殖民地努比亚的埃及艺术:新王国时期杰胡提霍特普、赫卡内费尔和彭努特墓葬中的权力和社会结构表征

IF 0.3 0 HUMANITIES, MULTIDISCIPLINARY
Arts Pub Date : 2024-07-14 DOI:10.3390/arts13040118
Rennan Lemos
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引用次数: 0

摘要

在新王国殖民时期的努比亚,装饰有壁画或浮雕的纪念性凿岩古墓十分罕见。例外情况包括 18 王朝的 Djehutyhotep(德贝拉)墓和 Hekanefer(米亚姆)墓,以及 20 王朝的 Pennut(阿尼巴)墓。这三座墓葬展现了典型的埃及艺术表现形式和碑文,其中包括墓主人及其家人,也包括在其直接控制下生活的人。本文根据这些墓葬所在地区的考古记录,比较了这些装饰性、纪念性凿岩墓葬的艺术和建筑特点,以便将艺术与殖民化努比亚的社会环境联系起来。在新王国殖民时期的努比亚,艺术除了表达殖民地的文化和宗教归属之外,似乎还被用作一种工具,用来强化等级制度和权力,并界定最上层精英社会空间的边界。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Egyptian Art in Colonized Nubia: Representing Power and Social Structure in the New Kingdom Tombs of Djehutyhotep, Hekanefer and Pennut
Monumental rock-cut tombs decorated with wall paintings or reliefs were rare in New Kingdom colonial Nubia. Exceptions include the 18th Dynasty tombs of Djehutyhotep (Debeira) and Hekanefer (Miam), and the 20th Dynasty tomb of Pennut (Aniba). The three tombs present typical Egyptian artistic representations and inscriptions, which include tomb owners and their families, but also those living under their direct control. This paper compares the artistic and architectural features of these decorated, monumental rock-cut tombs in light of the archaeological record of the regions in which they were located in order to contextualize art within its social setting in colonized Nubia. More than expressing cultural and religious affiliations in the colony, art seems to have been essentially used as a tool to enforce hierarchization and power, and to define the borders of the uppermost elite social spaces in New Kingdom colonial Nubia.
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来源期刊
Arts
Arts HUMANITIES, MULTIDISCIPLINARY-
自引率
40.00%
发文量
104
审稿时长
11 weeks
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