Naditira Widya最新文献

{"title":"ERA BARU DALAM KEMITRAAN PENGELOLAAN CAGAR BUDAYA: STUDI KASUS KALIMANTAN","authors":"Bambang Sugiyanto, S.S.","doi":"10.24832/nw.v16i2.508","DOIUrl":"https://doi.org/10.24832/nw.v16i2.508","url":null,"abstract":"Perubahan nomenklatur terutama pada instansi penelitian arkeologi di Indonesia dan instansi pengelolaan cagar budaya berpengaruh pada pengelolaan cagar budayanya. Dengan bergabungnya Pusat Penelitian Arkeologi Nasional dan Balai Arkeologi ke dalam struktur organisasi Badan Riset dan Inovasi Nasional, maka nomenklatur lembaga penelitian arkeologi pun berubah. Nomenklatur baru tersebut adalah Organisasi Riset Arkeologi, Bahasa, dan Sastra yang mempunyai tujuh pusat riset, yaitu tiga menyelenggarakan penelitian arkeologi, dan empat melaksanakan penelitian bahasa, sastra, dan manuskrip. Sementara perubahan yang terjadi di lingkungan Direktorat Jenderal Kebudayaan Kementerian Pendidikan Kebudayaan Riset dan Teknologi adalah penggabungan dua unit pelaksana teknis, yaitu Balai Pelestarian Cagar Budaya dan Balai Pelestarian Nilai Budaya, menjadi Balai Pelestarian Kebudayaan. Perubahan di atas berpengaruh pada pengelolaan cagar budaya di Indonesia. Bagaimana pengaruhnya dan bagaimana kemitraan pengelolaan yang akan datang merupakan permasalahan yang dibahas dalam penelitian ini. Tujuan penelitian adalah mendorong percepatan pemahaman kemitraan pengelolaan cagar budaya. Penelitian ini diakukan secara induktif-deskriptif melalui studi pustaka dengan fokus kasus-kasus di Kalimantan. Hasil penelitian menunjukkan bahwa manajemen pengelolaan cagar budaya di Kalimantan secara umum memang belum berjalan dengan baik. Dengan demikian, disimpulkan bahwa harus dibangun skema kemitraan pengelolaan antarpemangku kepentingan, dari tingkat perencanaan sampai dengan pemanfataannya. Skema kemitraan ini harus melibatkan dinas pendidikan dan kebudayaan serta dinas kebudayaan dan pariwisata setempat, kemudian membangun sinergi dan kolaborasi yang baik dengan pihak terkait seperti kepolisian, kejaksaan, lembaga sosial masyarakat budaya, dinas pertambangan, dinas pekerjaan umum, akademisi, dan masyarakat. Kerja sama dan koordinasi tersebut dimulai dengan menyamakan visi dan misi dalam memelihara dan melestarikan cagar budaya, sehingga diharapkan akan terbentuk satu rencana aksi pengelolaan cagar budaya yang terpadu di bawah arahan walikota atau bupati atau gubernur. \u0000Changes in nomenclature, especially at archaeological research institutions in Indonesia and cultural heritage management agencies, affect the management of their cultural heritage. The merger of the Pusat Penelitian Arkeologi Nasional and its ten institutes of archaeology into the organizational structure of Badan Riset dan Inovasi Nasional has also affected the change of their nomenclature. Their present nomenclature is the Organisasi Riset Arkeologi, Bahasa dan Sastra, which has seven research centres, i.e. three manage archaeological research, and four operate research regarding language, literature, and manuscripts. Meanwhile, a change of organizational structure also occurred within the Direktorat Jenderal Kebudayaan of the Ministry of Education, Culture, Research and Technology, which was affected by the mer","PeriodicalId":259009,"journal":{"name":"Naditira Widya","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114604391","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"KARAKTERISTIK BENTANGLAHAN ARKEOLOGI DI WILAYAH LASEM, JAWA TENGAH","authors":"Andi Putranto","doi":"10.24832/nw.v16i2.481","DOIUrl":"https://doi.org/10.24832/nw.v16i2.481","url":null,"abstract":"Studi bentanglahan arkeologi atau bentang arkeologi ditujukan untuk mengetahui bentuk dan pola persebaran data arkeologi pada suatu bentanglahan fisik tertentu. Wilayah Lasem di Jawa Tengah merupakan suatu kawasan yang dikategorikan sebagai suatu bentang arkeologi, yang anasir pembentuknya berupa bentanglahan fisik sebagai lokasi keberadaannya. Dalam upaya mendapatkan variabel-variabel yang dapat menjadi penentu kriteria suatu bentanglahan arkeologi, maka perlu penelitian mendalam tentang karakteristik bentanglahan di kawasan Lasem. Dengan demikian, dapat diketahui sejauh mana keterkaitan variabel-variabel tersebut sebagai faktor pendorong perkembangan budaya di wilayah Lasem. Sintesis penelitian berdasarkan data bentanglahan dan kesejarahan wilayah Lasem menunjukkan bahwa kawasan tersebut mengandung dua karakteristik bentang arkeologi yang dilandasi, a) aspek kronologi atau pendekatan waktu, yaitu periode Klasik, Islam, dan Kolonial; b) aspek ekologi yang berkaitan dengan keletakannya pada suatu topografi dan bentuklahan. Berdasarkan atas fungsinya, karakteristik bentang arkeologi dari tiga periodisasi tersebut, dapat dikelompokkan dalam kategori fungsi-fungsi ekonomi, sosial, politik, dan budaya.The study of archaeological landscapes aims to determine the shape and distribution pattern of archaeological data on a particular physical landscape. The Lasem area in Central Java is a region that is categorized as an archaeological landscape, whose constituent elements are physical landscapes as its location. To obtain variables that can determine the criteria for an archaeological landscape, it is necessary to carry out in-depth research on the characteristics of the landscape in the Lasem area. Thus, to what extent these variables are related to the driving factors of cultural development in the Lasem region can be understood. Based on the landscape and historical data of the Lasem area, the research synthesis shows that this region contains two characteristics of the archaeological landscape which are established by aspects of a) chronology or approach to time, which are the periods of Classic, Islamic and Colonial; and b) ecology, relating to its location in topography and landforms. Based on their functions, the characteristics of archaeological landscapes from the three periods can be grouped into economic, social, political and cultural functions.","PeriodicalId":259009,"journal":{"name":"Naditira Widya","volume":"157 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114375699","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"BENTUK, KRONOLOGI, DAN ASAL TEMBIKAR KUNO DI DATARAN RENDAH LAMPUNG","authors":"Rusyanti -, I. Setiawan, Akbar Adhi Satrio","doi":"10.24832/nw.v16i2.505","DOIUrl":"https://doi.org/10.24832/nw.v16i2.505","url":null,"abstract":"Tembikar merupakan artefak arkeologi yang dibuat dari tanah liat bakar yang secara umum berfungsi sebagai peralatan sehari-hari. Tembikar banyak ditemukan di situs-situs arkeologi, termasuk di dataran rendah Lampung. Penelitian desk study tahun 2020-2021 melakukan analisis mengenai rekonstruksi bentuk, kronologi, dan asal tembikar Lampung dengan metode gabungan kuantitatif melalui uji laboratorium X-ray fluorescence, X-ray diffraction, Inductively coupled plasma mass spectrometry, Petrografi, dan Thermoluminescence. Metode kualitatif pun digunakan untuk rekonstruksi hasil selective sampling dengan menggunakan Rhinoceros software dan didukung pendekatan sejarah. Tujuan penelitian adalah mengetahui kecenderungan varian bentuk, kronologi, dan asal tembikar Lampung secara umum. Penelitian ini menghasilkan bentuk yang direkonstruksi berupa wadah sehari-hari terbanyak berupa mangkuk, cawan, dan jambangan. Cakupan kronologi tembikar adalah sejak abad ke-12 hingga ke-20 Masehi. Adapun asal produksi tembikar diketahui melalui pendekatan geologis dan sejarah, dan diduga di sekitar kawasan Kayu Agung Palembang dan Bakung Udik, Lampung. \u0000Pottery is an archaeological artefact made from baked clay, which functions as a daily tool. Pottery has been found in archaeological sites, including Lampung lowlands. The 2020-2021 desk study analyses were carried out to reconstruct the form of pottery and to understand the chronology as well as the origin of the Lampung pottery using a quantitative combined method through laboratory tests of X-ray fluorescence, X-ray diffraction, Inductively coupled plasma mass spectrometry, Petrography, and Thermoluminescence. Qualitative methods were also used to reconstruct the results of selective sampling using the Rhinoceros software supported by a historical approach. The purpose of this research is to know the favourable varieties of form, chronology, and origin of Lampung pottery in general. This research resulted in reconstructed forms of dominant pottery containers common for daily use such as bowls, cups, and vases. The chronology of pottery covers from the 12th to the 20th century. The origin of pottery production is known through a geological and historical approach and suggested to be manufactured around the Kayu Agung Palembang and Bakung Udik regions, in Lampung.","PeriodicalId":259009,"journal":{"name":"Naditira Widya","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124600983","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"PERSEBARAN ARCA BUDDHA ABAD KE-7-9 MASEHI: HUBUNGANNYA DENGAN PERKEMBANGAN KAWASAN AWAL KERAJAAN SRIWIJAYA","authors":"E. A. P. Taim","doi":"10.24832/nw.v16i2.501","DOIUrl":"https://doi.org/10.24832/nw.v16i2.501","url":null,"abstract":"Pada daerah aliran Sungai Musi dan Batanghari di Sumatera, terdapat sebaran arca-arca Buddha dari abad ke-7 hingga ke-10 Masehi. Berdasarkan karakteristiknya, maka dapat diketahui pengaruh kebudayaan pembuatannya, serta kronologi pembuatannya. Tujuan penelitian ini adalah memahami perkembangan wilayah pengaruh agama Buddha dan kawasan politik dan agama Kerajaan Sriwijaya pada abad ke-7-9 Masehi berdasarkan pengamatan karakteristik arca Buddha. Penelitian ini dilakukan dengan menggunakan metode seriasi terhadap tipe dan bentuk arca untuk mengetahui pola sebaran situs yang dipengaruhi oleh perkembangan agama Buddha pada masa tersebut. Hasil penelitian menunjukkan bahwa lokasi-lokasi ditemukannya arca-arca Buddha selaras dengan perkembangan kebudayaan dan aktivitas politik masyarakat kerajaan Sriwijaya pada abad ke-7-9 Masehi. Perkembangan tersebut diawali dari hilir daerah aliran Sungai Musi, dan bergerak ke arah hulu daerah aliran Sungai Batanghari. Pada skala makro, tampak pula perkembangan kawasan pengaruh kebudayaannya mulai dari Sumatera bagian selatan ke Jambi, Sumatera bagian barat, dan Aceh.A number of 7th-9th centuries Buddhist statues are found distributed on the catchment areas of Sungai Musi and Sungai Batanghari, in Sumatera. The characteristics of Buddhist statues may suggest the cultural influence of their manufacture, as well as the technology and chronology. The purpose of this study is to understand the development of the area of influence of Buddhism and the political and religious region of the Sriwijaya Kingdom in the 7th-9th centuries, based on observing the characteristics of Buddha statues. This research was conducted using the seriation method on the type and shape of the statues to determine the distribution patterns of sites that were influenced by the development of Buddhism at that time. The results showed that the locations where the Buddha statues were found were in accord with the cultural developments and political activities of the people of the Sriwijaya kingdom in the 7th-9th centuries. This development began from the downstream regions of the Musi River catchment and moves towards the upstream regions of the Batanghari River catchment. On a macro scale, the regional development of the culture-influenced commenced from southern Sumatra upwards to Jambi, western Sumatra and Aceh.","PeriodicalId":259009,"journal":{"name":"Naditira Widya","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125457894","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"LEKSIKON, BENTUK DAN FUNGSI RUANG, SERTA MAKNA ORNAMEN RUMAH ADAT BANJAR “BUBUNGAN TINGGI”","authors":"Eka Suryatin, Derri Ris Riana, S.S., Rissari Yayuk, Nfn Jahdiah, B. Sudarmanto","doi":"10.24832/nw.v16i2.507","DOIUrl":"https://doi.org/10.24832/nw.v16i2.507","url":null,"abstract":"Rumah adat Banjar “Bubungan Tinggi” mempunyai bentuk dan bagian-bagian khas yang berbeda dari rumah adat yang lainnya. Meskipun penelitian tentang rumah adat Banjar sudah banyak dilakukan, belum ada yang membahas leksikon-leksikon rumah adat “Bubungan Tinggi” dalam kajian ilmu etnosemantik secara khusus. Penelitian ini bertujuan untuk mengetahui deskripsi suatu benda berdasarkan sosial kultural masyarakat penutur bahasa. Secara lebih rinci adalah memahami penggambaran leksikon konstruksi utama bangunan “Bubungan Tinggi” berdasarkan bentuk dan fungsi, wujud leksikon ruangan rumahnya. Penelitian dilakukan dengan metode deskriptif kualitatif. Pengumpulan data dengan teknik wawancara, observasi dan studi pustaka. Pengolahan data dilakukan dengan teknik identifikasi sesuai dengan aspek yang diteliti, menyeleksi data, mengklasifikasi, menyesuaikan data, membahas, dan terakhir menyimpulkan. Hasil penelitian menunjukkan bahwa rumah “Bubungan Tinggi” bercirikan arsitektur rumah panggung, dengan bubungan atap yang tinggi, serta memiliki dua anjung di bagian kiri dan kanan bangunan. Konstruksi utama bangunan memiliki bentuk dan fungsi masing-masing yang khas yang tampak pada leksikon tihang, lantai, lalungkang, lawang, lis, tawing, tataban, atap, dan tangga. Leksikon lain yang signifikan tampak pada bentuk dan fungsi ruangan-ruangannya, yaitu palatar, panampik, palidangan, anjung, padapuran. Selanjutnya, motif ukiran flora dan kaligrafi yang digunakan dalam ornamen rumah “Bubungan Tinggi” pun mempunyai leksikon, dengan makna simbolis sebagai bagian dari makna semantis yang melambangkan kehidupan sosial budaya masyarakat Banjar. Leksikon”Bubungan Tinggi” perlu diperkenalkan kembali kepada masyarakat khususnya generasi muda, sebagai upaya untuk merevitalisasi kembali rumah adat dan maknanya,  agar tidak punah dan tergantikan dengan rumah-rumah modern. \u0000. The Banjar traditional house \"Bubungan Tinggi\" has distinctive shapes and parts that are different from other traditional houses. Although much research has been done on Banjar traditional houses, none has discussed the lexicons of “Bubungan Tinggi,” in the study of ethnosemantics particularly. This research aims to determine the description of an object based on the socio-culture of its language speakers. A more elaborate objective is to understand the lexicon depiction of the main construction of the \"Bubungan Tinggi\" based on the form and function, as well as the lexicon of space within the house. The research uses a qualitative descriptive method, where data collection was carried out by interviews, observation, and literature study. Data processing was carried out using identification techniques according to the aspects studied, selecting data, classifying, adjusting data, discussing, and finally inferring. The study resulted that the \"Bubungan Tinggi\" house is characterized by the architecture of a stilt house, with a high roof, and has two annexes each on the left and right of the building. The main co","PeriodicalId":259009,"journal":{"name":"Naditira Widya","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125463119","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"KAJIAN ELEMEN ESTETIS DAN SIMBOLIS CANDRASENGAKALA PADA TAMANSARI GUA SUNYARAGI DI CIREBON","authors":"A. Purnomo, Yasmin Adila Ramdan","doi":"10.24832/nw.v16i2.494","DOIUrl":"https://doi.org/10.24832/nw.v16i2.494","url":null,"abstract":"Candrasengkala atau kronogram sudah dikenal oleh masyarakat di Jawa sejak zaman Hindu di Nusantara. Candrasengkala merupakan tetenger atau pengingat suatu peristiwa penting, seperti kelahiran, kematian, dan sebagainya. Dalam candrasengkala digunakan bentuk visual figur binatang yang diambil dari cerita pewayangan atau mitologi India. Binatang-binatang ditampilkan dengan pengolahan visual berupa gambar, relief, dan patung. Masing-masing figur binatang tersebut mengandung watak angka tahun dan makna simbolis. Hingga sekarang masih sedikit penelitian yang mengkaji candrasengkala di Tamansari Gua Sunyaragi di Cirebon. Penelitian ini bertujuan untuk mengetahui elemen estetis dan simbolis figur binatang pada candrasengkala yang terdapat di Tamansari Gua Sunyaragi, di Cirebon, Jawa Barat. Penelitian ini merupakan kajian deskriptif terhadap aspek tangible Tamansari Gua Sunyaragi berupa figur-figur binatang yang dilandasi mitologi India. Hasil penelitian memperlihatkan bahwa material batu dan batu karang diolah menjadi karakter-karakter figur gajah, burung garuda, dan ular, sehingga tampilan visualnya membentuk “candrasengkala”, sekaligus sebagai cuplikan kisah dari cerita pewayangan. Dengan demikian, dapat dipahami bahwa candrasengkala merupakan salah satu bentuk seni rupa Nusantara dan kreativitas kearifan lokal. Keberadaanya dapat menjadi sumber inspirasi dalam pengembangan karya seni rupa, desain, dan kriya Nusantara ke depan. Penelitian ini diharapkan dapat menjadi referensi tentang kajian binatang-binatang mitologis dalam candrasengkala di Tamansari Gua Sunyaragi.The Javanese are familiar with “candrasengkala” or chronogram which developed in Nusantara since the Hindu era. The “candrasengkala” is a “tetenger” or a reminder of important occurrences, such as birth, death, etc. “Candrasengkala” often uses visual forms of animal figures drawn from “wayang” stories or Indian mythology. Animals are featured with visual processing into depictions of figures, reliefs, and sculptures. Each animal figure contains disposition number of years and bears symbolic meanings. Until today there is little research that focuses on “candrasengkala” in Tamansari Gua Sunyaragi in Cirebon. This study aims to determine the aesthetic and symbolic elements of animal figures in “candrasengkala” at Tamansari Gua Sunyaragi, in Cirebon, West Java. This research is a descriptive study of the tangible aspects of Tamansari Gua Sunyaragi in the form of animal figures based on Indian mythology. The study resulted that stone and coral materials are processed into figures of elephants, eagles, and snakes, thus the visual appearance forms a \"candrasengkala\", as well as snippets of “wayang” stories. Therefore, it is understood that “candrasengkala” is a form of Nusantara art and creativity of local wisdom. Its existence can be a source of inspiration in the future development of Nusantara fine arts, designs and crafts. This research may be used as a reference for further studies of mythol","PeriodicalId":259009,"journal":{"name":"Naditira Widya","volume":"31 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132220215","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"IDENTIFIKASI EKOFAK MOLUSKA BIVALVA DARI SITUS BENTENG TABANIO, DI KABUPATEN TANAH LAUT","authors":"Restu Budi Sulistiyo, Laila Abdul Jalil, Badruzsaufari Badruzsaufari, Dharmono Dharmono","doi":"10.24832/nw.v16i1.504","DOIUrl":"https://doi.org/10.24832/nw.v16i1.504","url":null,"abstract":"Pada ekskavasi arkeologi di situs Benteng Tabanio yang dilakukan oleh Balai Arkeologi Banjarmasin ditemukan berbagai artefak dan ekofak. Ekofak yang banyak ditemukan adalah cangkang moluska. Namun demikian, cangkang moluska hasil penelitian tersebut belum diidentifikasi secara taksonomis. Pelabelan koleksi ditulis sebagai kerang, cangkang kerang, atau fragmen cangkang kerang, padahal dalam koleksi tersebut terdapat cangkang moluska bivalvia dan cangkang gastropoda. Kerancuan identitas ini berakibat pada kesalahan informasi. Pada penelitian ekskavasi situs Benteng Tabanio, tinggalan ekofaktual moluska bivalvia belum dibahas secara komperehensif. Penelitian ini ditujukan untuk memahami keberadaan cangkang moluska bivalvia di situs Benteng Tabanio. Identifikasi 101 sampel cangkang marin dilakukan sampai dengan tingkat genus atau spesies dilakukan menggunakan analisis komparasi morfologi dengan cangkang bivalvia marin yang didapatkan di luar zona situs. Hasil penelitian menunjukkan terdapat empat ordo dengan tujuh famili dan empat belas genera atau spesies yang dapat diidentifikasi. Keempat belas genera atau spesies tersebut dapat dikonsumsi, tetapi sisa-sisa cangkang yang ditemukan di situs Benteng Tabanio menunjukkan tidak adanya pemanfaatan moluska bivalvia sebagai bahan pangan ataupun bahan bangunan.A variety of artefacts and ecofacts was found during the excavation of Tabanio Fort by the Banjarmasin Institute for Archaeology. The most common ecofacts found were mollusc shells. However, the mollusc shells collected from the excavation have not been taxonomically identified. Even though the collection contains shells of bivalve molluscs and gastropods, the collection labelling was written as shells, clam shells, or clam shell fragments. Such ambiguous identity results in misinformation. The bivalve mollusc ecofacts recovered from the Tabanio Fort have not been comprehensively discussed. This research aims to understand the presence of bivalve mollusc shells at the site of Tabanio Fort. The identification of 101 marine shells was carried out up to the genus or species level by using comparative morphological analysis with marine bivalve shells obtained beyond the site zone. The research identified four orders, including seven families and fourteen genera or species of bivalve shells. The fourteen identified genera or species are of edible varieties, but shell remains recovered from the Tabanio Fort site indicate no use of bivalve molluscs as food or building materials.","PeriodicalId":259009,"journal":{"name":"Naditira Widya","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130039475","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"PEDANG PENINGGALAN PRABU SILIWANGI DARI PANJALU, CIAMIS, JAWA BARAT","authors":"T. Tendi","doi":"10.24832/nw.v16i1.467","DOIUrl":"https://doi.org/10.24832/nw.v16i1.467","url":null,"abstract":"Pedang Sanghyang Borosngora adalah pedang yang diyakini oleh sebagian masyarakat Panjalu sebagai pemberian Sayyidina Ali kepada Prabu Borosngora. Pedang yang sekarang disimpan di Bumi Alit, Panjalu, dan merupakan artefak penting dalam sejarah masyarakat Ciamis dan Sunda, karena memuat nilai-nilai kultural masa lalu yang dapat diidentifikasi sebagai sumber penulisan sejarah. Informasi yang bias tentang Pedang Sanghyang Borosngora adalah masalah utama penelitian ini. Penelitian ini bertujuan untuk menarasikan sejarah Pedang Prabu Siliwangi dan bagian-bagiannya secara detail sesuai dengan pakem. Metode yang digunakan dalam penelitian ini adalah literatur review dengan menelaah sumber arsip, dan melakukan observasi langsung. Hasil penelitian menunjukkan bahwa sumber-sumber tradisional yang dianggap otoritatif oleh masyarakat terkait narasi sejarah Pedang Sanghyang Borosngora mengalami perubahan sejak awal abad ke-20 Masehi. Hal tersebut terjadi karena sejak masa itu Pedang Sanghyang Borosngora mulai dikenal sebagai Pedang Sayyidina Ali, padahal sebelumnya pedang itu diriwayatkan sebagai pedang pemberian Prabu Siliwangi kepada Raja Panjalu. Selain itu, ditemukan kesamaan yang spesifik dari pedang ini dengan pedang-pedang lain yang berasal dari Kerajaan Sunda. Dengan demikian, Pedang Sanghyang Borosngora lebih cocok untuk disebut sebagai Pedang Prabu Siliwangi. \u0000The Sanghyang Borosngora sword is believed by some Panjalu people to have been given by Sayyidina Ali to King Borosngora. The sword is now stored in Bumi Alit, Panjalu, and is known as an important artifact in the history of the Ciamis and Sundanese people due to its old cultural values which can be identified as a source of historical writing. Biased information about the sword of Sanghyang Borosngora is the main issue of this research. This study aims to narrate the history of King Siliwangi's sword and its parts in detail according to its standard narration. The method used in this study was literature reviews by examining archival sources and making direct observations. The study suggests that traditional sources which are considered authoritative by the community regarding the historical narrative of the sword of Sanghyang Borosngora have changed since the early 20th century. Such a circumstance occurred because since the early 20th century the Sanghyang Borosngora Sword began to be known as the Sayyidina Ali Sword, even though previously the sword was narrated as a sword given by Prabu Siliwangi to King Panjalu. Additionally, specific similarities were found between this sword and other swords originating from the Kingdom of Sunda. Thus, the Sanghyang Borosngora Sword is more suitable to be called the Prabu Siliwangi Sword.","PeriodicalId":259009,"journal":{"name":"Naditira Widya","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129932133","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"REFLEKSI IDENTITAS BUDAYA MAKASSAR DARI PENGGUNAAN NISAN ARCA DI KOMPLEKS MAKAM ISLAM DI KAWASAN BANTAENG, JENEPONTO, DAN MAROS","authors":"N. Purnamasari","doi":"10.24832/nw.v16i1.478","DOIUrl":"https://doi.org/10.24832/nw.v16i1.478","url":null,"abstract":"Nisan arca adalah salah satu produk budaya material dari masa Islam di wilayah administratif Sulawesi Selatan. Nisan arca di kawasan etnik Makassar, yang berada di Kabupaten Bantaeng, Jeneponto dan Maros, menunjukkan morfologi dan ciri antropomorfik yang berbeda satu sama lain. Perbedaan tersebut dipengaruhi oleh beberapa faktor, di antaranya adalah periode penggunaan dan kandungan maknanya. Penelitian ini ditujukan untuk memahami makna yang dikandung oleh nisan arca, dengan menjawab permasalahan-permasalahan mengenai kronologi nisan arca di Kawasan etnik Makassar dan identitas budaya Makassar. Data penelitian ini dilandasi oleh hasil analisis morfologi nisan dari penelitian terdahulu, kemudian pada penelitian ini dilanjutkan dengan analisis historis dan etnografis. Hasil penelitian ini menunjukkan bahwa keberadaan nisan arca dilatarbelakangi oleh tradisi pra-Islam yang masih terpelihara di tengah-tengah masyarakat Makassar, yang dalam perkembangannya mengalami pembauran dengan budaya Islam yang hadir pada periode selanjutnya. Nisan arca budaya Makassar mengandung simbol-simbol budaya sebagai identitas bagi masyarakat penggunanya, yaitu kebangsawanan atau stratifikasi sosial, religiusitas, pengharapan, penghormatan dan kebanggaan, serta intelektualitas. An effigy gravestone is one among the products of material culture from the Islamic period in the administrative area of ​​South Sulawesi. The effigy gravestone in the Makassar ethnic regions of Bantaeng, Jeneponto, and Maros, present different morphological and anthropomorphic characteristics from one another. This difference is influenced by several factors, including the period of use and significance. This study aims to understand the significance of effigy gravestones by recognising the chronology of the gravestones in the Makassar ethnic regions, and within the Makassar cultural identity. The data of this study are based on the results of the morphological analysis of the gravestones from previous studies, and this research is continued with historical and ethnographic analysis. The results of this study indicate that the existence of the effigy gravestones is motivated by pre-Islamic traditions that are still preserved in Makassar society, which in its development experienced assimilation with the Islamic culture that was present in the later period. The Makassar effigy gravestones contain cultural symbols as identities of the people who use them, i.e. nobility or social stratification, religiosity, hope, respect and pride, and intellect.","PeriodicalId":259009,"journal":{"name":"Naditira Widya","volume":"40 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131932490","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"NILAI PENTING SUMBER DAYA BUDAYA KOTAWARINGIN LAMA","authors":"Muhammad Wishnu Wibisono, D. A. Tanudirjo, Imam Hindarto","doi":"10.24832/nw.v16i1.500","DOIUrl":"https://doi.org/10.24832/nw.v16i1.500","url":null,"abstract":"Historiografi Kabupaten Kotawaringin Barat tidak dapat dipisahkan dengan keberadaan Kerajaan Kotawaringin abad ke-17-19 Masehi. Kerajaan Kotawaringin tumbuh dan berkembang sebagai kawasan multietnis Bugis, Dayak dan Jawa. Beberapa sumber daya budaya Kerajaan Kotawaringin, di Kotawaringin Lama, yang masih tersisa adalah Astana Al-Nursari, Makam Kuta Tanah, Masjid Kyai Gede, dan Danau Masoraian. Hasil wawancara menunjukkan bahwa Astana Al-Nursari akan dikembangkan menjadi museum yang berintegrasi dengan ketiga sumber daya budaya lainnya. Rencana pengembangan tersebut diinisiasi oleh keturunan Kerajaan Kotawaringin, yang didukung oleh Pemerintah Kabupaten Kotawaringin Barat. Namun demikian, sampai sekarang penelitian mengenai sumber daya budaya Kerajaan Kotawaringin yang menjadi langkah awal rencana pengembangan tersebut masih sebatas studi aspek sejarahnya. Penelitian kali ini ditujukan untuk memahami nilai penting sumber daya budaya Kerajaan Kotawaringin berdasarkan kondisi aktual masa kini. Pemahaman akan nilai penting tersebut diharapkan dapat menggambarkan karakter dan potensi Kotawaringin Barat yang dapat menjadi landasan dalam pengelolaan sumber daya budaya Kerajaan Kotawaringin. Hasil penelitian menunjukkan bahwa sumber daya budaya di Kotawaringin Lama, di Kalimantan Tengah, memiliki nilai penting yang dapat menjadi fondasi pengelolaan kawasan cagar budaya yang berintegrasi dengan kawasan lindung geologi. Integrasi pengelolaan dua kawasan lindung tersebut merupakan suatu langkah awal sebelum kawasan tersebut dapat dimanfaatkan secara praktis dalam upaya peningkatan kesejahteraan rakyat, khususnya masyarakat di sekitar kawasan dan Indonesia secara umum. \u0000. The historiography of Kotawaringin Barat Regency cannot be separated from the existence of the 17th-19th century Kotawaringin Kingdom. The Kotawaringin kingdom grew and developed as a multi-ethnic region of Bugis, Dayak and Javanese. Some of the cultural resources of the Kotawaringin Kingdom, in Kotawaringin Lama, which still exists are the Astana Al-Nursari, the Kuta Tanah Cemetery, Kyai Gede Mosque, and the Masoraian Lake. The interview results suggest that Astana Al-Nursari will be developed into a museum that integrates with the other three cultural resources. The development plan was initiated by descendants of the Kotawaringin Kingdom, supported by the Regency Government of Kotawaringin Barat. However, until today research on the cultural resources of the Kotawaringin Kingdom, which is the first step in this development plan, is still limited to studying the historical aspects of the Kotawaringin Kingdom. This research is aimed at understanding the important value of the cultural resources of the Kotawaringin Kingdom based on current actual conditions. The understanding of these important values is expected to enable the depiction of the characteristics and potential of Kotawaringin Barat which can become the basis for cultural resources management of the Kotawaringin Kingdom. The res","PeriodicalId":259009,"journal":{"name":"Naditira Widya","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-12","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127089458","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}