卡尔·菲利普·莫里茨的Götterlehre。在古代神话语言车间

Sara Congregati
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引用次数: 0

摘要

未出版的翻译Götterlehre(1791年)由K.Ph。莫里茨通过神话起源的故事,以及它被构造成希腊罗马世界伟大神话的过程,呈现了古代神话的创造过程。在莫里茨访问意大利(1786-1788)以及他与歌德富有成果的友谊的背景下,这篇介绍性的文章阐述了特定美学路线的理论前提这条路线被一部古典神话作品所涵盖,它被认为是Dichtung,并被一部非常原始和普遍的《幻术》所收录,象征性的形象语言指的是文本的标志性人物以及基于卡斯滕斯绘画的丰富的平版版画,灵感来自利伯特的Dactyliotheca和Stosch收藏的古代浮雕和宝石。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
La Götterlehre di Karl Philipp Moritz. Nell’officina del linguaggio mitopoietico degli antichi
The unpublished translation of Götterlehre (1791) by K.Ph. Moritz presents the mythopoietic process of the Ancients by means of the tale of the origins of the numinous and of its ekfrastic structuring into the great mythical representations of the Greek-Roman world. In the background of Moritz’s visit to Italy (1786-1788) and of his fruitful friendship with Goethe, the introductory essay illustrates the theoretical premises of the specific aesthetic itinerary covered by a work of classical mythology conceveid as Dichtung and codified by a very original and universal Sprache der Phantasie, emblematic figural language that refers to the iconic character of the text with the rich repertoire of lithographies based on drawingings by Carstens, inspired by ancient cameos and gems of Lippert’s Dactyliotheca and the Stosch collection.
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