{"title":"Mönster i grönt. Graham Greene och 1900-talslitteraturens villkor","authors":"Anders Öhman","doi":"10.54797/tfl.v51i3-4.2125","DOIUrl":"https://doi.org/10.54797/tfl.v51i3-4.2125","url":null,"abstract":"","PeriodicalId":202881,"journal":{"name":"Tidskrift för litteraturvetenskap","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126744571","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Motvilliga vittnen","authors":"Lovisa Andén","doi":"10.54797/tfl.v51i3-4.1669","DOIUrl":"https://doi.org/10.54797/tfl.v51i3-4.1669","url":null,"abstract":"Reluctant Witnesses: Swedish Memoirs from the Soviet Karelian Purges\u0000Several hundred Swedes emigrated to Soviet Karelia in the beginning of the 1930s. Many of them remained there when the Great Terror began, and they became targets of repression. As of now, there is no coherent public narrative in Sweden that acknowledge the Swedish survivors; most survivors never talked publicly about their experiences, let alone wrote about them, and the few who did, did so reluctantly. This article discusses four memoirs written by Swedish survivors of the Soviet repression and the silence that still surrounds these memoirs. The narratives themselves, as well as the reception of the narratives, bear witness to the difficulty of narrating experiences that have not yet been publicly acknowledged. Based on the Swedish witness accounts, this article aims to examine 1) the difficulty of testifying in the absence of a public narrative, and 2) the ability of witness literature to challenge and change established historical narratives.\u0000 \u0000 ","PeriodicalId":202881,"journal":{"name":"Tidskrift för litteraturvetenskap","volume":"53 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122241921","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Konsten som kraftkälla eller livsförnekelse","authors":"Niclas Johansson","doi":"10.54797/tfl.v51i3-4.1660","DOIUrl":"https://doi.org/10.54797/tfl.v51i3-4.1660","url":null,"abstract":"Art as Vitalizing Source or Denial of Life: On Inger Edelfeldt’s Künstlerinromane\u0000This article examines the role of art in the work of Swedish author Inger Edelfeldt. Based on an analysis of the short story “Skapelsen” (“The Creation,” 1995), the article argues that Edelfeldt’s literary works present two opposing views of art: art as an imitation of life and art as a source of life, which in turn are aligned with Nietzsche’s distinction between the Apollonian and the Dionysian. Furthermore, the article investigates how this distinction relates to Edelfeldt’s stories of the artist as heroine. The article argues that these stories fall into two major categories: the comic and utopian Künsterlinroman – exemplified by Hustru (Wife, 1978) and Det hemliga namnet (The Secret Name, 1999) – and the tragic and critical Künstlerinroman – exemplified by Konsten att dö (The Art of Dying, 2014). The analysis shows that these novels, while antithetical in tendency and structure, are organized by the same dialectic between the Apollonian and Dionysian and between art as an imitation of life and art as a source of life. While one side offers a naïvely utopian and individualistic picture of the woman artist in contemporary society, the other gives a realistic and critical perspective on the same subject. And the interconnection between the two views of art reveals a deeper complexity in the author’s portrayal of the contemporary woman artist than can be achieved through isolated analyses of her individual works.","PeriodicalId":202881,"journal":{"name":"Tidskrift för litteraturvetenskap","volume":"49 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128370564","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Studentdikt för tillfället 1660–1699. Kvantitativa undersökningar av tryckta tillfällesdikter av Värmlandsstudenter vid Uppsalas universitet","authors":"Valborg Lindgärde","doi":"10.54797/tfl.v51i3-4.2134","DOIUrl":"https://doi.org/10.54797/tfl.v51i3-4.2134","url":null,"abstract":"","PeriodicalId":202881,"journal":{"name":"Tidskrift för litteraturvetenskap","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130823638","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Hedda Gabler","authors":"Roland Lysell","doi":"10.54797/tfl.v51i3-4.1684","DOIUrl":"https://doi.org/10.54797/tfl.v51i3-4.1684","url":null,"abstract":"Hedda Gabler: A Woman's Will to Power\u0000Hedda Gabler (1890) is the eighth of Henrik Ibsen’s twelve social plays from The Pillars of Society (1877) to When We Dead Awaken (1899). Most critics and stage directors construe it as a play in the realist tradition and as a pièce bien faite. In this essay, I argue for a different kind of interpretation based on the important studies of the play by Else Høst, John Northam and Brian Johnston. Like Høst, I start with the protagonist’s (Hedda’s) comments about vine leaves in Ejlert Løvborg’s (her former suitor’s) hair. Through these comments, Hedda can be associated to the wineleaves of Emperor Julian in Ibsen’s Emperor and Galilean (1873), where the protagonists Julian and Maximos, a kind of mystic, discuss a utopian realm built on both the Dionysic Greek and the Christian mystical tradition. Hedda is a late follower of this mysticism. In this essay, I emphasize the existential aspect of Hedda’s searching for authentic values.\u0000I consider Hedda as an outsider, although she is involved in a fight for power, just as the other characters are. The other characters are described in detail and their actions are fully understandable, whereas Hedda’s character lacks determination. We do not know why she married Tesman. We do not know if she is pregnant. We do not know why she sets fire to Løvborg’s manuscript. Jealousy is too weak an explanation. Whereas the other characters search for the lukewarm indifference of everyday life, Hedda aims at the magnificent and the impossible. She represents the indeterminate aspect of the play, she is the character which does not fit into the realist structure, the character looking beyond and above the other characters, the character open to completely different interpretations, also on stage. Through her suicide she motivates the reader and the spectator to reflect on the metaphysical aspects of life.","PeriodicalId":202881,"journal":{"name":"Tidskrift för litteraturvetenskap","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122520080","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Natur & Kulturs litteraturhistoria","authors":"Per Erik Ljung","doi":"10.54797/tfl.v51i3-4.2104","DOIUrl":"https://doi.org/10.54797/tfl.v51i3-4.2104","url":null,"abstract":"lköjoiöj","PeriodicalId":202881,"journal":{"name":"Tidskrift för litteraturvetenskap","volume":"53 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122866911","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
