Facta Universitatis, Series: Visual Arts and Music最新文献_第2页

THE DIALOGUE BETWEEN SOLOIST AND ORCHESTRA WITHIN THE CONCERTO PRESENTED THROUGH PEIRCE'S “THEORY OF SIGNS” 通过皮尔斯的“符号理论”来呈现协奏曲中独奏家与管弦乐队之间的对话

Facta Universitatis, Series: Visual Arts and Music Pub Date : 2021-08-02 DOI: 10.22190/FUVAM2101041N

Neda Nikolić

{"title":"THE DIALOGUE BETWEEN SOLOIST AND ORCHESTRA WITHIN THE CONCERTO PRESENTED THROUGH PEIRCE'S “THEORY OF SIGNS”","authors":"Neda Nikolić","doi":"10.22190/FUVAM2101041N","DOIUrl":"https://doi.org/10.22190/FUVAM2101041N","url":null,"abstract":"The dichotomy between individualism and collectivism, deeply rooted in the development of social life, reflects an anthropological aspect that is also reflected in the art of music. This opposition, which is manifested through the relationship between the soloist and the orchestra within the concerto, is one of its main genre features. It survives despite all the changes that have taken place throughout history, but it is still subject to modifications. However, the role of these entities, apart from the style of the epoch, was also influenced by the composer`s personal style which must also be taken into account when considering the work from any point of view. The proposal to apply the method of Charles Peirce's “Theory of Signs” is to help to elucidate the meanings that this type of dialogue produces and which are hierarchically arranged and positioned within the pyramidal structure. Accordingly, the theme of the paper aims at showing the relationship between the soloist and the orchestra, showing what their function is within the concerto, as well as how their roles have changed throughout the change of epochs in history and the meaning this type of dialogue conveys.","PeriodicalId":297431,"journal":{"name":"Facta Universitatis, Series: Visual Arts and Music","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127291902","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

SPECIFICITIES OF STIMULATING MUSICAL TALENT WITHIN FORMAL MUSICAL EDUCATION 正规音乐教育中激发音乐天赋的特殊性

Facta Universitatis, Series: Visual Arts and Music Pub Date : 2021-08-02 DOI: 10.22190/FUVAM2101065N

I. Nikolić

引用次数: 1

VISUAL REPRESENTATIONS OF NATIVE AMERICANS IN COLONIAL AMERICA 美国殖民时期印第安人的视觉表现

Facta Universitatis, Series: Visual Arts and Music Pub Date : 2021-08-02 DOI: 10.22190/FUVAM2101075K

A. Stanković

引用次数: 0

THE CHURCH HYMN “CHRIST RECEIVETH SINFUL MEN”: ITS RELATIONSHIP TO THE GERMAN ORIGINAL AND ITS ADAPTATION BY AMERICAN AND KOREAN HYMNALS 教会赞美诗《基督收纳罪人》:与德国原著的关系及美韩赞美诗的改编

Facta Universitatis, Series: Visual Arts and Music Pub Date : 2021-08-02 DOI: 10.22190/FUVAM2101013P

Sa Ra Park

引用次数: 0

THE EFFECT OF MUSICAL GESTURES ON AN AUDIENCE: EXAGGERATED OR DEADPAN GESTURES 音乐手势对观众的影响:夸张的或面无表情的手势

Facta Universitatis, Series: Visual Arts and Music Pub Date : 2021-08-02 DOI: 10.22190/FUVAM2101053K

Aleksandar Kodela

引用次数: 0

THE DEFECTS OF A REIGNING THEORY 主流理论的缺陷

Facta Universitatis, Series: Visual Arts and Music Pub Date : 2021-08-02 DOI: 10.22190/FUVAM2101001N

Dimitar Ninov

{"title":"THE DEFECTS OF A REIGNING THEORY","authors":"Dimitar Ninov","doi":"10.22190/FUVAM2101001N","DOIUrl":"https://doi.org/10.22190/FUVAM2101001N","url":null,"abstract":"Contemporary theoretical musicology, and especially its anglophone section, has been heavily influenced by the ideas and analytical methods of Heinrich Schenker (1868-1935) who was an Austrian. Schenkerian-inspired theory, once imported in the United States from Austria, spread widely on American soil, where it was “enriched” conceptually, and was then re-exported to Canada, Great Britain, Australia, and other English speaking countries. The old American school of harmony that stemmed from the best German, French, and Russian traditions, found itself pushed to the wall by the ever growing Schenkerian school of thought which was erecting a cult of his creator. A “new order” in harmony and analysis was gradually established that regarded tonality as a business between tonic and dominant alone, the rest of the chords being of peripheral importance. This mentality shut the door to diversity and freedom in functional thinking, and opened the door to highly biased harmonic and formal analyses which erased harmonic cadences, presented tonality in black and white, breached syntactical units to create a new way of hearing music (the so-called \"distance hearing\" or \"structural hearing”), and inevitably ended up with the same fundamental structure in melody and harmony, named “Ursatz”. This essay discusses major defects of Schenkerian theory and their negative impact on traditional harmony and analysis.","PeriodicalId":297431,"journal":{"name":"Facta Universitatis, Series: Visual Arts and Music","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131603934","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

MODERN APPROACHES TO TEACHING SIGHT SINGING AND EAR TRAINING 视觉歌唱与听觉训练的现代教学方法

Facta Universitatis, Series: Visual Arts and Music Pub Date : 2021-01-31 DOI: 10.22190/FUVAM2002083S

Nico Schüler

{"title":"MODERN APPROACHES TO TEACHING SIGHT SINGING AND EAR TRAINING","authors":"Nico Schüler","doi":"10.22190/FUVAM2002083S","DOIUrl":"https://doi.org/10.22190/FUVAM2002083S","url":null,"abstract":"Sight singing and ear training are difficult subjects to teach. Over the past decade, however, many new technological tools were developed that support educational endeavors. Several of those tools, SmartMusic, SingSnap, EarTrainer (MusicDictation.app), and YouTube, were used at the beginning college-level aural skills courses to enhance sight singing and ear training instruction, especially in the context of enhancing audiation skills. This article summarizes their use within aural skills courses and present experimental and anecdotal evidence of increased sight singing and ear training skills. More specifically, experimental (test) data as well as anecdotal (essay) evidence showed that (1) students were much higher motivated to complete exercises compared to ‘traditional’ aural skills exercises, (2) in a shorter period of time, students performed much better than in ‘traditional’ exercises of at least the same difficulty, (3) the students’ audiation abilities increased much more as a result of the exercises, compared to ‘traditional’ exercises, and (4) students showed a greater increase in solfege proficiency, compared to ‘traditional’ exercises. The teaching approaches we have discussed also led to a greater independence from in-person instruction.","PeriodicalId":297431,"journal":{"name":"Facta Universitatis, Series: Visual Arts and Music","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133714862","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

EPHEMERAL ARCHITECTURE - A PROPOSAL FOR INTERVENTIONS IN PUBLIC SPACE 短暂的建筑——对公共空间的干预建议

Facta Universitatis, Series: Visual Arts and Music Pub Date : 2020-01-06 DOI: 10.22190/FUVAM1902163J

S. Janković, D. Stankovic

{"title":"EPHEMERAL ARCHITECTURE - A PROPOSAL FOR INTERVENTIONS IN PUBLIC SPACE","authors":"S. Janković, D. Stankovic","doi":"10.22190/FUVAM1902163J","DOIUrl":"https://doi.org/10.22190/FUVAM1902163J","url":null,"abstract":"Most certainly, architectural objectives are the basis of the physical structure of a city, yet they are distinct morphological and typological units, they are free spaces with exceptional values and characteristics. Buildings that form the spaces of cities often change, build and disintegrate, but the permanent motive of the city space remains - an empty, unfinished part, as a constant sign of history. On the hierarchical scale of the urban environment, important elements are ephemeral structures, permanent or temporary. A possibility for empty space to be revived is the installation of artistic or ephemeral utilitarian structures. This paper presents the role of such micro-urban interventions that enrich the public space and contribute to its revitalization. Ephemeral architecture is especially suitable as a space for the presentation of artistic ideas and for incorporating new technological contents. The aim of the paper is to highlight a view about the importance of ephemeral structures by analyzing and studying the case studies. Special emphasis is placed on examples of completed projects of the pavilions of unique forms and the use of ship containers as a space for introducing artistic ideas. The main contribution of this paper should be a proposal of using ephemeral structures in urban space revival by promoting art and establishing a social contact.","PeriodicalId":297431,"journal":{"name":"Facta Universitatis, Series: Visual Arts and Music","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-01-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124650377","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

THE FUNCTION OF HARMONY IN MUSICAL DRAMATURGY: SONGS OF HADŽI TOMA AND ALIL IN THE MUSIC DRAMA KOŠTANA BY PETAR KONJOVIC 和谐在音乐剧中的作用:佩塔·康约维奇的音乐剧《koŠtana》中hadŽi toma和alil的歌曲

Facta Universitatis, Series: Visual Arts and Music Pub Date : 2019-07-04 DOI: 10.22190/FUVAM1901011M

Marko Milenković

{"title":"THE FUNCTION OF HARMONY IN MUSICAL DRAMATURGY: SONGS OF HADŽI TOMA AND ALIL IN THE MUSIC DRAMA KOŠTANA BY PETAR KONJOVIC","authors":"Marko Milenković","doi":"10.22190/FUVAM1901011M","DOIUrl":"https://doi.org/10.22190/FUVAM1901011M","url":null,"abstract":"This paper explores and determines specific features of the harmonic language of Petar Konjović (1883–1970) in relation to the music-dramatic portraits of Hadži Toma and Alil – the two main characters in the composer’s most significant opera \"Koštana\" (1931), inspired by the playof Borisav Stanković (1876–1927). Viewed through a starting hypothesis by which harmony is one of the most important elements of Konjović’s modernity, this paper primarily aims to precisely identify the harmonic potentials of the composer’s „speach“ in the songs of the afore mentioned protagonists. The very music-dramatic function of the chosen songs has been an inspiring subject of this research. Another, non the less atractive subject was enlightening Konjović’s relation towards folklore, with the special focus in his approach towards harmonizing folk songs. Special attention was payed to aspects of Konjovic’s relation towards the heritage of Mokranjac. Results of the harmonic analysis have proven that the vertical dimension of the chosen songs show a skillful refraction of tonal and modal space with specific folklore scales and formulas which, along with the chordal diversity, points to an individual harmonic system and music thought of Petar Konjović as an authentic representative of the „national orientation“ in the developmental period of Serbian music between the two World wars, within its – at that time – Yugoslav and European frames.","PeriodicalId":297431,"journal":{"name":"Facta Universitatis, Series: Visual Arts and Music","volume":"241 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-07-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122819796","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

TERMINUS – TERMINAL – TERMINOLOGY 终端。终端。术语

Facta Universitatis, Series: Visual Arts and Music Pub Date : 2019-07-04 DOI: 10.22190/FUVAM1901001Z

M. Zatkalik

引用次数: 0