Arts最新文献_第8页

Reading Cisheteronormativity into the Art Historical Archives 从艺术史档案中解读顺式异性恋

IF 0.5

Arts Pub Date : 2024-05-14 DOI: 10.3390/arts13030089

Kirstin Ringelberg

引用次数: 0

The Spacetimes of the Scythian Dead: Rethinking Burial Mounds, Visibility, and Social Action in the Eurasian Iron Age and Beyond 斯基泰人逝去的时间：重新思考欧亚铁器时代及其后的坟冢、可见性和社会行动

IF 0.5

Arts Pub Date : 2024-05-14 DOI: 10.3390/arts13030087

James A. Johnson

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引用次数: 0

Correction: Bloom (2024). Jewish “Ghosts”: Judit Hersko and Susan Hiller and the Feminist Intersectional Art of Post-Holocaust Memory. Arts 13: 50 更正：布鲁姆（2024 年）。Jewish "Ghosts"：Judit Hersko and Susan Hiller and the Feminist Intersectional Art of Post-Holocaust Memory.艺术 13: 50

IF 0.5

Arts Pub Date : 2024-05-11 DOI: 10.3390/arts13030086

Lisa E. Bloom

引用次数: 0

Scythian Jewelry Meshes and the Problem of Their Interpretation 斯基泰珠宝网及其解释问题

IF 0.5

Arts Pub Date : 2024-05-09 DOI: 10.3390/arts13030085

Oksana Lifantii

{"title":"Scythian Jewelry Meshes and the Problem of Their Interpretation","authors":"Oksana Lifantii","doi":"10.3390/arts13030085","DOIUrl":"https://doi.org/10.3390/arts13030085","url":null,"abstract":"This article explores the phenomenon of a specific type of personal adornment worn by members of the Scythian elite in the North Black Sea region in the second half of the 5th century and throughout the 4th century BCE. The discussion juxtaposes the records from 19th-century and early 20th-century excavations with contextual analyses of very recent discoveries from Ukraine, which shed significant new light on the appearance, production, and meaning of Scythian jewelry. The reconstruction of the shape of the jewelry type in question is greatly complicated by two factors: the lack of relevant depictions in the contemporary corpus of Scythian and Greco-Scythian figure scenes and misleading scholarly references to supposed analogies in a Roman-era mosaic, which became the chief reason for the misinterpretations of the ornament’s appearance. Composed of numerous gold or gilded silver tubes; beads; pendants; and, sometimes, “buttons,” this jewelry type is reconstructed in two gender-specific variants in this article: one mesh-like and the other with a cross-chest form. For over a hundred years, scholars have considered only the mesh variant to be the correct reconstruction. As a result, many costume reconstructions of this jewelry form in specialist research and museum displays alike are still proposed without a sufficient evidentiary base.","PeriodicalId":30547,"journal":{"name":"Arts","volume":"117 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-05-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140895929","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Royal Chapel of Pedro I of Castile in the Christianised Mosque of Seville 塞维利亚基督教化清真寺中的卡斯蒂利亚佩德罗一世皇家礼拜堂

IF 0.5

Arts Pub Date : 2024-05-08 DOI: 10.3390/arts13030084

Pablo Gumiel-Campos

引用次数: 0

Progressive Rock from the Union of Soviet Composers 苏联作曲家联盟的进步摇滚乐

IF 0.5

Arts Pub Date : 2024-05-07 DOI: 10.3390/arts13030083

Mark Yoffe

{"title":"Progressive Rock from the Union of Soviet Composers","authors":"Mark Yoffe","doi":"10.3390/arts13030083","DOIUrl":"https://doi.org/10.3390/arts13030083","url":null,"abstract":"This article focuses on the influence of Western progressive rock music on some innovative members of the Union of Soviet Composers, who were open to new trends and influences. These Soviet composers’ interest in progressive rock was not only intellectual, but also had serious practical implications. During the 1970s, several composers made attempts to create original works following various styles of prog rock. Occasionally, they incorporated elements of prog rock into their otherwise experimental compositions. One can see the influences of prog rock in the works of prominent composers such as A. Pärt, S. Gubaidulina, V. Martynov, V. Silvestrov, V. Artemiev, G. Kancheli, and A. Schnittke. After discussing the development of the prog rock tradition in the USSR and dwelling on the peculiarities of prog rock as a genre, I focus on three works created by Soviet composers under the influence of prog traditions: the 4th Symphony for orchestra and rhythm section by Latvian composer Imants Kalniņš, which follows the traditions of symphonic rock; an avant-garde rock opera titled “Flemish Legend” by Leningrader Romuald Grinblat, written to the lyrics by dissident bard Yulii Kim and heavily influenced by the twelve-tone system; and a suite of art-rock songs titled “On the Wave of My Memory” composed by pop composer David Tukhmanov, based on the poems of poets with a “decadent” reputation in the Soviet ideological context. All of these composers had to create within the Soviet ideological restrictions on modern and rock music, in particular, and all of them had to engage in their own trickster-like antics to produce and perform their works. Although they are little remembered today, these works stand as unexpected and singular achievements of Soviet composers during complex times.","PeriodicalId":30547,"journal":{"name":"Arts","volume":"5 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-05-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140875142","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Testing Textual and Territorial Boundaries in Bulat Okudzhava’s Song “And We to the Doorman: ‘Open the Doors!’” 在 Bulat Okudzhava 的歌曲 "我们对门卫说：'开门！'"中测试文本和领土边界

IF 0.5

Arts Pub Date : 2024-04-30 DOI: 10.3390/arts13030081

Alexander Zholkovsky

引用次数: 0

Tchaikovsky, Onegin, and the Art of Characterization 柴可夫斯基、奥涅金和塑造人物的艺术

IF 0.5

Arts Pub Date : 2024-04-30 DOI: 10.3390/arts13030082

Francis Maes

{"title":"Tchaikovsky, Onegin, and the Art of Characterization","authors":"Francis Maes","doi":"10.3390/arts13030082","DOIUrl":"https://doi.org/10.3390/arts13030082","url":null,"abstract":"Tchaikovsky enjoyed composing Yevgeni Onegin. He expressed his fulfillment in a famous letter to Sergey Taneyev. What could his enthusiasm convey about the content of the project? Music criticism has taken Tchaikovsky’s words as proof for the thesis that the opera is connected to autobiographical circumstances. In this mode of thinking, the quality of Tchaikovsky’s music is the result of the composer’s identification with the subject matter. Despite the objection of several Tchaikovsky scholars, the autobiographical paradigm remains very much alive in the reception of Tchaikovsky’s music. As an alternative, Tchaikovsky scholarship has explored a hermeneutical approach that would link his music to its context in Russian society and culture. In this paper, I present another possible reaction to Tchaikovsky’s statement: an exploration of the composer’s approach to musical characterization. Analysis of some key scenes reveals that the definition of characters and situations by musical means is more precise than standard interpretations of the opera would concede. This discovery may lead to a new assessment of characterization as a critical tool to refine the definition of Tchaikovsky’s position in European music history. The method may be applied to examples outside his operatic output, such as Serenade for Strings and the Fifth Symphony.","PeriodicalId":30547,"journal":{"name":"Arts","volume":"12 1","pages":""},"PeriodicalIF":0.5,"publicationDate":"2024-04-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140820046","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Performance, Art, Institutions and Interdisciplinarity 表演、艺术、机构和跨学科性

IF 0.5

Arts Pub Date : 2024-04-29 DOI: 10.3390/arts13030079

Rob Gawthrop

引用次数: 0

Reflection and Refraction: Multivalent Social Realism in the Work of Joaquín Sorolla 反射与折射：华金-索罗拉作品中的多义性社会现实主义

IF 0.5

Arts Pub Date : 2024-04-29 DOI: 10.3390/arts13030078

Rachel Vorsanger

引用次数: 0