同之处。通过拉丁字母的类型、首字母的书法装饰以及某些字母的拼写,可以缩小这些诗叶的年代范围。
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来源期刊
Arts
Arts HUMANITIES, MULTIDISCIPLINARY-
自引率
40.00%
发文量
104
审稿时长
11 weeks
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