Otium和文学在战争时期

Dictynna Pub Date : 2018-12-20 DOI:10.4000/dictynna.1525
A. Morelli
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引用次数: 1

摘要

本文主要探讨了《卡米娜·普里亚佩》中otium与文学的关系。在该文集的双序中(普里普1-2),虽然词汇和习语与大多数警句作者的相似,但在与otium主题相关的文学拓扑的使用上存在显著差异。在普里阿普斯最重要的元诗歌(1- 2,41,47,49,80)中,通过对卡图卢斯,马夏尔,以及斯特拉托的Paidike Mousa(很有可能)的一些精致典喻,诗歌作为普里阿普斯神圣空间中一个被认为是“空闲”诗人的“粗略”奉献的新想法形成了(1- 2,41,47,49,80)。这表明该文集是一个独特的作者的作品,很大程度上受到了马夏尔警句语料库的启发(第1,1- 4,1,107,8页,8,3,8页,55,11页,1-6页,12页和12,1页被重新审视)。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Otium e letteratura nei Carmina Priapea (e in Marziale)1
This paper focuses on the relationship between otium and literature in the Carmina Priapea. In the double prologue of the collection (Priap. 1-2), although lexemes and idioms are similar to those which can be found in most epigrammatic authors, there are significant differences in the use of literary topoi connected to the theme of otium. The new idea of poetry as a ‘rough’ offering of a supposedly ‘idling’ poet in Priapus’ sacred space takes shape through a number of refined allusions to Catullus, Martial, and also (with high probability) to Strato’s Paidike Mousa, in the most important metapoetic poems of the Priapea (1-2, 41, 47, 49, 80). This suggests that the collection is the work of a unique author largely inspired by Martial’s epigrammatic corpus (Mart. 1,1-4, 1,107, 8 pr., 8,3, 8,55, 11,1-6, 12 pr., and 12,1 are re-examined).
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