Periferno u hrvatskoj književnosti i kulturi / Peryferie w chorwackiej literaturze i kulturze最新文献_第2页

Počeci studija kroatistike na Šleskom sveučilištu u Katowicama 卡托维卡斯克市克罗地亚研究中心

Periferno u hrvatskoj književnosti i kulturi / Peryferie w chorwackiej literaturze i kulturze Pub Date : 1900-01-01 DOI: 10.31261/pn.4028.31

Zoran Bundyk

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Periferno u globalnom? Hrvatske serije u odnosu na domicilnu i globalnu kulturu (Novine i Uspjeh)

Periferno u hrvatskoj književnosti i kulturi / Peryferie w chorwackiej literaturze i kulturze Pub Date : 1900-01-01 DOI: 10.31261/pn.4028.08

Lana Molvarec

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Psovka i smijeh

Periferno u hrvatskoj književnosti i kulturi / Peryferie w chorwackiej literaturze i kulturze Pub Date : 1900-01-01 DOI: 10.31261/pn.4028.09

Ivan Mikulić

{"title":"Psovka i smijeh","authors":"Ivan Mikulić","doi":"10.31261/pn.4028.09","DOIUrl":"https://doi.org/10.31261/pn.4028.09","url":null,"abstract":"The paper examines the relationship between two marginal phenomena in the Croatian literatury studies, swearing and laughter. Swearing is a speech genre determined by the obscene and vulgar expressions associated with sex organs or anal bodily area contextualized in the so-called negative values of contemporary culture. On the other hand, laughter is the main point of the comedy that is lower positioned and very often neglected in the hierarchy of genres. However, swearing in Bakhtin’s concept of grotesque realism is an affirmative and positive phenomenon that has contributed to the creation of a free carnival atmosphere and other, material bodily, ridiculous aspect of the world. For a long time Croatian comedies of the second half of the 17th century (smješnice) were on the verge of literary history studies. In this paper we are primarily interested in smješnice because they belong to the carnival type of ceremonial-representational forms of the culture of folk humor, with swearing as its integral part. The study analyses swearing in smješnice considering the type (swear words referring to sex and sexuality, insult), the direction of swearing (speaker, listener, third person, inanimate matter, animals) and the domain from which metaphorically-insulting words are taken (body parts, animals, ethnic groups, confessions, inanimate matter, human qualities…). Thus, different types of swear words provide an insight into the literary representation of everyday life in premodern Dubrovnik.","PeriodicalId":218068,"journal":{"name":"Periferno u hrvatskoj književnosti i kulturi / Peryferie w chorwackiej literaturze i kulturze","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123630936","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Imota ili „život na rubu“ u odabranim djelima Petra Gudelja

Periferno u hrvatskoj književnosti i kulturi / Peryferie w chorwackiej literaturze i kulturze Pub Date : 1900-01-01 DOI: 10.31261/pn.4028.28

Ivan Čagalj

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Feministički i spisateljski angažman Adele Milčinović na početku 20. stoljeća

Periferno u hrvatskoj književnosti i kulturi / Peryferie w chorwackiej literaturze i kulturze Pub Date : 1900-01-01 DOI: 10.31261/pn.4028.25

Ana Vulelija

{"title":"Feministički i spisateljski angažman Adele Milčinović na početku 20. stoljeća","authors":"Ana Vulelija","doi":"10.31261/pn.4028.25","DOIUrl":"https://doi.org/10.31261/pn.4028.25","url":null,"abstract":"Adela Milčinović, a Croatian writer with European and American address, a tireless worker in the struggle for women and children’s rights in Croatia in the first decades of the 20th century, is rarely mentioned in the history of Croatian literature as a self-employed writer, and more often just as the wife of the Croatian writer Andrew Milčinović and a coauthor of a collection of short stories entitled Pod branom (1903). In addition to her writing engagement, especially ignored and unexplored remains her feminist engagement in the time when Croatian female writers were not seriously understood in their intentions and contribution to the modern literature, being placed in its periphery, which can be perceived from the description of “Domaće ognjište,” a magazine in which women writers appeared with their first contributions, as the work of “mostly gentle hearts” (Matoš, 1976: 40). This paper presents Milčinović’s remarkable feminist engagement, reflected in the texts she wrote, which are mostly reviews of the negative critiques of the Croatian writers on “female” writing in Croatia at the turn of the century and in the first decades of the 20th century. Furthermore, we have raised the question whether the feminist engagement of the writer influenced her narrower writing interest, which will be researched by answering the question to what extent Milčinović’s female characters could be a reflection of the time the writer belonged to, which saw the major changes in Croatia both in literary and social terms.","PeriodicalId":218068,"journal":{"name":"Periferno u hrvatskoj književnosti i kulturi / Peryferie w chorwackiej literaturze i kulturze","volume":"3 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124704368","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Antemurale Christianitatis hrvatske usmene književnosti: graničarski mentalitet Dalmacije kroz usmenu epsku pjesmu i kulturalno pamćenje o hrvatsko-osmanskim ratovima

Periferno u hrvatskoj književnosti i kulturi / Peryferie w chorwackiej literaturze i kulturze Pub Date : 1900-01-01 DOI: 10.31261/pn.4028.20

Vanda Babić, Denis Vekić

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Usmena književnost u povijestima hrvatske književnosti

Periferno u hrvatskoj književnosti i kulturi / Peryferie w chorwackiej literaturze i kulturze Pub Date : 1900-01-01 DOI: 10.31261/pn.4028.27

Nikola Sunara

{"title":"Usmena književnost u povijestima hrvatske književnosti","authors":"Nikola Sunara","doi":"10.31261/pn.4028.27","DOIUrl":"https://doi.org/10.31261/pn.4028.27","url":null,"abstract":"Oral literature exists as long as humankind. Through history, that kind of literature was known as folk, anonymous, folklore, traditional, peasant (during the reign of Croatian Peasant Party). Oral literature is the tradition of written literature. In the past, oral literature was often given more attention than the written, and sometimes it was neglected. A great interest in folk literature emerged in the Renaissance period. Michel de Montaigne was enthusiastic about folk poetry and since his time term folk literature has been in use. The oral literature has reached its peak of popularity during the Romanticism. Approach to the oral literature in Croatian histories of literature is fourfold. Some literary historians barely mention it in their histories. Others speak of it peripherally when dealing with, for example, Petar Hektorović, Ivan Gundulić, Andrija Kačić Miošić, and many others. Some literary historians write about both oral (folk) and written literature in their histories of literature. The final approach is by those authors who have written histories of oral (folk) literature. Some literary historians have written histories of oral literature. Maja Bošković-Stulli in collaboration with Divna Zečević dedicated the first book of 1978 edition Povijest hrvatske književnosti: u sedam knjiga to the oral literature. In that history, the authors wrote about folk literature alongside the oral. In 1990 Tvrtko Čubelić published a monograph Povijest i historija usmene narodne književnosti. Marko Dragić published Poetika i povijest hrvatske usmene književnosti in 2008 and Stipe Botica published Povijest hrvatske usmene književnosti in 2013.","PeriodicalId":218068,"journal":{"name":"Periferno u hrvatskoj književnosti i kulturi / Peryferie w chorwackiej literaturze i kulturze","volume":"108 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116433267","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Sudbina pjesništva na rubu hrvatskoga kulturnoga prostora na primjeru Stipana Bešlina iz Bačke

Periferno u hrvatskoj književnosti i kulturi / Peryferie w chorwackiej literaturze i kulturze Pub Date : 1900-01-01 DOI: 10.31261/pn.4028.16

Sanja Vulić

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Uvod

Periferno u hrvatskoj književnosti i kulturi / Peryferie w chorwackiej literaturze i kulturze Pub Date : 1900-01-01 DOI: 10.31261/pn.4028.01

Leszek Małczak

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Pierwsza wśród nierównych – przypadek Anki Topić

Periferno u hrvatskoj književnosti i kulturi / Peryferie w chorwackiej literaturze i kulturze Pub Date : 1900-01-01 DOI: 10.31261/pn.4028.14

Đurđica Čilić

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