SPECIFICITIES OF STIMULATING MUSICAL TALENT WITHIN FORMAL MUSICAL EDUCATION

I. Nikolić
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引用次数: 1

Abstract

The authors studying gifted and talented persons agree that adequate boosting of their development requires either specialized curricula or adaptation of the existing ones by acceleration and/or differentiation. The paper focuses on the specificities of boosting talent for music, taking into account the organized system of formal music education in Serbia. A special attention is paid to solfege teaching, as it constitutes the basis of musical literacy of future professional musicians. It is presumed that the implementation of the procedures highlighted in the paper, coupled with a special attention paid to the problems of organizing the work with talented pupils and students can lead to a degree of development enabling them to participate in various musical activities with a high level of motivation and no fear of lacking skills. The paper also points to the need to stimulate musical talent according to the pupils' and students' individual abilities, and in line with the specificities of the chosen field of specialization.
正规音乐教育中激发音乐天赋的特殊性
研究资优人才的作者一致认为,要充分促进资优人才的发展,要么需要专门的课程,要么需要对现有课程进行加速和(或)差异化的调整。考虑到塞尔维亚有组织的正规音乐教育体系,本文重点关注促进音乐人才的特殊性。特别注意的是视唱教学,因为它构成了未来的专业音乐家的音乐素养的基础。据推测,本文中强调的程序的实施,加上对有才华的学生和学生组织工作的问题的特别关注,可以导致一定程度的发展,使他们能够以高水平的动机参与各种音乐活动,而不必担心缺乏技能。本文还指出,需要根据学生的个人能力,并根据所选择的专业领域的特殊性来激发音乐人才。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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