{"title":"Svensk hifi-kultur","authors":"Toivo Burlin","doi":"10.58698/stm-sjm.v103.14260","DOIUrl":"https://doi.org/10.58698/stm-sjm.v103.14260","url":null,"abstract":"","PeriodicalId":239149,"journal":{"name":"Svensk tidskrift för musikforskning / Swedish Journal of Music Research","volume":"43 5","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114050348","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Hiphop som musikalisk och social praktik","authors":"Johan Söderman","doi":"10.58698/stm-sjm.v103.14266","DOIUrl":"https://doi.org/10.58698/stm-sjm.v103.14266","url":null,"abstract":"","PeriodicalId":239149,"journal":{"name":"Svensk tidskrift för musikforskning / Swedish Journal of Music Research","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130855030","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Musikteorins kritiska begrepp","authors":"Erkki Huovinen","doi":"10.58698/stm-sjm.v103.14299","DOIUrl":"https://doi.org/10.58698/stm-sjm.v103.14299","url":null,"abstract":"","PeriodicalId":239149,"journal":{"name":"Svensk tidskrift för musikforskning / Swedish Journal of Music Research","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125846439","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Jazz and theatre","authors":"Mischa van Kan","doi":"10.58698/stm-sjm.v103.14257","DOIUrl":"https://doi.org/10.58698/stm-sjm.v103.14257","url":null,"abstract":"","PeriodicalId":239149,"journal":{"name":"Svensk tidskrift för musikforskning / Swedish Journal of Music Research","volume":"79 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127302591","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Migrants, Swedes and the unchanging practice of music: discursive representations in Swedish newspapers","authors":"Jonas Ålander, Ulrik Volgsten","doi":"10.58698/stm-sjm.v103i.10354","DOIUrl":"https://doi.org/10.58698/stm-sjm.v103i.10354","url":null,"abstract":"Traditional news media is one of the most important sources of information on contemporary society. Media has the power to affect public opinion and alter identities, which in the long run may affect social norms, practices and participative conditions. In traditional news media research, migration is an established topic while music is not. Their combination is lacking in both media and music research. In this study 106 newspaper articles from six major Swedish newspapers, published over a period of five years, are analysed through a discourse theoretical perspective. The discursive representation of ‘migrants’ in the investigated media confirms the picture provided in previous research, according to which the ‘migrant’ is often associated with the alien, the worrying and the problematic – not least in its relation to the ‘Swede’. More surprising is that while ‘music’ is repeatedly described as capable of affecting social relations and processes, it does not lead to a political practice of change. Instead ‘music’ becomes a mythic ritual, according to which subjects turn into conforming and well-integrated citizens.","PeriodicalId":239149,"journal":{"name":"Svensk tidskrift för musikforskning / Swedish Journal of Music Research","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114574698","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Kungl. Musikaliska Akademien 250 år","authors":"Peter Peitsalo","doi":"10.58698/stm-sjm.v103.14263","DOIUrl":"https://doi.org/10.58698/stm-sjm.v103.14263","url":null,"abstract":"","PeriodicalId":239149,"journal":{"name":"Svensk tidskrift för musikforskning / Swedish Journal of Music Research","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132251627","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Bluesen i Sverige före 1960","authors":"Alf Arvidsson","doi":"10.58698/stm-sjm.v103i.10357","DOIUrl":"https://doi.org/10.58698/stm-sjm.v103i.10357","url":null,"abstract":"The Blues in Sweden before 1960: varying conceptions of a genre This article presents a review of the various meanings and shapes of blues as a genre in Sweden c. 1920–1960, drawing primarily on presentations in newspapers and jazz magazines, and recordings. Blues has been construed as an African American music, rising from specific social conditions; as an American music, a source for and subgenre of jazz; and as a part of music in the international modern society in general. In 1923 blues was introduced as a new dance, and many new tunes were promoted as blues; medium tempo, chromaticism and altered chords seem to be the distinguishing traits. From the mid-thirties, blues was discussed as a predecessor to jazz as well as a jazz genre format (‘12-bar blues’). The rising interest in blues is followed through audience reactions in press, recordings, and jazz criticism. Jazz critics tended to promote country blues and Bessie Smith as authentic forms, while Josh White’s performances during his annual tours in the fifties were praised for his consummate artistry. The trad jazz boom, boogie woogie piano, skiffle and rock’n’roll all used the 12-bar format. In parallel, blues was also an occasional pop song denomination signalling melancholy. Identifying as a blues singer was not an option; this would change during the sixties. Four fields of tension are identified: blues as a specific expression for African American experience vs. blues as a genre suited for Western modernity in general; blues as a subgenre to jazz vs. blues as an autonomous sphere; blues considered as genuine folk music vs. blues as popular music; and blues as a genre of mainly historical significance vs. blues as having contemporary relevance.","PeriodicalId":239149,"journal":{"name":"Svensk tidskrift för musikforskning / Swedish Journal of Music Research","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123934849","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Spotify ur bildningsperspektiv","authors":"Johan Söderman","doi":"10.58698/stm-sjm.v103.14272","DOIUrl":"https://doi.org/10.58698/stm-sjm.v103.14272","url":null,"abstract":"","PeriodicalId":239149,"journal":{"name":"Svensk tidskrift för musikforskning / Swedish Journal of Music Research","volume":"101 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132101725","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Att göra folkmusik","authors":"Karin L. Eriksson","doi":"10.58698/stm-sjm.v103i.10366","DOIUrl":"https://doi.org/10.58698/stm-sjm.v103i.10366","url":null,"abstract":"Workshops in Swedish folk music are occasions where what is perceived as folk music is concretized through the participants’ practice. This is especially clear when the teachers’ practice is studied based on questions about what is taught, how the teaching is carried out and how the repertoire is presented. Based on field studies conducted 2013–2015 through film documentation with follow-up interviews, the article discusses teachers’ practice in the workshops. The results show that the teachers’ practice reinforces already established norms, ideals and notions of what characterizes Swedish folk music as a genre, such as rootedness in history, mainly oral transmission and a focus on polska (a type of dance tune in triple time) that should be performed in a variable manner. The results also show that there is a potential for altering these norms; this is not, however, done to any greater degree. The teachers’ didactic choices in the workshops thus interact and fill the concept of “folk music” with a content as well as give guidelines for how to behave as a member of the Swedish folk music community of practice.","PeriodicalId":239149,"journal":{"name":"Svensk tidskrift för musikforskning / Swedish Journal of Music Research","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133213801","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Musik i Torgny Lindgrens författarskap","authors":"Marcus Willén Ode","doi":"10.58698/stm-sjm.v103.14314","DOIUrl":"https://doi.org/10.58698/stm-sjm.v103.14314","url":null,"abstract":"","PeriodicalId":239149,"journal":{"name":"Svensk tidskrift för musikforskning / Swedish Journal of Music Research","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124717610","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}