{"title":"Deleuze reads Messiaen","authors":"Jonas Lundblad","doi":"10.58698/stm-sjm.v104i.8896","DOIUrl":"https://doi.org/10.58698/stm-sjm.v104i.8896","url":null,"abstract":"Gilles Deleuze’s and Félix Guattari’s celebrated work A Thousand Plateaus contains one of the most noteworthy philosophical employments of music from the twentieth century. Previous research has reconstructed how Deleuze imported musical concepts from Pierre Boulez into his thought, but analogous influences from Olivier Messiaen have been affirmed rather than investigated in detail. This article reconstructs the philosopher’s reception of Messiaen’s ideas on rhythm, a natural basis for music, birdsong and a colouristic dimension to sound. Working on the premise that a Boulezian modernism shaped Deleuze’s general appreciation of music, the study takes off from the composer’s portrayal of how themes in Wagner overturn prevalent structures and establish new modes of expression. Messiaen’s role in A Thousand Plateaus and other Deleuzian writings confirms the centrality of this outlook, connected to rhizomatic ideals of continuous transition in all musical parameters. At the same time, Deleuze’s reading of texts by and about the composer highlights ecological dimensions beyond Boulez’s historiography of modernism. Despite scant attention to Messiaen’s actual compositions, the philosopher’s theoretical framework offers original perspectives on a virtual creativity at the heart of musical renderings of birdsong. The composer left a noteworthy imprint on Deleuze’s affirmation of a certain artistic autonomy as a precondition for the power of music to render time and spaces audible.","PeriodicalId":239149,"journal":{"name":"Svensk tidskrift för musikforskning / Swedish Journal of Music Research","volume":"81 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122999277","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"C. A. Sandstén – ”wisförfattare och sångare wid positiv”","authors":"Håkan Lundström","doi":"10.58698/stm-sjm.v104i.8890","DOIUrl":"https://doi.org/10.58698/stm-sjm.v104i.8890","url":null,"abstract":"Carl August Sandstén, som var verksam kring mitten av 1870-talet, kombinerade visförfattande och visförsäljning med sång och positivspel. Mekaniska musikinstrument har en lång historia, men kring 1830/40-talen var de bärbara vevpositiven en nyhet för allmänheten. De kom till Sverige med kringvandrande, främst italienska, positivspelare eller positivhalare som de kallades. Många vandrade från provinserna Parma och Piacenza där säsongsresor var vanliga särskilt för dem som bodde i bergsbyarna. Krig och påföljande ekonomisk nedgång gjorde att allt fler gav sig ut på längre resor. En vanlig rutt gick via Wien och Berlin till Stockholm och vidare till S:t Petersburg. Vid sekelskiftet 1900 var omkring 150 italienska positivspelare registrerade i Stockholm, och många av dem vandrade också runt på landsbygden med sina visserligen portabla men ändå otympliga och tunga positiv. En del ägde sina positiv men många hyrde dem. De flesta spelade troligen helt instrumentala låtar, men det fanns också de som sjöng italienska sånger. Positivspel betraktades av myndigheterna närmast som en ljudförorening och en form av tiggeri, vilket ledde till lokala förbud av olika slag. Positivens storhetstid varade ungefär till 1920-talet, då även skillingtrycken hade spelat ut sin roll och andra medier började ta över, främst grammofonen och radion (Ord-Hume, 1978; Catomeris, 1988; Gotaas, 2002).","PeriodicalId":239149,"journal":{"name":"Svensk tidskrift för musikforskning / Swedish Journal of Music Research","volume":"120 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128255306","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The digital archiving of music at the Danish Broadcasting Corporation","authors":"Andreas Helles Pedersen","doi":"10.58698/stm-sjm.v104i.8893","DOIUrl":"https://doi.org/10.58698/stm-sjm.v104i.8893","url":null,"abstract":"In this article I offer a history of the digital music archive at the Danish Broadcasting Corporation (DR). Within the last decade, DR has complemented their music archive with an in-house digital music platform called /Diskoteket,1 on which I see not only a lively and educational space for making contextualized searches in regard to recorded and commercially released music, but also a determinative discourse on music information. As a conceptual point of departure I investigate the supposition that DR has an institutionalized understanding of music history, and building on this supposition I aim to throw light on the following question: how can an institutionalized music history at DR be traced in online music presentations?","PeriodicalId":239149,"journal":{"name":"Svensk tidskrift för musikforskning / Swedish Journal of Music Research","volume":"222 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122606569","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Bruket av Beethoven","authors":"Carl-Gunnar Åhlén","doi":"10.58698/stm-sjm.v103.14281","DOIUrl":"https://doi.org/10.58698/stm-sjm.v103.14281","url":null,"abstract":"","PeriodicalId":239149,"journal":{"name":"Svensk tidskrift för musikforskning / Swedish Journal of Music Research","volume":"76 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123821952","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Netzel-biografi","authors":"Bo S. Lindberg","doi":"10.58698/stm-sjm.v103.14275","DOIUrl":"https://doi.org/10.58698/stm-sjm.v103.14275","url":null,"abstract":"","PeriodicalId":239149,"journal":{"name":"Svensk tidskrift för musikforskning / Swedish Journal of Music Research","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130151762","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Europeiskt 1900-talsmusikande","authors":"Alf Björnberg","doi":"10.58698/stm-sjm.v103.14290","DOIUrl":"https://doi.org/10.58698/stm-sjm.v103.14290","url":null,"abstract":"","PeriodicalId":239149,"journal":{"name":"Svensk tidskrift för musikforskning / Swedish Journal of Music Research","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125874452","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"European performance histories","authors":"Magnus Schneide","doi":"10.58698/stm-sjm.v103.14305","DOIUrl":"https://doi.org/10.58698/stm-sjm.v103.14305","url":null,"abstract":"","PeriodicalId":239149,"journal":{"name":"Svensk tidskrift för musikforskning / Swedish Journal of Music Research","volume":"52 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129702071","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Om musikers lyssnande","authors":"Markus Tullberg","doi":"10.58698/stm-sjm.v103.14317","DOIUrl":"https://doi.org/10.58698/stm-sjm.v103.14317","url":null,"abstract":"","PeriodicalId":239149,"journal":{"name":"Svensk tidskrift för musikforskning / Swedish Journal of Music Research","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123011698","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Fonografiska kulturmöten","authors":"Toivo Burlin","doi":"10.58698/stm-sjm.v103.14302","DOIUrl":"https://doi.org/10.58698/stm-sjm.v103.14302","url":null,"abstract":"","PeriodicalId":239149,"journal":{"name":"Svensk tidskrift för musikforskning / Swedish Journal of Music Research","volume":"184 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131817913","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"1917 and the rise of Russia and the United States","authors":"K. Gerner","doi":"10.58698/stm-sjm.v103.14269","DOIUrl":"https://doi.org/10.58698/stm-sjm.v103.14269","url":null,"abstract":"","PeriodicalId":239149,"journal":{"name":"Svensk tidskrift för musikforskning / Swedish Journal of Music Research","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134460523","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}