The Hyper-Mandolin

L. Turchet
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引用次数: 7

Abstract

This paper presents the Hyper-Mandolin, which consists of a conventional acoustic mandolin augmented with different types of sensors, a microphone, as well as real-time control of digital effects and sound generators during the performer's act of playing. The placing of the added technology is conveniently located and is not a hindrance to the acoustic use of the instrument. A modular architecture is involved to connect various sensors interfaces to a central computing unit dedicated to the analog to digital conversion of the sensors data. Such an architecture allows for an easy interchange of the sensors interface layouts. The processing of audio and sensors data is accomplished by applications coded in Max/MSP and running on an external computer. The instrument can also be used as a controller for digital audio workstations. The interactive control of the sonic output is based on the extraction of features from both the data captured by sensors and the acoustic waveforms captured by the microphone. The development of this instrument was mainly motivated by the author's need to extend the sonic and interaction possibility of the acoustic mandolin when used in conjunction with conventional electronics for sound processing.
的Hyper-Mandolin
本文介绍了超级曼陀林,它由一个传统的声学曼陀林增加了不同类型的传感器,一个麦克风,以及实时控制的数字效果和声音发生器在表演者的行为演奏。所添加的技术的放置位置方便,并且不妨碍仪器的声学使用。采用模块化架构将各种传感器接口连接到专用于传感器数据的模拟到数字转换的中央计算单元。这样的架构允许传感器接口布局的简单交换。音频和传感器数据的处理由Max/MSP编码的应用程序完成,并在外部计算机上运行。该仪器还可以用作数字音频工作站的控制器。声音输出的交互控制是基于从传感器捕获的数据和麦克风捕获的声波波形中提取特征。这种乐器的发展主要是出于作者需要扩展声学曼陀林的声音和相互作用的可能性,当与传统电子设备一起用于声音处理时。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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