Lahorka Plejić Poje
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摘要

在克罗地亚民族复兴之前,旧的卡伊卡维亚文学或卡伊卡维亚文学仍然相对未被研究,并且很少被纳入克罗地亚民族文学的语料库。它的边缘地位主要是由于自19世纪30年代以来发生的政治和国家认同形成过程,其中Štokavian文学发挥了关键作用。当研究卡依卡维亚文学时,重点主要放在印刷书籍上。不像文艺复兴前的卡杰维安散文,在大多数情况下,作者是已知的,散文是印刷的,卡杰维安抒情诗主要以匿名和手稿的形式保存下来。在众多保存下来的卡伊卡维亚诗集中,没有一本以评论版本出版,甚至最近也没有。本文的主题是Pjesmarica Nikole Šafrana (Nikola Šafran的诗集),这是最大的手稿集,连同几首拉丁诗歌,包含了180多首Kajkavian世俗诗歌。其庞大的规模,大量的诗歌也出现在其他卡伊卡维亚文集中,以及其共性和主题的多样性,使该文集具有代表性,是详细研究该文集的一般内容和卡伊卡维亚世俗抒情诗的诗歌特征的良好主题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Raz jeszcze o liryce kajkawskiej sprzed odrodzenia narodowego – uwagi o repertuarze gatunkowym
Old Kajkavian literature or, Kajkavian literature before the Croatian National Revival, remains relatively unstudied and poorly integrated into the corpus of Croatian national literature. Its peripheral status is mostly due to the political and national-identity-forming processes occurring since the 1830s where the key role was given to Štokavian literature. When Kajkavian literature was studied, the focus was placed predominantly on the printed books. Unlike pre-Revival Kajkavian prose, where the author was in most cases known and the prose was printed, Kajkavian lyric poetry was chiefly preserved as anonymous and in manuscript form. None of the numerous preserved Kajkavian collections of poems have been published in a critical edition, not even recently. The topic of this paper is Pjesmarica Nikole Šafrana (Nikola Šafran’s Collection of Poems), the largest manuscript collection which, along with several Latin poems, contains more than 180 Kajkavian secular poems. Its large size, a significant number of poems which also appear in other Kajkavian collections, as well as its generic and thematic diversity make this collection representative, and a good subject for a detailed research of both the collection’s generic content and the poetic traits of Kajkavian secular lyric poetry.
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