Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences最新文献_第3页

FEATUR.UX.AV: A Live Sound Visualization System Using Multitrack Audio feature . ux . av:使用多轨音频的实时声音可视化系统

Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences Pub Date : 2017-08-23 DOI: 10.1145/3123514.3123561

I. Olowe, M. Barthet, M. Grierson

引用次数: 1

Composing The Good Ship Hibernia and the Hole in the Bottom of the World 创作好船海伯尼亚和世界底部的洞

Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences Pub Date : 2017-08-23 DOI: 10.1145/3123514.3123520

S. Roddy

引用次数: 1

Designing Computationally Creative Musical Performance Systems 设计计算创造性的音乐表演系统

Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences Pub Date : 2017-08-23 DOI: 10.1145/3123514.3123541

C. Goddard, M. Barthet, Geraint A. Wiggins

引用次数: 1

Walking Phrases: Modeling the Walker's Context for Sonic Interaction Design 行走短语:为声音交互设计建模步行者的环境

Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences Pub Date : 2017-08-23 DOI: 10.1145/3123514.3123544

Nassrin Hajinejad, Licinio Gomes Roque, Barbara Grüter

引用次数: 2

Perception of Paralinguistic Traits in Synthesized Voices 合成语音的副语言特征感知

Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences Pub Date : 2017-08-23 DOI: 10.1145/3123514.3123528

Alice Baird, Stina Marie Hasse Jørgensen, Emilia Parada-Cabaleiro, Simone Hantke, N. Cummins, Björn Schuller

{"title":"Perception of Paralinguistic Traits in Synthesized Voices","authors":"Alice Baird, Stina Marie Hasse Jørgensen, Emilia Parada-Cabaleiro, Simone Hantke, N. Cummins, Björn Schuller","doi":"10.1145/3123514.3123528","DOIUrl":"https://doi.org/10.1145/3123514.3123528","url":null,"abstract":"Along with the rise of artificial intelligence and the internet-of-things, synthesized voices are now common in daily--life, providing us with guidance, assistance, and even companionship. From formant to concatenative synthesis, the synthesized voice continues to be defined by the same traits we prescribe to ourselves. When the recorded voice is synthesized, does our perception of its new machine embodiment change, and can we consider an alternative, more inclusive form? To begin evaluating the impact of aesthetic design, this study presents a first--step perception test to explore the paralinguistic traits of the synthesized voice. Using a corpus of 13 synthesized voices, constructed from acoustic concatenative speech synthesis, we assessed the response of 23 listeners from differing cultural backgrounds. To evaluate if perception shifts from the defined traits, we asked listeners to assigned traits of age, gender, accent origin, and human--likeness. Results present a difference in perception for age and human--likeness across voices, and a general agreement across listeners for both gender and accent origin. Connections found between age, gender and human--likeness call for further exploration into a more participatory and inclusive synthesized vocal identity.","PeriodicalId":282371,"journal":{"name":"Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences","volume":"207 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-08-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131495364","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 15

Media Device Orchestration for Immersive Spatial Audio Reproduction 沉浸式空间音频再现的媒体设备编排

Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences Pub Date : 2017-08-23 DOI: 10.1145/3123514.3123563

J. Francombe, R. Mason, P. Jackson, Tim S. Brookes, R. Hughes, James Woodcock, Andreas Franck, F. Melchior, C. Pike

引用次数: 4

Handwaving: Gesture Recognition for Participatory Mobile Music 手势:参与式移动音乐的手势识别

Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences Pub Date : 2017-08-23 DOI: 10.1145/3123514.3123538

Gerard Roma, Anna Xambó, Jason Freeman

引用次数: 7

The Hyper-Mandolin 的Hyper-Mandolin

Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences Pub Date : 2017-08-23 DOI: 10.1145/3123514.3123539

L. Turchet

{"title":"The Hyper-Mandolin","authors":"L. Turchet","doi":"10.1145/3123514.3123539","DOIUrl":"https://doi.org/10.1145/3123514.3123539","url":null,"abstract":"This paper presents the Hyper-Mandolin, which consists of a conventional acoustic mandolin augmented with different types of sensors, a microphone, as well as real-time control of digital effects and sound generators during the performer's act of playing. The placing of the added technology is conveniently located and is not a hindrance to the acoustic use of the instrument. A modular architecture is involved to connect various sensors interfaces to a central computing unit dedicated to the analog to digital conversion of the sensors data. Such an architecture allows for an easy interchange of the sensors interface layouts. The processing of audio and sensors data is accomplished by applications coded in Max/MSP and running on an external computer. The instrument can also be used as a controller for digital audio workstations. The interactive control of the sonic output is based on the extraction of features from both the data captured by sensors and the acoustic waveforms captured by the microphone. The development of this instrument was mainly motivated by the author's need to extend the sonic and interaction possibility of the acoustic mandolin when used in conjunction with conventional electronics for sound processing.","PeriodicalId":282371,"journal":{"name":"Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences","volume":"180 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-08-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122324433","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 7

An Archival Echo: Recalling the public domain through real-time query by vocalisation 档案回声:通过发声的实时查询来回顾公共领域

Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences Pub Date : 2017-08-23 DOI: 10.1145/3123514.3123546

Ben White, Adib Mehrabi, M. Sandler

引用次数: 1

The Geometric Oscillator: Sound Synthesis with Cyclic Shapes 几何振荡器:循环形状的声音合成

Proceedings of the 12th International Audio Mostly Conference on Augmented and Participatory Sound and Music Experiences Pub Date : 2017-08-23 DOI: 10.1145/3123514.3123522

Joshua Peschke, Axel Berndt

引用次数: 5