Svensk tidskrift för musikforskning / Swedish Journal of Music Research最新文献

{"title":"‘Not Folk Metal, but...’","authors":"Daniel Fredriksson","doi":"10.58698/stm-sjm.v103i.10369","DOIUrl":"https://doi.org/10.58698/stm-sjm.v103i.10369","url":null,"abstract":"In the Facebook group The Folk Metal Grove, its members manifest, explore and celebrate the musical genre called Folk Metal. The ‘Grovers’ come together in a playful performance and celebration of an idealized past, emically labelled folkyness. In this article, a ‘netnographic’ approach is used to explore how Folk Metal is constructed, negotiated and made meaningful through musicking in this community with the aim to discuss aspects of Folk Metal, ideology, genre and online culture. The group can be understood as a living space involving not only the circulation of music but also the development of meaning, collective memory and norms as well as real-life, often intercultural, connections. Earlier research has shown how Folk Metal in some ways can be seen as accentuating central aspects of heavy metal, but some ways in which Folk Metal is made meaningful within the Grove seem rather to connect to a will to transgress the sonic and cultural boundaries of metal. For the group members the music seems to serve as a space to go beyond metal when it comes to which instruments to play, which languages to sing in, which stories to tell and which emotions to feel.","PeriodicalId":239149,"journal":{"name":"Svensk tidskrift för musikforskning / Swedish Journal of Music Research","volume":"113 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114653279","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Spelmansböcker","authors":"E. Sæther","doi":"10.58698/stm-sjm.v103.14296","DOIUrl":"https://doi.org/10.58698/stm-sjm.v103.14296","url":null,"abstract":"","PeriodicalId":239149,"journal":{"name":"Svensk tidskrift för musikforskning / Swedish Journal of Music Research","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126891048","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Orgel: framtid och historia","authors":"Hans Hellsten","doi":"10.58698/stm-sjm.v103.14284","DOIUrl":"https://doi.org/10.58698/stm-sjm.v103.14284","url":null,"abstract":"","PeriodicalId":239149,"journal":{"name":"Svensk tidskrift för musikforskning / Swedish Journal of Music Research","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124201701","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"A ‘completion’ of Liszt’s transcendental studies with a Russian imprint","authors":"Asbjørn Øfsthus Eriksen","doi":"10.58698/stm-sjm.v103i.10360","DOIUrl":"https://doi.org/10.58698/stm-sjm.v103i.10360","url":null,"abstract":"Franz Liszt originally planned to write 24 studies in all keys, but he completed only twelve, the famous Etudes d’exécution transcendante (1851). However, half a century later the Russian Sergey Lyapunov (1859–1924) fulfilled Liszt’s abandoned project by composing 12 Etudes d’exécution transcendante (Op. 11) in the sharp keys not utilized by Liszt. The main objective of this article is to examine two highly interesting features in Lyapunov’s transcendental studies that have been only sporadically touched upon in previous Western and Russian research: 1. Modal harmony, or more precisely the usage of the diatonic (church) modes, which is an element that is almost entirely absent from Liszt’s studies; 2.The musical topics, which are considerably closer to the aesthetics of the Balakirev circle and their followers (Lyadov, early Glazunov) than to Liszt’s transcendental studies. In a short Epilogue the author somewhat problematizes Lyapunov’s standing as an epigonal composer, stating that, apart from a couple of Balakirev’s and Tchaikovsky’s piano pieces, hardly any other Russian composer before Skryabin and Rachmaninoff composed solo piano music with such harmonic and textural richness and idiomatic and virtuosic pianism as Lyapunov achieves in his transcendental studies.","PeriodicalId":239149,"journal":{"name":"Svensk tidskrift för musikforskning / Swedish Journal of Music Research","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115791271","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Genusfrågor i musikundervisning","authors":"Camilla Jonasson","doi":"10.58698/stm-sjm.v103.14293","DOIUrl":"https://doi.org/10.58698/stm-sjm.v103.14293","url":null,"abstract":"","PeriodicalId":239149,"journal":{"name":"Svensk tidskrift för musikforskning / Swedish Journal of Music Research","volume":"27 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121901136","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Om termen ”affektlära” och det svenska ordet ”affekt” i diskussioner om 1600-talets och det tidiga 1700- talets musik","authors":"Maria Bania","doi":"10.58698/stm-sjm.v103i.10351","DOIUrl":"https://doi.org/10.58698/stm-sjm.v103i.10351","url":null,"abstract":"Intresset för affekt och dess betydelse för mänskligt agerande har under det senaste halvseklet vuxit sig allt starkare inom en rad forskningsområden. Vad gäller musikforskning är detta dock långt från nytt. Relationen mellan musik och affekt har varit föremål för omfattande diskussioner sedan antiken. För 1600- och 1700-talens europeiska teoretiker och musiker var musikens förmåga att uttrycka och uppväcka affekter central. 1700-talets affektbegrepp hade dock inte samma innebörd som termen ”affekt” har i nutida affektteori, utan refererade till definierbara och medvetna emotionella tillstånd som var möjliga att verbalisera, som exempelvis sorg, glädje och rädsla. Termers innebörder förskjuts eller förändras ibland över tid, det är något som all historiografi måste ta hänsyn till. De ord och begrepp som vi använder färgar vår förståelse, och dessa betydelseskiftningar kan ge upphov till missförstånd. Termen affektlära (ty. Affektenlehre, eng. doctrine of the affections eller theory of the affections) har sedan tidigt 1900-tal använts i litteratur i musikestetik och musikhistoria. Begreppet etablerades av tyska musikforskare1 men är välbekant även från svensk musikhistorieundervisning.2 Affektlära kan i diskussioner om europeisk 1600- och 1700-talsmusik referera till periodens estetiska åskådning att musikens roll var att uppväcka specifika affekter hos åhörarna.3 Ofta inkluderar termen även uppfattningar om hur tonsättaren kunde uttrycka eller representera olika affekter i musik.4 Ibland förmedlar litteraturen intrycket att 1700-talets musiker och teoretiker använde termen affektlära i betydelsen av en mer eller mindre allmän, detaljerad, statisk, närmast schematisk och mekanistisk lära om hur musikaliska parametrar som intervall, melodiska figurer, rytmer och tonarter skulle användas för att objektivt kunna representera specifika affekter.5 Detta har dock under senare tid ifrågasatts av bland andra Buelow (1983, s. 397–400). Denna artikel undersöker vilka eventuella missuppfattningar som en användning av termen affektlära i diskussioner om 1600- och 1700-talens musik kan förorsaka. Vidare undersöks vilka eventuella missförstånd som kan uppkomma då ordet det svenska ordet affekt används i musikforskning som motsvarighet till 1700-talstyskans Affect.6","PeriodicalId":239149,"journal":{"name":"Svensk tidskrift för musikforskning / Swedish Journal of Music Research","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126637045","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Tungt vägande bok om Bengt Hallberg","authors":"Martin Westin","doi":"10.58698/stm-sjm.v103.14287","DOIUrl":"https://doi.org/10.58698/stm-sjm.v103.14287","url":null,"abstract":"","PeriodicalId":239149,"journal":{"name":"Svensk tidskrift för musikforskning / Swedish Journal of Music Research","volume":"17 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129694158","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Violin bowing as gesture","authors":"H. Minors","doi":"10.58698/stm-sjm.v103.14311","DOIUrl":"https://doi.org/10.58698/stm-sjm.v103.14311","url":null,"abstract":"","PeriodicalId":239149,"journal":{"name":"Svensk tidskrift för musikforskning / Swedish Journal of Music Research","volume":"156 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124372811","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Essärecension: Två Jenny Lind-biografier","authors":"Anne Reese Willén","doi":"10.58698/stm-sjm.v103.14320","DOIUrl":"https://doi.org/10.58698/stm-sjm.v103.14320","url":null,"abstract":"","PeriodicalId":239149,"journal":{"name":"Svensk tidskrift för musikforskning / Swedish Journal of Music Research","volume":"15 2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114137217","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Operalibretton från 1600-talet","authors":"Elisabeth Lutteman","doi":"10.58698/stm-sjm.v103.14278","DOIUrl":"https://doi.org/10.58698/stm-sjm.v103.14278","url":null,"abstract":"","PeriodicalId":239149,"journal":{"name":"Svensk tidskrift för musikforskning / Swedish Journal of Music Research","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117267342","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}