{"title":"Raz jeszcze o liryce kajkawskiej sprzed odrodzenia narodowego – uwagi o repertuarze gatunkowym","authors":"Lahorka Plejić Poje","doi":"10.31261/pn.4028.22","DOIUrl":null,"url":null,"abstract":"Old Kajkavian literature or, Kajkavian literature before the Croatian National Revival, remains relatively unstudied and poorly integrated into the corpus of Croatian national literature. Its peripheral status is mostly due to the political and national-identity-forming processes occurring since the 1830s where the key role was given to Štokavian literature. When Kajkavian literature was studied, the focus was placed predominantly on the printed books. Unlike pre-Revival Kajkavian prose, where the author was in most cases known and the prose was printed, Kajkavian lyric poetry was chiefly preserved as anonymous and in manuscript form. None of the numerous preserved Kajkavian collections of poems have been published in a critical edition, not even recently. The topic of this paper is Pjesmarica Nikole Šafrana (Nikola Šafran’s Collection of Poems), the largest manuscript collection which, along with several Latin poems, contains more than 180 Kajkavian secular poems. Its large size, a significant number of poems which also appear in other Kajkavian collections, as well as its generic and thematic diversity make this collection representative, and a good subject for a detailed research of both the collection’s generic content and the poetic traits of Kajkavian secular lyric poetry.","PeriodicalId":218068,"journal":{"name":"Periferno u hrvatskoj književnosti i kulturi / Peryferie w chorwackiej literaturze i kulturze","volume":"15 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Periferno u hrvatskoj književnosti i kulturi / Peryferie w chorwackiej literaturze i kulturze","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.31261/pn.4028.22","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Old Kajkavian literature or, Kajkavian literature before the Croatian National Revival, remains relatively unstudied and poorly integrated into the corpus of Croatian national literature. Its peripheral status is mostly due to the political and national-identity-forming processes occurring since the 1830s where the key role was given to Štokavian literature. When Kajkavian literature was studied, the focus was placed predominantly on the printed books. Unlike pre-Revival Kajkavian prose, where the author was in most cases known and the prose was printed, Kajkavian lyric poetry was chiefly preserved as anonymous and in manuscript form. None of the numerous preserved Kajkavian collections of poems have been published in a critical edition, not even recently. The topic of this paper is Pjesmarica Nikole Šafrana (Nikola Šafran’s Collection of Poems), the largest manuscript collection which, along with several Latin poems, contains more than 180 Kajkavian secular poems. Its large size, a significant number of poems which also appear in other Kajkavian collections, as well as its generic and thematic diversity make this collection representative, and a good subject for a detailed research of both the collection’s generic content and the poetic traits of Kajkavian secular lyric poetry.