THE EFFECT OF MUSICAL GESTURES ON AN AUDIENCE: EXAGGERATED OR DEADPAN GESTURES

Aleksandar Kodela
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Abstract

In the last two decades the scope of scientific papers related to the study of musical gestures increased enormously thanks to the development of data collection technology. The aim of this paper was to contribute to this topical area of psychology of music through the study of musical gestures during performance, i.e. to explain and systematise the visual experience of the audience when a performer made exaggerated or deadpan gestures during performance. This study was based on the questionnaire research method where examinees rated the performance of two performers by using a scale from 1 to 5. During his performance the first performer made exaggerated gestures, while the other made deadpan ones. The results that we obtained proved that exaggerated gestures disturbed visual experience of the listeners regardless whether they were formally educated in music or not. The results also showed considerable achievements in the domain of musical gestures and could be largely used for both pedagogical and performing purposes.
音乐手势对观众的影响:夸张的或面无表情的手势
在过去的二十年中,由于数据收集技术的发展,与音乐手势研究相关的科学论文的范围大大增加。本文的目的是通过对表演中的音乐手势的研究,为音乐心理学的这一主题领域做出贡献,即,当表演者在表演中做出夸张或面无表情的手势时,解释和系统化观众的视觉体验。本研究采用问卷调查法,由考生对两名表演者的表现进行打分,从1分到5分。在他的表演中,第一个演员做了夸张的手势,而另一个做了面无表情的手势。我们得到的结果证明,夸张的手势干扰了听众的视觉体验,无论他们是否受过正规的音乐教育。研究结果还表明,在音乐手势领域取得了相当大的成就,可以在很大程度上用于教学和表演目的。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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