{"title":"The digital archiving of music at the Danish Broadcasting Corporation","authors":"Andreas Helles Pedersen","doi":"10.58698/stm-sjm.v104i.8893","DOIUrl":null,"url":null,"abstract":"In this article I offer a history of the digital music archive at the Danish Broadcasting Corporation (DR). Within the last decade, DR has complemented their music archive with an in-house digital music platform called /Diskoteket,1 on which I see not only a lively and educational space for making contextualized searches in regard to recorded and commercially released music, but also a determinative discourse on music information. As a conceptual point of departure I investigate the supposition that DR has an institutionalized understanding of music history, and building on this supposition I aim to throw light on the following question: how can an institutionalized music history at DR be traced in online music presentations?","PeriodicalId":239149,"journal":{"name":"Svensk tidskrift för musikforskning / Swedish Journal of Music Research","volume":"222 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Svensk tidskrift för musikforskning / Swedish Journal of Music Research","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.58698/stm-sjm.v104i.8893","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
In this article I offer a history of the digital music archive at the Danish Broadcasting Corporation (DR). Within the last decade, DR has complemented their music archive with an in-house digital music platform called /Diskoteket,1 on which I see not only a lively and educational space for making contextualized searches in regard to recorded and commercially released music, but also a determinative discourse on music information. As a conceptual point of departure I investigate the supposition that DR has an institutionalized understanding of music history, and building on this supposition I aim to throw light on the following question: how can an institutionalized music history at DR be traced in online music presentations?