DictynnaPub Date : 2018-12-20DOI: 10.4000/DICTYNNA.1749
F. Klein
{"title":"Quels critères de l’allusion pour une intertextualité ‘latente’ ?Échos cachés / dispersés des Métamorphoses d’Ovide dans l’Écho de Longus.","authors":"F. Klein","doi":"10.4000/DICTYNNA.1749","DOIUrl":"https://doi.org/10.4000/DICTYNNA.1749","url":null,"abstract":"Cet article propose de voir dans l’episode d’Echo conte au livre III du roman Daphnis et Chloe les traces de reprises intertextuelles des Metamorphoses d’Ovide. Cette hypothese d’une (re)connaissance du poete latin par un auteur grec s’accompagne de l’experimentation de criteres qui peuvent permettre de valider l’existence de tels jeux allusifs. Un premier critere reside dans le fait que l’auteur citant ne se contente pas d’imiter un episode particulier (ce qui pourrait toujours s’expliquer par le recours a une source commune perdue ou par la vague reprise d’un contenu mythologique amplement diffuse) mais superpose ou combine les reprises de passages distincts d’un meme poeme, eventuellement lies entre eux par des liens subtils – ce qui suppose une lecture attentive de l’œuvre en tant que telle (en l’occurrence, Longus semble imiter plusieurs passages epars dans les Metamorphoses, autour de la figure de Pan (en compagnie de Syrinx / sa syrinx), aux livres I et XI, ou de celle d’Orphee, au livre XI egalement). Un second critere est la presence de ‘marqueurs d’intertextualite’ par lesquels l’auteur signale, et eventuellement commente, le geste allusif qu’il est en train d’accomplir (ce que fait Longus en thematisant dans l’episode de la mort d’Echo le caractere approximatif, disperse et meme peut-etre crypte de ses reprises ovidiennes, jouant ainsi sur l’aveu paradoxal d’une intertextualite qui ne se dit qu’en tant qu’elle se cache).","PeriodicalId":30340,"journal":{"name":"Dictynna","volume":"54 6 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82974371","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
DictynnaPub Date : 2018-12-20DOI: 10.4000/dictynna.1688
Stavros Frangoulidis
{"title":"Plautus, Menaechmi: Twin Helping Twin","authors":"Stavros Frangoulidis","doi":"10.4000/dictynna.1688","DOIUrl":"https://doi.org/10.4000/dictynna.1688","url":null,"abstract":"This paper explores how Menaechmus II of Syracuse unintentionally succeeds in removing Menaechmus I, his Epidamnian twin, from a society which has been exploiting him. The process of withdrawal runs through the play, and is achieved in two stages in which Menaechmus II assumes his twin brother’s meta-dramatic role: in the first play the newly arrived brother alienates the Epidamnian twin from his immediate social and family milieu; and in the second he almost leads the Epidamnians to have his brother isolated within the community on account of the latter’s alleged insanity. As servus bonus, Messenio initially discourages Menaechmus II from comic merrymaking, thus impeding the reunion of the siblings, but later assists in forwarding the plot: he thwarts the Epidmanians’ intention to seclude him and eventually facilitates the recognitio between the twins as well as their final decision to return to their native land. Thus, Menaechmus II’s quest for his twin, which seems to have been deferred when he first arrives in Epidamnus, is prepared for and effectively carried through via the evolution of meta-plots.","PeriodicalId":30340,"journal":{"name":"Dictynna","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82985769","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
DictynnaPub Date : 2018-12-20DOI: 10.4000/dictynna.1525
A. Morelli
{"title":"Otium e letteratura nei Carmina Priapea (e in Marziale)1","authors":"A. Morelli","doi":"10.4000/dictynna.1525","DOIUrl":"https://doi.org/10.4000/dictynna.1525","url":null,"abstract":"This paper focuses on the relationship between otium and literature in the Carmina Priapea. In the double prologue of the collection (Priap. 1-2), although lexemes and idioms are similar to those which can be found in most epigrammatic authors, there are significant differences in the use of literary topoi connected to the theme of otium. The new idea of poetry as a ‘rough’ offering of a supposedly ‘idling’ poet in Priapus’ sacred space takes shape through a number of refined allusions to Catullus, Martial, and also (with high probability) to Strato’s Paidike Mousa, in the most important metapoetic poems of the Priapea (1-2, 41, 47, 49, 80). This suggests that the collection is the work of a unique author largely inspired by Martial’s epigrammatic corpus (Mart. 1,1-4, 1,107, 8 pr., 8,3, 8,55, 11,1-6, 12 pr., and 12,1 are re-examined).","PeriodicalId":30340,"journal":{"name":"Dictynna","volume":"90 5 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83656911","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
DictynnaPub Date : 2018-12-20DOI: 10.4000/dictynna.1535
L. Kronenberg
{"title":"Seeing the light, Part I:Aratus’s interpretation of Homer’s LEUKĒ acrostic1","authors":"L. Kronenberg","doi":"10.4000/dictynna.1535","DOIUrl":"https://doi.org/10.4000/dictynna.1535","url":null,"abstract":"Part I of this two-part study argues that Aratus’s decision to base his LEPTĒ acrostic, which occurs during a discussion of moonlight (Phaen. 783-87), on Homer’s LEUKĒ acrostic (Il. 24.1-5) was motivated by the connection in Homer between the adjective λeυκός and various types of light from the sky, including the light of dawn, which appears shortly after the acrostic (Il. 24.12), and the light of the moon (Il. 23.455). In Part II, I will argue that a study of the reception of Aratus’s acrostic in Greek and Latin poetry reveals that many ancient poets solved the “riddle” of how Aratus’s acrostic relates to Homer’s.","PeriodicalId":30340,"journal":{"name":"Dictynna","volume":"51 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74980722","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
DictynnaPub Date : 2018-12-20DOI: 10.4000/dictynna.1575
L. Kronenberg
{"title":"Seeing the light, Part II: The reception of Aratus’s LEPTĒ acrostic in Greek and Latin literature1","authors":"L. Kronenberg","doi":"10.4000/dictynna.1575","DOIUrl":"https://doi.org/10.4000/dictynna.1575","url":null,"abstract":"Part I of this study argued that Aratus’s decision to base his LEPTĒ acrostic, which occurs during a discussion of moonlight (Phaen. 783-87), on Homer’s LEUKĒ acrostic (Il. 24.1-5) was motivated by the connection in Homer between the adjective λeυκός and various types of light from the sky, including the light of dawn, which appears shortly after the acrostic (Il. 24.12), and the light of the moon (Il. 23.455). In Part II, I argue that a study of the reception of Aratus’s acrostic in Greek and Latin poetry reveals that many ancient poets solved the “riddle” of how Aratus’s acrostic relates to Homer’s.","PeriodicalId":30340,"journal":{"name":"Dictynna","volume":"45 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81039711","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
DictynnaPub Date : 2018-12-20DOI: 10.4000/dictynna.1593
G. Bua
{"title":"Iucundus nominis error (Ov. Ars 3, 729): Procri rustica puella nell’Ars amatoria","authors":"G. Bua","doi":"10.4000/dictynna.1593","DOIUrl":"https://doi.org/10.4000/dictynna.1593","url":null,"abstract":"Alla fine del terzo libro dell’Ars, Ovidio esorta le cultae lettrici a non dare spazio al sentimento della gelosia, estraneo all’adulterino mondo dell’elegia erotica, e introduce il mito dell’amore infelice di Cefalo e Procri (3, 683-746), exemplum ‘serio’ (non leve) delle nefaste conseguenze di un atteggiamento non moderato in amore. Il presente contributo focalizza l’attenzione sulla figura di Procri come anti-exemplum, modello oppositivo della elegiaca femina culta, e legge la ‘credulita’ della fanciulla, vittima dell’inganno prodotto dal nome della presunta rivale (aura), alla luce della rusticitas che delinea le similari figure di puellae abbandonate delle Heroides. Nella cornice didascalica ovidiana il mito funziona come modello culturale contrario all’estetica del decorum. La ricerca della moderazione e l’invito al rispetto del modus costituiscono il fulcro del messaggio dell’Ars. Connotato come ‘dramma dell’inganno dell’eros’, il mito di Procri si presta a divenire exemplum negativo di insania amorosa, modello perduto di simplicitas che viola i paradigmi dell’amore elegiaco e mal s’addice all’aetas ovidiana del cultus e della raffinatezza.","PeriodicalId":30340,"journal":{"name":"Dictynna","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2018-12-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85590781","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}