{"title":"La trama dell'allegoria","authors":"Elisa Caporiccio","doi":"10.36253/978-88-5518-604-9","DOIUrl":"https://doi.org/10.36253/978-88-5518-604-9","url":null,"abstract":"The present study aims to examine the presence of allegory in literary works in prose, limiting the attention to a specific area of the second half of the twentieth century called ‘letteratura di ricerca’. After discussing the most important theories about ‘modern allegory’, and particularly the debate that has developed in the Italian literary critic around the ‘80s, a series of textual analysis are gathered, focusing on several authors, such as Manganelli, Morselli, Volponi, Malerba, Arbasino, Sanguineti, Di Marco. As we can see from the exam of these works, narrative allegories have an impact both on the formal and the content-related level: the allegorical impulse can affect the structure of a novel, its formal aspects and its diegesis, as well as its relations with literary genres.","PeriodicalId":270497,"journal":{"name":"Biblioteca di Studi di Filologia Moderna","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116640429","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Il tempo del diaspro. La litosfera di Luigi Meneghello","authors":"D. Salvadori","doi":"10.36253/979-12-215-0148-3","DOIUrl":"https://doi.org/10.36253/979-12-215-0148-3","url":null,"abstract":"In Luigi Meneghello’s work, literary representations of the mineral world play a deconstructive role, in that they authorize unprecedented and transversal readings aimed at unlocking the writer’s material and scientific imagery. Meneghello quite literally seems to have ‘stratified’ his creative work through using this imagery, from the lithogenesis of writing to the semantics of the crystal, petrifying reveries, and the effusive magma of language. The líthos is used as a ‘probe’, a hermeneutic sounding device through which to investigate cultural systems, the sedimentation of collective memory, and the role of writing itself, and it functions as a privileged access key to the author’s poetics.","PeriodicalId":270497,"journal":{"name":"Biblioteca di Studi di Filologia Moderna","volume":"91 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125167390","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Poesie scelte","authors":"Benno Geiger","doi":"10.36253/978-88-5518-516-5","DOIUrl":"https://doi.org/10.36253/978-88-5518-516-5","url":null,"abstract":"The volume presents a selection of poems originally composed in German by Austrian-Italian author Benno Geiger and translated into Italian for the first time. This publication aims to make Geiger’s poetical work available to a broader audience and place it aside his better known writing on Art History. Geiger’s specific role as a mediator and bridge between two cultures makes his poetical work extremely significant, as well as considering his prolific activity as a literary translator to which he devoted himself throughout his life. The current edition provides bilingual parallel text, preceded by an introductory essay and a biographical profile of the author. The critical apparatus highlights both the intertextual references and the writer’s complex links with the Italian and German poetical traditions.","PeriodicalId":270497,"journal":{"name":"Biblioteca di Studi di Filologia Moderna","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115289152","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Un’educazione all’umano. Letteratura e ideologia in Claudio Magris","authors":"F. Fastelli","doi":"10.36253/978-88-5518-338-3.22","DOIUrl":"https://doi.org/10.36253/978-88-5518-338-3.22","url":null,"abstract":"The essay discusses Magris’ idea of literature through his theoretical interventions. In particular, it addresses the crucial issue in the writer’s work, concerning the complex relationship between political commitment and artistic activity. The result is a surprising reflection on the ideological function of literary texts and on the tasks of the writer in the contemporary world.","PeriodicalId":270497,"journal":{"name":"Biblioteca di Studi di Filologia Moderna","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123304917","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Alla cieca e il testimone di secondo grado","authors":"Monica Pesce","doi":"10.36253/978-88-5518-338-3.26","DOIUrl":"https://doi.org/10.36253/978-88-5518-338-3.26","url":null,"abstract":"The essay focuses on the modalities adopted by Magris in his novel, Alla cieca, to merge literature and civil engagement through a fine narrative construction. By populating his writing with precise documentary research and taking advantage of the possibilities of invention, the author succeeds in giving voice to minimum destinies of History and save their high moral lesson. This can also be seen through a comparative reading of the pages of the novel dealing with Tito’s gulag, Goli Otok, and Scotti’s book, which is a historical reconstruction provided by witnesses of the events suffered by Italians who lived there.","PeriodicalId":270497,"journal":{"name":"Biblioteca di Studi di Filologia Moderna","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116724939","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Vie e voci delle diaspore nella narrativa di Claudio Magris","authors":"U. Musarra-Schrøder","doi":"10.36253/978-88-5518-338-3.19","DOIUrl":"https://doi.org/10.36253/978-88-5518-338-3.19","url":null,"abstract":"Diaspora is one of the most important themes in Claudio Magris’ works, including its interrelations with issues of exile, emigration, deportation. The Jewish Diaspora is the main topic of many of Magris’ essays and essayistic works, in particular Lontano da dove (1971). In other works, such as Microcosmi (1992) and the great novel Alla cieca (2005), Magris visits other diasporas, such as the exodus of thousands of Italians from Istria and Dalmatia. His recent novel Non luogo a procedere (2015) brings together the Jewish Diaspora and the African Diasporas through centuries of colonization epically and symbolically materialized in the figure of Luisa Brooks, the novel’s female protagonist.","PeriodicalId":270497,"journal":{"name":"Biblioteca di Studi di Filologia Moderna","volume":"137 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130591006","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La Götterlehre di Karl Philipp Moritz. Nell’officina del linguaggio mitopoietico degli antichi","authors":"Sara Congregati","doi":"10.36253/978-88-5518-129-7","DOIUrl":"https://doi.org/10.36253/978-88-5518-129-7","url":null,"abstract":"The unpublished translation of Götterlehre (1791) by K.Ph. Moritz presents the mythopoietic process of the Ancients by means of the tale of the origins of the numinous and of its ekfrastic structuring into the great mythical representations of the Greek-Roman world. In the background of Moritz’s visit to Italy (1786-1788) and of his fruitful friendship with Goethe, the introductory essay illustrates the theoretical premises of the specific aesthetic itinerary covered by a work of classical mythology conceveid as Dichtung and codified by a very original and universal Sprache der Phantasie, emblematic figural language that refers to the iconic character of the text with the rich repertoire of lithographies based on drawingings by Carstens, inspired by ancient cameos and gems of Lippert’s Dactyliotheca and the Stosch collection.","PeriodicalId":270497,"journal":{"name":"Biblioteca di Studi di Filologia Moderna","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124379380","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Un manifesto per la modernità: venti anni di Utopia e disincanto","authors":"Federico Carciaghi","doi":"10.36253/978-88-5518-338-3.28","DOIUrl":"https://doi.org/10.36253/978-88-5518-338-3.28","url":null,"abstract":"The current essay aims to highlighting the importance of Magris’ Utopia e disincanto. The year of its first publication (1999) was a watershed moment in his career, as it paved the way to a new season of public engagement and historical analysis, which can be also seen in his later essays and novels. Twenty years later, Utopia e disincanto is still a manifesto for modernity, a deeply contemporary book where Magris’ analytical view is headed towards an idea of universal literature, an idea of Weltliteratur that should be a tool to understand the changes in which mankind is involved. Literature is meant to be a tool to investigate the dark sides hidden among the folds of History","PeriodicalId":270497,"journal":{"name":"Biblioteca di Studi di Filologia Moderna","volume":"501 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133433674","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Claudio Magris e il mondo nordico. Uno scambio fecondo","authors":"Sara Culeddu","doi":"10.36253/978-88-5518-338-3.15","DOIUrl":"https://doi.org/10.36253/978-88-5518-338-3.15","url":null,"abstract":"The current article is aimed to outline a first review of the solid relationship of Claudio Magris with the Nordic world, both from the perspective of his reception in Denmark, Norway and Sweden and from the study of his fecund encounter with the works of authors like Henrik Ibsen, Knut Hamsun, Bjørnstjerne Bjørnson, Jens Peter Jacobsen, Herman Bang and others. These authors, whose works were partially translated by Magris, eventually played a meaningful role in his own writing. Besides affirming himself as a relevant voice in the Scandinavian context, his work as a mediator for Nordic literature has made him a reference point for Scandinavian studies in our country.","PeriodicalId":270497,"journal":{"name":"Biblioteca di Studi di Filologia Moderna","volume":"73 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116096414","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Vineta del Danubio. La letteratura tedesca in Tempo curvo a Krems","authors":"Vivetta Vivarelli","doi":"10.36253/978-88-5518-338-3.13","DOIUrl":"https://doi.org/10.36253/978-88-5518-338-3.13","url":null,"abstract":"The five stories in Magris’s Tempo curvo a Krems contain indirect references to the German and Mitteleuropean literatures that nourished their author. They are not merely echoes or resonances: allusions such as to the legend of Vineta, the city beneath the sea, or to Heine’s poem about the troubadour Rudèl and Melisanda, as well as to Faustian themes and the longing for transformation («die and become») are closely linked to the central theme of a circular and recurring time. The lightly ironic tone is nonetheless a bulwark against the spleen, the «Sehnsucht» or the recollection and regret of the past; a past that resurfaces and continues to echo like the tolling of a submerged bell.","PeriodicalId":270497,"journal":{"name":"Biblioteca di Studi di Filologia Moderna","volume":"61 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126595061","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}