Periferno u hrvatskoj književnosti i kulturi / Peryferie w chorwackiej literaturze i kulturze最新文献

{"title":"Raz jeszcze o liryce kajkawskiej sprzed odrodzenia narodowego – uwagi o repertuarze gatunkowym","authors":"Lahorka Plejić Poje","doi":"10.31261/pn.4028.22","DOIUrl":"https://doi.org/10.31261/pn.4028.22","url":null,"abstract":"Old Kajkavian literature or, Kajkavian literature before the Croatian National Revival, remains relatively unstudied and poorly integrated into the corpus of Croatian national literature. Its peripheral status is mostly due to the political and national-identity-forming processes occurring since the 1830s where the key role was given to Štokavian literature. When Kajkavian literature was studied, the focus was placed predominantly on the printed books. Unlike pre-Revival Kajkavian prose, where the author was in most cases known and the prose was printed, Kajkavian lyric poetry was chiefly preserved as anonymous and in manuscript form. None of the numerous preserved Kajkavian collections of poems have been published in a critical edition, not even recently. The topic of this paper is Pjesmarica Nikole Šafrana (Nikola Šafran’s Collection of Poems), the largest manuscript collection which, along with several Latin poems, contains more than 180 Kajkavian secular poems. Its large size, a significant number of poems which also appear in other Kajkavian collections, as well as its generic and thematic diversity make this collection representative, and a good subject for a detailed research of both the collection’s generic content and the poetic traits of Kajkavian secular lyric poetry.","PeriodicalId":218068,"journal":{"name":"Periferno u hrvatskoj književnosti i kulturi / Peryferie w chorwackiej literaturze i kulturze","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122392957","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Dvije autobiografije u stihovima","authors":"Sanja Grakalić Plenković","doi":"10.31261/pn.4028.15","DOIUrl":"https://doi.org/10.31261/pn.4028.15","url":null,"abstract":"Although verses as a form are rarely chosen by autobiographers, the history of Croatian autobiography shows that some writers have had the inclination towards writing autobiographies in verses. The form of a poem can be linked with the beginnings of writing autobiographical texts and with the autobiographical discourse in the works of Croatian writers. Even though it has not been in the focus of interest of autobiographical theory, the autobiographical elements can be found in the period spanning from the 15th- and 16th-century Croatian poetry in the works of the Croatian Latinists up to the present time which represents the golden period of autobiographic writing. Focusing on the autobiographers’ inclination to write in verse (from heterogenous autobiographies, where verses are incorporated into the text itself, to autobiographies poems), this paper shows the marginal place that the form of a poem occupies in the field of researching and defining autobiography as a genre. The fact has been corroborated by providing an outline of verses in autobiographies and autobiographies in verses throughout the history of Croatian literature. Special attention is given to two autobiographies-poems, written by two contemporary writers of Croatian Moderna ‒ Ivana Brlić-Mažuranić (Autoportrait from Rogaška Slatina; 1932) and Vladimir Nazor (Autobiography; 1927). Having in common the form and some themes and motifs (such as looking back at their lives, the author, the narrator and the main character being one and the same person, retrospective perspective), these two autobiographies show how placing emphasis on intimate elements, the form of a poem can be used to write an autobiography. Without putting into question the theme, the place of the narrator/poet in telling about or taking attitude towards the reality or experiences lived, factographic elements which dominate the early 20th century autobiographies, here are largely overshadowed by the more personal and emotional elements.","PeriodicalId":218068,"journal":{"name":"Periferno u hrvatskoj književnosti i kulturi / Peryferie w chorwackiej literaturze i kulturze","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129869774","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Od ideologije do subverzije: promišljanje jugoslavenstva u Hrvatskoj u 21. stoljeću","authors":"Petr Stehlík","doi":"10.31261/pn.4028.06","DOIUrl":"https://doi.org/10.31261/pn.4028.06","url":null,"abstract":"After the breakup of Yugoslavia and the “abduction” of Yugoslav name by the regime of Slobodan Milošević, it seemed that Yugoslavism is a concept solely belonging to the past. Yugoslavism lost its national-integrational role it used to have in the 19th century, as well as its privileged status of the state ideology, which it used to enjoy in both incarnations of Yugoslavia. However, at the dawn of 21st century several Croatian intellectuals – with historian and publicist Dragan Markovina at the forefront – strive to reconceive Yugoslavism. The aim of the paper is to present and contextualize their deliberations on Yugoslavism as a subversive strategy and a value alternative to the dominant cultural model in Croatia and the other countries of the former Yugoslavia.","PeriodicalId":218068,"journal":{"name":"Periferno u hrvatskoj književnosti i kulturi / Peryferie w chorwackiej literaturze i kulturze","volume":"138 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117049521","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Mediteran u hrvatskoj književnosti i kulturi. Pogled izvana","authors":"Leszek Małczak","doi":"10.31261/pn.4028.12","DOIUrl":"https://doi.org/10.31261/pn.4028.12","url":null,"abstract":"Croatian literature and culture belong to the three neighboring civilizational and cultural circles: the Mediterranean, the Central European and the Balkanian. The role of each respective circle and the proportions among them depend on the place and the historical context in question. In both diachronic and synchronic perspectives, Croatian culture is an illustrative example of a polycentric and (cross)border culture whose identity is primarily Mediterranean and Central European. Its uniqueness, originality and unity stem from the richness and diversity of the cultural content of which it is composed. The Mediterranean component as a whole is very diverse and complex. This paper examines the importance of the categories of space and place in the humanities and the role of the Mediterranean in Croatian culture.","PeriodicalId":218068,"journal":{"name":"Periferno u hrvatskoj književnosti i kulturi / Peryferie w chorwackiej literaturze i kulturze","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131922409","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Wstęp","authors":"Leszek Małczak","doi":"10.31261/pn.4028.02","DOIUrl":"https://doi.org/10.31261/pn.4028.02","url":null,"abstract":"","PeriodicalId":218068,"journal":{"name":"Periferno u hrvatskoj književnosti i kulturi / Peryferie w chorwackiej literaturze i kulturze","volume":"296 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122412904","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Književno stvaralaštvo manjina u Hrvatskoj – dio hrvatske književnosti ili ne?","authors":"Helena Stranjik","doi":"10.31261/pn.4028.29","DOIUrl":"https://doi.org/10.31261/pn.4028.29","url":null,"abstract":"There are numerous national minorities in Croatia supported by the state in their maintenance of minority languages, cultures and traditions. And many of these minorities with songs, dance and customs cherish their own literature, meaning poetry, prose, and drama written by their members in minority languages or in Croatian. These works are mostly known among members of the minorities, but sometimes it is difficult to find the way to readers of the majority of the population. An example of such a minority literature with a long tradition is literary creation of the Czech, who have been living in today’s Croatia for over two hundred years. Nowadays regularly or occasionally there are about thirty authors who write mostly in Czech, but to come to the readership, some of them have been translating their work into the Croatian language lately or leaving their mother tongue and starting to create in Croatian. Are Croatia’s minority works known and to what extent? What are the possibilities of writers using minority languages to publish their works? Why are minority literary works important, what can they offer to a broader readership and in what way can they enrich Croatian literature? How could they reach the majority population and could they wake up the interest beyond Croatian borders? And what difficulties do minority writers encounter? In the presentation, we will use the example of Czech minority literary works in Croatia to answer these and other issues related to minority literature emerging in Croatia, but remaining unknown to the Croatian public.","PeriodicalId":218068,"journal":{"name":"Periferno u hrvatskoj književnosti i kulturi / Peryferie w chorwackiej literaturze i kulturze","volume":"98 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134128989","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Proces integracije lokalne zadarske sastavnice hrvatske književnosti u središnju nacionalnu književnost – od (pred)romantizma do moderne","authors":"Zvjezdana Radoš","doi":"10.31261/pn.4028.24","DOIUrl":"https://doi.org/10.31261/pn.4028.24","url":null,"abstract":"The paper will analyze Zadar’s components of Croatian literature in the period from 1840s until the first decade of the 20th century, marked by nationalintegrative processes and forming a modern national identity. The research object will be the specifics of the development of that part of Croatian literature as well as its relations to literary and historical processes in the center, the mainstream, of national literature – from national revival movements or the period of preromanticism and romanticism, through pre-realism and realism to the period of moderna and stronger integration of Zadar’s (provincial, Dalmatian) segment into central, national Croatian literature. Considerable attention will be paid to the processes of mutual permeating, accepting and rejecting, affirming and negating of Zadar’s periphery, one of the most important peripheries of the Croatian literary canon, and its national center, Zagreb’s mainstream. This issue will be presented through paradigmatic writers and journals that marked key periods of Croatian linguistic and literary homogenization: in the period of (pre)romanticism, during 1840s, this implies the journal Zora dalmatinska and paradigmatic personalities of the literary circle formed around that revival journal (Šime Starčević and Petar Preradović, even Ana Vidović); in the period of folk-enlightenment (pre)realism, from the sixties to the end of the eighties, this includes paradigmatic personality of the Croatian National Revival in Dalmatia – politician and writer Mihovil Pavlinović, as well as Iskra journal and its editor Nikola Šimić (a writer who created a specific peripheral genre of folk stories from rural life); in the time of disintegration of realism and turning towards modernist styles this implies the initiator of Croatian modern literary criticism Jakša Čedomil and the prominent names of the Croatian literary canon in the period of moderna – Ivo Vojnović, Vladimir Nazor and Milan Begović, as well as Lovor magazine of Milutin Cihlar Nehajev.","PeriodicalId":218068,"journal":{"name":"Periferno u hrvatskoj književnosti i kulturi / Peryferie w chorwackiej literaturze i kulturze","volume":"55 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129961613","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Periferni likovi u romanu U registraturi Ante Kovačića","authors":"Marijana Terić","doi":"10.31261/pn.4028.18","DOIUrl":"https://doi.org/10.31261/pn.4028.18","url":null,"abstract":"In this paper, the author examines a work of one of the most significant Croatian literary writers, Ante Kovačić, whose novel U registraturi (In the Registry Office) is considered by many literary critics and theoreticians to be the best writing of Croatian realism. It is an author who was not understood at the time when his work appeared, which is why the text was published in the form of a novel with a twenty-three year delay. Nonlinear composition of the text, elements of fantasy literature and innovative literary process in creating a fabula and sujet course of events confused literary critics as well as readership, which points to the fact that Ante Kovačić was treated for a long time as a peripheral author. In this narrative text, the misery and helplessness of peasants and their revolt against their feudal lords in Croatia are described, therefore the object of our analysis will be the characterisation of figures from various layers of society, with a particular focus on the “peripheral characters” of Kovačić’s prose. Using the term “peripheral characters” we will attempt to bring close those characters of subjugated peasants in relation to the feudal-capitalist social layer and thereby emphasise their role in the novel in relation to their fate. Unlike the characters of the peasants – Ivica Kičmanović (whom the social order turns into a lackey and scoundrel); Jožica Zgubidan (the personification of a poor person from Zagorje), Anica (a patriarchal girl with an angelic face); Miha; Perica; the neighbouring Kanoniks; and the Medonjićes – Kovačić brings us harsh, drastic images of moral vacillations in the city in which figures, distorted into caricatures, dominate. By contrasting the rural environment with the city life, the author is writing an “epopee of the village and city” in which the “peripheral characters” become tragic ones. These characters are the carriers of elements of “fantastic realism,” and their function is to show all the depravities of society and to announce the phenomenon of the innovative processes of narration familiar to authors of the modern literature. Finally, we come to the conclusion that Ante Kovačić made a step forward in relation to the generation of realists, with the peripheral position of his creation disappearing with the emergence of modern literary achievements, which ultimately gives the author and his work a polished place in Croatian literature.","PeriodicalId":218068,"journal":{"name":"Periferno u hrvatskoj književnosti i kulturi / Peryferie w chorwackiej literaturze i kulturze","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131184045","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}