{"title":"拉丁裔同性恋身体与艾滋病：乔伊-泰瑞尔的 \"仍在这里 \"和 \"曾几何时\"","authors":"Alexis Salas","doi":"10.3390/arts13040133","DOIUrl":null,"url":null,"abstract":"Through two interviews conducted two years apart, the author and artist Joey Terrill offer an intimate historical trajectory rooted in the singular voice of the artist through the discussion of artworks in the exhibitions “Joey Terrill: Still Here” and “Joey Terrill: Once Upon A Time: Paintings, 1981–2015”. The method of storytelling, interview, and art representation chronicles the artist’s emotional, intellectual, and embodied experience of illness, queerness, and resistance as an HIV-positive queer Chicano.","PeriodicalId":30547,"journal":{"name":"Arts","volume":"2 1","pages":""},"PeriodicalIF":0.3000,"publicationDate":"2024-08-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Queer Latinx Bodies and AIDS: Joey Terrill’s “Still Here” and “Once Upon A Time”\",\"authors\":\"Alexis Salas\",\"doi\":\"10.3390/arts13040133\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Through two interviews conducted two years apart, the author and artist Joey Terrill offer an intimate historical trajectory rooted in the singular voice of the artist through the discussion of artworks in the exhibitions “Joey Terrill: Still Here” and “Joey Terrill: Once Upon A Time: Paintings, 1981–2015”. The method of storytelling, interview, and art representation chronicles the artist’s emotional, intellectual, and embodied experience of illness, queerness, and resistance as an HIV-positive queer Chicano.\",\"PeriodicalId\":30547,\"journal\":{\"name\":\"Arts\",\"volume\":\"2 1\",\"pages\":\"\"},\"PeriodicalIF\":0.3000,\"publicationDate\":\"2024-08-09\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Arts\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.3390/arts13040133\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"0\",\"JCRName\":\"HUMANITIES, MULTIDISCIPLINARY\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Arts","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3390/arts13040133","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"HUMANITIES, MULTIDISCIPLINARY","Score":null,"Total":0}
引用次数: 0
摘要
作者和艺术家乔伊-泰瑞尔通过两次相隔两年的访谈，通过对 "乔伊-泰瑞尔：仍在这里 "和 "乔伊-泰瑞尔：Once Upon A Time：画作，1981-2015 年"。通过讲故事、访谈和艺术表现的方法，记录了艺术家作为艾滋病毒呈阳性的奇卡诺同性恋者，在情感、智力和身体上对疾病、同性恋和反抗的体验。
Queer Latinx Bodies and AIDS: Joey Terrill’s “Still Here” and “Once Upon A Time”
Through two interviews conducted two years apart, the author and artist Joey Terrill offer an intimate historical trajectory rooted in the singular voice of the artist through the discussion of artworks in the exhibitions “Joey Terrill: Still Here” and “Joey Terrill: Once Upon A Time: Paintings, 1981–2015”. The method of storytelling, interview, and art representation chronicles the artist’s emotional, intellectual, and embodied experience of illness, queerness, and resistance as an HIV-positive queer Chicano.
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