Scientia PoeticaPub Date : 2020-11-01DOI: 10.1515/scipo-2020-014
Ralf Klausnitzer
{"title":"Der Dichter des deutschen Waldes und seine Pfleger","authors":"Ralf Klausnitzer","doi":"10.1515/scipo-2020-014","DOIUrl":"https://doi.org/10.1515/scipo-2020-014","url":null,"abstract":"Am 9.10.2010 verliert der Dichter des deutschen Waldes seine organisierten Pfleger. Es ist der dritte und letzte Tag des 20. Kongresses der Eichendorff-Gesellschaft, die sich seit dem 7.10.2010 in Regensburg versammelt hat und unter dem Titel »Romantische Räume« semiotische und kulturgeschichtliche Aspekte der romantischen Raumgestaltung verhandelt. Das Programm mit Begrüßung durch Bürgermeister und Prodekan der gastgebenden Fakultät, Vergabe der stiftungseigenen Auszeichnung sowie Vorträgen und Geselligkeit ist abgearbeitet; die turnusmäßige Mitgliederversammlung bildet den Schlusspunkt.1 Bei dieser Sitzung am 9.10.2010 sind neben den fünf Vorstandsmitgliedern und zwei Kassenprüfern sechs weitere Mitglieder der Gesellschaft anwesend. Die Tagesordnung enthält neben obligaten Tätigkeiten eines Vereins (Rechenschaftsbericht der Präsidentin, Kassenbericht und Kassenprüfbericht) auch problematische Punkte: das dauerhafte Fehlen einer Geschäftsführung, die Wahl einer neuen Präsidentschaft (für die keine Kandidaten zur Verfügung stehen) sowie die Wahl eines neuen Vorstandes (für den es gleichfalls keine Kandidaten gibt). Die Vorgänge dieser letzten Mitgliederversammlung sind dokumentiert und öffentlich zugänglich.2 Folgt man dem Protokoll, beschreibt die bislang amtierende Präsidentin der Gesellschaft, deren Wirkungszeit mit dieser Versammlung","PeriodicalId":222155,"journal":{"name":"Scientia Poetica","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116862666","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Scientia PoeticaPub Date : 2020-11-01DOI: 10.1515/scipo-2020-006
Jørgen Sneis
{"title":"»Born translated«?","authors":"Jørgen Sneis","doi":"10.1515/scipo-2020-006","DOIUrl":"https://doi.org/10.1515/scipo-2020-006","url":null,"abstract":"Abstract With the authorized edition of Henrik Ibsen’s complete works in German as a focal point, this paper analyzes the functions of authorization in the 19th century, seen in light of the European publishing trade and international copyright regulations. Special attention is paid to the conditions under which translations could precede the publication of the original text, allowing the original and its translation(s) to be published simultaneously. It is argued that Ibsen’s oeuvre, conceptualized by the author himself not simply as everything he had ever written but as a continuous and coherent whole, did not emerge primarily in the context of Norwegian or Scandinavian literature, but rather in the context of authorizing translations and the planning of a uniform German edition.","PeriodicalId":222155,"journal":{"name":"Scientia Poetica","volume":"24 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130166494","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Scientia PoeticaPub Date : 2020-11-01DOI: 10.1515/scipo-2020-010
C. Spoerhase
{"title":"Methodenskizze zur systematischen Rekonstruktion der literarischen Satire","authors":"C. Spoerhase","doi":"10.1515/scipo-2020-010","DOIUrl":"https://doi.org/10.1515/scipo-2020-010","url":null,"abstract":"Abstract This outline serves as basic analysis of the methods used to systematically reconstruct literary satire in the extant literary scholarship. The first section of the outline (1) contains a brief general introduction to the discussion of satire in the field of poetics. In the second section (2), which is the main concern of this outline, I discuss the four main methods used to reconstruct the concept of literary satire in recent decades.","PeriodicalId":222155,"journal":{"name":"Scientia Poetica","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133875192","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Scientia PoeticaPub Date : 2020-11-01DOI: 10.1515/scipo-2020-001
B. Mahlmann-Bauer
{"title":"Sigmund von Birken, der Literaturbetrieb, Netzwerke und Werkpolitik","authors":"B. Mahlmann-Bauer","doi":"10.1515/scipo-2020-001","DOIUrl":"https://doi.org/10.1515/scipo-2020-001","url":null,"abstract":"Abstract Sigmund von Birken belongs to the »Trio of poets from Nürnberg«, together with Georg Philipp Harsdörffer and Johann Klaj whose posthumous fame is mainly due to their pastoral poetry with fullsounding verses in praise of peace and love. Birken started his career with an enormous upshot as organizer of multi-media spectacles during the peace ceremony in Nürnberg in 1650. Apart from his hymns and pastoral love poems, Birken’s poetry does not belong to the canon of early modern literature in Germany. If he had lived longer, he would probably have edited later all those poems which he had written on demand for special occasions and immediately published as separate brochures or leaflets in at least four huge volumes. He would have properly arranged love poems, odes in praise of friendship, poems dedicated to noblemen and civilians, hymns and secular songs, starting like his famous predecessors with his Latin verses. This ambitious publication project is outlined in his manuscript collections, but was not realized during Birken’s lifetime. To correct for this oversight, the commented edition of Birken’s complete poetic manuscripts, which was recently finished by Hartmut Laufhütte, gives a broad impression of his talents as a playful virtuoso in all kinds of genres, teacher of poetry, advisor, ›ghostwriter‹ and promotor of young poets, male and female alike. His diaries and correspondence account for his enormous productivity and versatility, thus enabling modern readers to watch him during the creative procedure more closely than any other German poet of his time. The edition of Birken’s manuscripts is on the same scale as a few other recently completed long term editions of early modern German ego-documents and poetry and sets high standards for further editions.","PeriodicalId":222155,"journal":{"name":"Scientia Poetica","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133842535","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Scientia PoeticaPub Date : 2020-11-01DOI: 10.1515/scipo-2020-002
Christopher Meid
{"title":"Physiokratische Fiktionen","authors":"Christopher Meid","doi":"10.1515/scipo-2020-002","DOIUrl":"https://doi.org/10.1515/scipo-2020-002","url":null,"abstract":"Abstract The article presents and discusses the reception of physiocratic thoughts in German literary texts of the Enlightenment. It shows how intensively authors such as Tscharner, Wieland and Klinger adapted physiocratic teachings and popularised them. It demonstrates how the perception of physiocratic argument changed during the years, especially in the context of the French Revolution.","PeriodicalId":222155,"journal":{"name":"Scientia Poetica","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128422291","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Scientia PoeticaPub Date : 2020-11-01DOI: 10.1515/scipo-2020-005
Adrian Brauneis
{"title":"Fiktive Tatsachen, ihre Relativität und deren Angabe","authors":"Adrian Brauneis","doi":"10.1515/scipo-2020-005","DOIUrl":"https://doi.org/10.1515/scipo-2020-005","url":null,"abstract":"Abstract The present article is concerned with the term realism. It develops an argument to distinguish between two different types: epistemically reflexive and non-reflexive realism. Wherever a fiction prompts its readers to distinguish between speaker-utterances from utterances not tied to a fictive character realism of the epistemically non-reflexive variety is at hand. Such a fiction posits a reality not to be reduced to the conceptual scheme of its fictive inhabitants. Realism of the epistemically reflexive sort indicates the relativity of the very conceptual fabric by which utterances not tied to a fictive entity give access to a fictive reality. In such a game of make believe there is, ontologically speaking, no room for the conjecture of a reality providing its fictive inhabitants as well as its non-fictive interpreters with concepts to name things as they are in themselves. How this comes to pass is shown by making use of Roland Barthes’ famous term ›reality effect‹ and subsequently illustrated by using the example of Franz Innerhofer’s novel Schöne Tage (Beautiful Days, 1975). The main argument is framed by a discussion of 19th century literary realism, on the one hand, and some concluding remarks on the potential cognitive benefits of epistemically reflexive realism, on the other hand. Whereas epistemically non-reflexive realism is a part of the family resemblance of a large portion of 19th century narrative fiction, so-called poetic realism is, according to the present article, to be considered as epistemically reflexive realism. Finally, it is argued that whenever a fiction, so to speak, loosens the connection between a fictive reality and certain concepts by suggesting the conceptual relativity of its own prescriptions to imagine certain things as fictionally true readers might be all the more willing to transfer those very same concepts into their own world.","PeriodicalId":222155,"journal":{"name":"Scientia Poetica","volume":"26 1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131194395","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Scientia PoeticaPub Date : 2020-11-01DOI: 10.1515/scipo-2020-011
A. Albrecht, Sandra Schell
{"title":"Literarische Gesellschaften und Vereine – Einige Fakten und Zahlen zur Einführung in die Forschungsdiskussion","authors":"A. Albrecht, Sandra Schell","doi":"10.1515/scipo-2020-011","DOIUrl":"https://doi.org/10.1515/scipo-2020-011","url":null,"abstract":"Gesellschaften, Vereine, Verbände, Klubs, Bünde, Verbindungen, Burschenschaften, Parteien, Gruppen, Genossenschaften, Gewerkschaften ... – Im 18. und 19. Jahrhundert fielen all diese heute in der Regel unterschiedenen sozialen Organisationsformen noch undifferenziert unter den Begriff der ›Assoziationen‹/›Associationen‹.1 Denn unter dem Rubrum ›Assoziation‹ wurde lange Zeit »jede Art freiwilliger gesellschaftlicher Gruppenbildung« gefasst, »ganz gleich ob mit eigenwirtschaftlichen, machtpolitischen oder gemeinnützigen Zielsetzungen verbunden«.2 Erst im Zuge der rechtlichen und institutionellen Ausdifferenzierung der Gesellschaft wurden verschiedene Assoziationsformate unterschieden. Das Bürgerliche Gesetzbuch (BGB) von 1896 regelte erstmals den juristischen Status von Vereinen; ab 1908 gewährte dann das reichsweit verbindliche Regeln für Assoziationen etablierende Reichsvereinsgesetz allen Bürger*innen, d. h. auch Frauen, zweckgebundenen Assoziationen beizutreten.3 Heute versteht man in rechtlicher Hinsicht unter einem ›Verein‹ eine freiwillige Vereinigung von natürlichen und/oder juristischen Personen zur Verfolgung eines bestimmten Zwecks. Das »Gesetz zur Regelung des öffentlichen Vereinsrechts« (Vereinsgesetz) definiert den Verein als eine »Vereinigung, zu der sich eine Mehrheit natürlicher oder juristischer Personen für längere Zeit zu einem gemeinsamen Zweck freiwillig zusammengeschlossen und einer organisierten Willensbildung unterworfen hat«.4 Charakteristisch für Vereine ist, damals wie heute,","PeriodicalId":222155,"journal":{"name":"Scientia Poetica","volume":"32 1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116343343","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Scientia PoeticaPub Date : 2020-11-01DOI: 10.1515/scipo-2020-003
Tilmann Köppe
{"title":"Schillers Theorien des ›tragischen Vergnügens‹ in »Über den Grund des Vergnügens an tragischen Gegenständen« und »Über die tragische Kunst«","authors":"Tilmann Köppe","doi":"10.1515/scipo-2020-003","DOIUrl":"https://doi.org/10.1515/scipo-2020-003","url":null,"abstract":"Abstract In his »Über den Grund des Vergnügens an tragischen Gegenständen« and in »Über die tragische Kunst«, Schiller offers two different explanations of ›tragic pleasure‹, thereby addressing two different explanatory targets. In the first of these writings, Schiller identifies positive aspects in the tragic content that serve as objects of corresponding positive emotions; in the second, he argues that certain aspects of watching tragedy are intrinsically pleasurable. Hence, Schiller’s two writings on tragic pleasure involve two different conceptions of ›pleasure‹: on the one hand, he holds that pleasure is an emotion directed towards a suitably qualified object; on the other hand, he describes ›pleasure‹ as the felt quality (›hedonic tone‹) of a broader range of mental attitudes or states. This article offers a systematic reconstruction of Schiller’s theses that includes showing that the reconstructed theses have been historically available; and it also hints at how Schiller’s theses might be evaluated.","PeriodicalId":222155,"journal":{"name":"Scientia Poetica","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117029201","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Scientia PoeticaPub Date : 2019-10-21DOI: 10.1515/scipo-2019-003
Christian Reidenbach
{"title":"Sternenpolitik","authors":"Christian Reidenbach","doi":"10.1515/scipo-2019-003","DOIUrl":"https://doi.org/10.1515/scipo-2019-003","url":null,"abstract":"Abstract Fontenelle’s dual role as a representative of the Modernes as well as the perpetual secretary of the French Academy of Sciences explains his hesitation in making any public statements about politics. Nevertheless, this article identifies within his best-known Conversations on the Plurality of Worlds a liberal interpretation of the heavens that is supported by the metaphorical transfer between political semantics and the field of cosmology. The idea of this liberality flourishes in the gallant dialogue between two protagonists (the marquise and the philosopher), unfolds within the context of an opening, expert scientific discourse, and is reflected through the physical description of a commerce among celestial vortices. Thus, different aspects of the political within the Conversations are examined - starting from the self-understanding of the individual all the way up to the idea of an egalitarian universe that is characterised by collective interaction.","PeriodicalId":222155,"journal":{"name":"Scientia Poetica","volume":"182 4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-10-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116419520","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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