Svensk tidskrift för musikforskning / Swedish Journal of Music Research最新文献

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Svensk hifi-kultur
Svensk tidskrift för musikforskning / Swedish Journal of Music Research Pub Date : 2021-12-01 DOI: 10.58698/stm-sjm.v103.14260
Toivo Burlin
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引用次数: 0
Hiphop som musikalisk och social praktik
Svensk tidskrift för musikforskning / Swedish Journal of Music Research Pub Date : 2021-12-01 DOI: 10.58698/stm-sjm.v103.14266
Johan Söderman
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引用次数: 0
Musikteorins kritiska begrepp
Svensk tidskrift för musikforskning / Swedish Journal of Music Research Pub Date : 2021-12-01 DOI: 10.58698/stm-sjm.v103.14299
Erkki Huovinen
{"title":"Musikteorins kritiska begrepp","authors":"Erkki Huovinen","doi":"10.58698/stm-sjm.v103.14299","DOIUrl":"https://doi.org/10.58698/stm-sjm.v103.14299","url":null,"abstract":"","PeriodicalId":239149,"journal":{"name":"Svensk tidskrift för musikforskning / Swedish Journal of Music Research","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125846439","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Jazz and theatre 爵士乐和戏剧
Svensk tidskrift för musikforskning / Swedish Journal of Music Research Pub Date : 2021-12-01 DOI: 10.58698/stm-sjm.v103.14257
Mischa van Kan
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引用次数: 0
Migrants, Swedes and the unchanging practice of music: discursive representations in Swedish newspapers 移民、瑞典人和不变的音乐实践:瑞典报纸上的话语表现
Svensk tidskrift för musikforskning / Swedish Journal of Music Research Pub Date : 2021-12-01 DOI: 10.58698/stm-sjm.v103i.10354
Jonas Ålander, Ulrik Volgsten
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引用次数: 0
Kungl. Musikaliska Akademien 250 år
Svensk tidskrift för musikforskning / Swedish Journal of Music Research Pub Date : 2021-12-01 DOI: 10.58698/stm-sjm.v103.14263
Peter Peitsalo
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引用次数: 0
Bluesen i Sverige före 1960
Svensk tidskrift för musikforskning / Swedish Journal of Music Research Pub Date : 2021-12-01 DOI: 10.58698/stm-sjm.v103i.10357
Alf Arvidsson
{"title":"Bluesen i Sverige före 1960","authors":"Alf Arvidsson","doi":"10.58698/stm-sjm.v103i.10357","DOIUrl":"https://doi.org/10.58698/stm-sjm.v103i.10357","url":null,"abstract":"The Blues in Sweden before 1960: varying conceptions of a genre This article presents a review of the various meanings and shapes of blues as a genre in Sweden c. 1920–1960, drawing primarily on presentations in newspapers and jazz magazines, and recordings. Blues has been construed as an African American music, rising from specific social conditions; as an American music, a source for and subgenre of jazz; and as a part of music in the international modern society in general. In 1923 blues was introduced as a new dance, and many new tunes were promoted as blues; medium tempo, chromaticism and altered chords seem to be the distinguishing traits. From the mid-thirties, blues was discussed as a predecessor to jazz as well as a jazz genre format (‘12-bar blues’). The rising interest in blues is followed through audience reactions in press, recordings, and jazz criticism. Jazz critics tended to promote country blues and Bessie Smith as authentic forms, while Josh White’s performances during his annual tours in the fifties were praised for his consummate artistry. The trad jazz boom, boogie woogie piano, skiffle and rock’n’roll all used the 12-bar format. In parallel, blues was also an occasional pop song denomination signalling melancholy. Identifying as a blues singer was not an option; this would change during the sixties. Four fields of tension are identified: blues as a specific expression for African American experience vs. blues as a genre suited for Western modernity in general; blues as a subgenre to jazz vs. blues as an autonomous sphere; blues considered as genuine folk music vs. blues as popular music; and blues as a genre of mainly historical significance vs. blues as having contemporary relevance.","PeriodicalId":239149,"journal":{"name":"Svensk tidskrift för musikforskning / Swedish Journal of Music Research","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123934849","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Spotify ur bildningsperspektiv
Svensk tidskrift för musikforskning / Swedish Journal of Music Research Pub Date : 2021-12-01 DOI: 10.58698/stm-sjm.v103.14272
Johan Söderman
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引用次数: 0
Att göra folkmusik
Svensk tidskrift för musikforskning / Swedish Journal of Music Research Pub Date : 2021-12-01 DOI: 10.58698/stm-sjm.v103i.10366
Karin L. Eriksson
{"title":"Att göra folkmusik","authors":"Karin L. Eriksson","doi":"10.58698/stm-sjm.v103i.10366","DOIUrl":"https://doi.org/10.58698/stm-sjm.v103i.10366","url":null,"abstract":"Workshops in Swedish folk music are occasions where what is perceived as folk music is concretized through the participants’ practice. This is especially clear when the teachers’ practice is studied based on questions about what is taught, how the teaching is carried out and how the repertoire is presented. Based on field studies conducted 2013–2015 through film documentation with follow-up interviews, the article discusses teachers’ practice in the workshops. The results show that the teachers’ practice reinforces already established norms, ideals and notions of what characterizes Swedish folk music as a genre, such as rootedness in history, mainly oral transmission and a focus on polska (a type of dance tune in triple time) that should be performed in a variable manner. The results also show that there is a potential for altering these norms; this is not, however, done to any greater degree. The teachers’ didactic choices in the workshops thus interact and fill the concept of “folk music” with a content as well as give guidelines for how to behave as a member of the Swedish folk music community of practice.","PeriodicalId":239149,"journal":{"name":"Svensk tidskrift för musikforskning / Swedish Journal of Music Research","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133213801","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Musik i Torgny Lindgrens författarskap
Svensk tidskrift för musikforskning / Swedish Journal of Music Research Pub Date : 2021-12-01 DOI: 10.58698/stm-sjm.v103.14314
Marcus Willén Ode
{"title":"Musik i Torgny Lindgrens författarskap","authors":"Marcus Willén Ode","doi":"10.58698/stm-sjm.v103.14314","DOIUrl":"https://doi.org/10.58698/stm-sjm.v103.14314","url":null,"abstract":"","PeriodicalId":239149,"journal":{"name":"Svensk tidskrift för musikforskning / Swedish Journal of Music Research","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124717610","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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