Schillers Theorien des ›tragischen Vergnügens‹ in »Über den Grund des Vergnügens an tragischen Gegenständen« und »Über die tragische Kunst«

Tilmann Köppe
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Abstract

Abstract In his »Über den Grund des Vergnügens an tragischen Gegenständen« and in »Über die tragische Kunst«, Schiller offers two different explanations of ›tragic pleasure‹, thereby addressing two different explanatory targets. In the first of these writings, Schiller identifies positive aspects in the tragic content that serve as objects of corresponding positive emotions; in the second, he argues that certain aspects of watching tragedy are intrinsically pleasurable. Hence, Schiller’s two writings on tragic pleasure involve two different conceptions of ›pleasure‹: on the one hand, he holds that pleasure is an emotion directed towards a suitably qualified object; on the other hand, he describes ›pleasure‹ as the felt quality (›hedonic tone‹) of a broader range of mental attitudes or states. This article offers a systematic reconstruction of Schiller’s theses that includes showing that the reconstructed theses have been historically available; and it also hints at how Schiller’s theses might be evaluated.
Schillers理论的›悲惨快乐‹»通过必要的享乐的悲剧性物品«»和«关于悲剧艺术
席勒在他的《Über悲剧的根源与悲剧的根源Gegenständen》和《Über悲剧的艺术》中对“悲剧快乐”提供了两种不同的解释,从而解决了两个不同的解释目标。在第一部作品中,席勒确定了悲剧内容中的积极方面作为相应的积极情绪的对象;在第二篇文章中,他认为观看悲剧的某些方面本质上是愉快的。因此,席勒关于悲剧快乐的两篇文章涉及两种不同的“快乐”概念:一方面,他认为快乐是一种指向适当限定对象的情感;另一方面,他将“快乐”描述为更广泛的心理态度或状态的感觉质量(“享乐语气”)。这篇文章提供了一个系统的重建席勒的论文,包括显示重建的论文在历史上是可用的;这也暗示了如何评价席勒的论文。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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