Svensk tidskrift för musikforskning / Swedish Journal of Music Research最新文献

Om folkmusikinspelningar

Svensk tidskrift för musikforskning / Swedish Journal of Music Research Pub Date : 2023-06-15 DOI: 10.58698/stm-sjm.v105.14633

Thomas von Wachenfeldt

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En dansk pionjär

Svensk tidskrift för musikforskning / Swedish Journal of Music Research Pub Date : 2023-06-15 DOI: 10.58698/stm-sjm.v105.14621

Håkan Lundström

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Kritisk musikpedagogik

Svensk tidskrift för musikforskning / Swedish Journal of Music Research Pub Date : 2023-06-15 DOI: 10.58698/stm-sjm.v105.14630

Linn Hentschel

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An oboe concerto in Lund formed from three operatic arias by Antonio Lotti 由安东尼奥·洛蒂的三首歌剧咏叹调组成的隆德双簧管协奏曲

Svensk tidskrift för musikforskning / Swedish Journal of Music Research Pub Date : 2023-06-13 DOI: 10.58698/stm-sjm.v105.11809

M. Talbot

{"title":"An oboe concerto in Lund formed from three operatic arias by Antonio Lotti","authors":"M. Talbot","doi":"10.58698/stm-sjm.v105.11809","DOIUrl":"https://doi.org/10.58698/stm-sjm.v105.11809","url":null,"abstract":"Manuscript parts for an anonymous oboe concerto in G minor shelfmarked L:10 are found in the Wenster collection at the University Library in Lund. The concerto has the peculiarity that each of its three movements is cast in da capo aria form. It turns out that the movements have been taken from arias in two operas by Antonio Lotti, Giove in Argo (1717) and Ascanio (1718), written for performance in Dresden. The manner of conversion from aria to concerto movement is very simple, entailing the reassignment of the vocal line to oboe, lightening of the string accompaniment in some solo passages and otherwise only minimal recomposition. Great care has been taken to match the movements to one another to create an instrumental pasticcio. The evidence that Lotti himself undertook the conversion is very strong, since his only other known concerto (for oboe d’amore, in A major) likewise uses da capo aria form for each movement, something previously not encountered in the genre. The identity of the performer for whom these concertos were written is considered, a likely candidate being the Dresden oboist Johann Christian Richter, whom Lotti had probably first encountered in Venice in 1716–1717.","PeriodicalId":239149,"journal":{"name":"Svensk tidskrift för musikforskning / Swedish Journal of Music Research","volume":"6 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-06-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132689629","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Gullin-biografi

Svensk tidskrift för musikforskning / Swedish Journal of Music Research Pub Date : 2023-01-13 DOI: 10.58698/stm-sjm.v104.13693

Mischa van Kan

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Det samtida musiklivets komplexitet

Svensk tidskrift för musikforskning / Swedish Journal of Music Research Pub Date : 2023-01-13 DOI: 10.58698/stm-sjm.v104.13684

Johan Söderman

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Birger Sjöberg i ny tondräkt

Svensk tidskrift för musikforskning / Swedish Journal of Music Research Pub Date : 2023-01-13 DOI: 10.58698/stm-sjm.v104.13711

Ola Nordenfors

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Undervisning i musikalisk interpretation, en förlorad dialog?

Svensk tidskrift för musikforskning / Swedish Journal of Music Research Pub Date : 2023-01-13 DOI: 10.58698/stm-sjm.v104.13702

Lia Lonnert

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Bleckblåsinstrument i svensk kavallerimusik under 1800-talets början – en omvälvande period

Svensk tidskrift för musikforskning / Swedish Journal of Music Research Pub Date : 2023-01-13 DOI: 10.58698/stm-sjm.v104.13675

Ann-Marie Nilsson

{"title":"Bleckblåsinstrument i svensk kavallerimusik under 1800-talets början – en omvälvande period","authors":"Ann-Marie Nilsson","doi":"10.58698/stm-sjm.v104.13675","DOIUrl":"https://doi.org/10.58698/stm-sjm.v104.13675","url":null,"abstract":"Brass instruments in Swedish cavalry music in the early nineteenth century – a period of transition \u0000This article makes use of archival material – early brass scores and financial accounts – in Swedish cavalry regimental archives, providing information about the use of natural horns and trumpets and keyed instruments (keyed bugles, ophicleïdes) and about the introduction of valve brass instruments – French horns, (Swedish) cornets, horns, trombones and bass tubas – in Sweden during the first half of the nineteenth century. \u0000Preserved Swedish cavalry scores from the early nineteenth century reflect Prussian traditions and show how recent compositions, especially pieces of opera music, were arranged by cavalry band masters and musicians, several of which were members of the Royal Orchestra and thus familiar with what was on the fore in the Swedish capital. Their instruments were of north German models, bought by band masters and musicians and copied, repaired and developed by Swedish brass workers and workshops. Keyed and natural instruments were used alongside the new valve instruments from around 1830 and well into the mid-nineteenth century.","PeriodicalId":239149,"journal":{"name":"Svensk tidskrift för musikforskning / Swedish Journal of Music Research","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-01-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126802211","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Om Eric Ericson 埃里克·埃里克森

Svensk tidskrift för musikforskning / Swedish Journal of Music Research Pub Date : 2023-01-13 DOI: 10.58698/stm-sjm.v104.13726

Ursula Geisler

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