{"title":"Poeter versus skådespelare i Dagens dikt 2020–2021","authors":"Jimmie Svensson","doi":"10.54797/tfl.v52i2-3.6973","DOIUrl":"https://doi.org/10.54797/tfl.v52i2-3.6973","url":null,"abstract":"“Poets versus Actors Reading Poetry on Swedish Radio 2020–2021”\u0000Following the rise of the poet as the principal performer of his or her own work, in the second half of the 20th century, actors have been criticized for performing poetry as if acting on stage, or for focusing too much on conveying the lyric I. This primarily quantitative study investigates what prosodic differences there are between poets and actors reading poetry. The material consists of 276 readings from the Swedish public radio program Dagens dikt (The Daily Poem), from 2020 and 2021. A set of prosodic measures are produced for each recording with computational aid, and the groups are compared by using descriptive statistics. The differences found in terms of tempo and pausal patterns, though small, suggest that the actors read in a conventionally poetic, expressive style, while the poets are closer to a style typical of prose reading and conversational speech; this might be connected to differences between their respective repertoire – the poets reading newer, longer, and possibly more narrative texts. When it comes to pitch, there are more substantial differences: the poets are more monotonous and their tonal patterns more predictable, indicating a formal, less expressive style. These traits are associated with the highly stylized vocal cliché Poet Voice, which in turn is connected to poetological shifts in the last few decades. In both groups, however, younger individuals (born 1970 or later) and women, respectively, are the more monotonous and predictable; this might suggest a sociolinguistic trend not limited to poetry. Qualitative, close listening to a selection of readings largely confirms the findings of the quantitative investigation. While the frequently idiosyncratic poets tend to highlight form, such as rhythm and tonal repetitions, the actors rather try to convey the content of the poem, in accordance with prosodical and performative conventions.","PeriodicalId":202881,"journal":{"name":"Tidskrift för litteraturvetenskap","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131467618","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Besvärja världen. En ekopoetisk studie i Inger Christensens alfabet","authors":"J. Olsson","doi":"10.54797/tfl.v52i2-3.13810","DOIUrl":"https://doi.org/10.54797/tfl.v52i2-3.13810","url":null,"abstract":"","PeriodicalId":202881,"journal":{"name":"Tidskrift för litteraturvetenskap","volume":"51 2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126133690","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Vilda pojkar, värde och varaktighet","authors":"A. Forssberg, Anna Linzie","doi":"10.54797/tfl.v52i2-3.6988","DOIUrl":"https://doi.org/10.54797/tfl.v52i2-3.6988","url":null,"abstract":"“Wild Boys, Value, and Longevity. Literary Value and Valuation in the Cases Mälarpirater by Sigfrid Siwertz and The Yearling by Marjorie Rawlings”\u0000The valuation of literature, authorships, and individual texts ripples through time and space like waves. This pilot study which initiates a more extensive project on value considers Mälarpirater by Sigfrid Siwertz (1911) and The Yearling by Marjorie Rawlings (1938) and traces the literary valuation of these award-winning texts, usually seen as classic youth novels about wild boys. The authors were at approximately the same stage of their authorial life cycles at the time of publication, and both have been subject to major renegotiations in terms of value, but they are worlds apart when it comes to rhetorical position and style. The article draws up an inventory of the actors and value-creating acts in the valuation process, and discusses similarities and differences between two works that belong to such divergent contexts as the Swedish and the American literary arenas.\u0000 \u0000Conceptually, our readings draw on ideas from Pierre Bourdieu and Raymond Williams and operationalise a combination of these in relation to literary value. In the comparative analysis, we apply categories of value from previous Swedish literary research: style and form, knowledge, emotional, social, and economic values. The life cycles of the two authorships provide numerous examples of grounds for upward valuation and devaluation. The classification of Mälarpirater and The Yearling as youth novels, not least based on paratextual aspects, proves to be significant. Both Siwertz and Rawlings are more or less forgotten as authors today, but these works survived much longer than the authorships themselves.","PeriodicalId":202881,"journal":{"name":"Tidskrift för litteraturvetenskap","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129629729","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mot en teori om Borealismen","authors":"Sylvain Briens, Frédérique Toudoire-Surlapierre, Alessandra Ballotti","doi":"10.54797/tfl.v52i2-3.13798","DOIUrl":"https://doi.org/10.54797/tfl.v52i2-3.13798","url":null,"abstract":"","PeriodicalId":202881,"journal":{"name":"Tidskrift för litteraturvetenskap","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114582850","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Humorn i stadens mångstämmiga rum","authors":"Massimo Ciaravolo","doi":"10.54797/tfl.v52i2-3.6445","DOIUrl":"https://doi.org/10.54797/tfl.v52i2-3.6445","url":null,"abstract":"“Humour in the Polyphonic Town Space. A Reading of Hjalmar Bergman’s Novel The Markurells of Wadköping”\u0000The novelist as an accomplished artist is revealed, in Mikhail Bakhtin’s view, when the stamp of his/her voice and style is kept while interacting and intermingling with other voices and styles expressed in the novel, often taken from social, collective spaces such as the town. In addition, Bakhtin observes that a history of laughter can be read in the development of the novel as a genre. With its popular roots in carnival traditions, the novel takes place in streets and market squares, and creates an alternative social place which can overturn given social, political and economic hierarchies. Furthermore, the literary scholar Leo Spitzer shows how a novel’s narrator voice can borrow and mould the common voice of a whole community of speakers, as a sort of choir, for instance, in a village or a small town, through the use of free indirect speech (erlebte Rede).\u0000By following these stylistic clues, the article examines how comic, grotesque and fantastic effects are triggered in Hjalmar Bergman’s novel The Markurells of Wadköping, especially in case of ‘polyphonic’ scenes in which the small town participates as a unit, and as a receptive and collective conscience. When humour is in great style, it also contains a tragic dimension, as suggested by the philosopher Simon Critchley. Bergman’s humour is marked by pessimism, and the writer is ambivalent towards the apparently solid, bourgeois world prior to World War I which he comes from and depicts in his novel. The author feels close to this world and describes it with empathy, but at the same time he displays a critical distance as well as a need to part from it. The ‘polyphonic’ plurality of voices in this novel refers also to such an inner conflict. In the article, Hjalmar Bergman is considered as an interpreter of existential disharmony and shortcomings, but also as a writer who found in laughter a form of love for life despite everything.","PeriodicalId":202881,"journal":{"name":"Tidskrift för litteraturvetenskap","volume":"167 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129368483","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Att göra klass. Nedslag i svensk samtidsprosa","authors":"Cristine Sarrimo","doi":"10.54797/tfl.v52i2-3.13807","DOIUrl":"https://doi.org/10.54797/tfl.v52i2-3.13807","url":null,"abstract":"","PeriodicalId":202881,"journal":{"name":"Tidskrift för litteraturvetenskap","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128839460","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Kroppens mening","authors":"S. Gammelgaard","doi":"10.54797/tfl.v52i2-3.2260","DOIUrl":"https://doi.org/10.54797/tfl.v52i2-3.2260","url":null,"abstract":"“Embodied Meaning. Materiality, Representation and Money in La Peau de Chagrin, À rebours and Le Jardin des supplices”\u0000This article presents readings of three French novels from the nineteenth century, namely Balzac's La Peau de chagrin, Huysmans' À rebours and Octave Mirbeau's Le Jardin des supplices. It examines issues of representation and meaning in relation to debt narratives and the use of bodies as a motif in relation to debt, and it argues that, in these novels, literary language and monetary representation displays parallel developments, exemplified through the shift from realist aesthetics to decadent literary style. The article ends by connecting a shifting representative function and related issues of meaning, to modern tendencies in literature, and the function of the human body in these narratives. ","PeriodicalId":202881,"journal":{"name":"Tidskrift för litteraturvetenskap","volume":"206 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128370486","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Under beredskap och krig. Nation, kön, främlingskap och våld hos svenska kvinnliga 1940-talsförfattare","authors":"Bibi Jonsson","doi":"10.54797/tfl.v52i2-3.13825","DOIUrl":"https://doi.org/10.54797/tfl.v52i2-3.13825","url":null,"abstract":"","PeriodicalId":202881,"journal":{"name":"Tidskrift för litteraturvetenskap","volume":"60 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124848599","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Den genomskådande blicken","authors":"Miranda Rendahl","doi":"10.54797/tfl.v52i2-3.6400","DOIUrl":"https://doi.org/10.54797/tfl.v52i2-3.6400","url":null,"abstract":"“The Perceptive Gaze. Theatricality in Rut Hillarp’s Blodförmörkelse”\u0000This paper provides an analytical study of the self-dramatization of the female subject in Rut Hillarp’s 1951 novel Blodförmörkelse (Blood Eclipse) with a focus on theatricality as the foundation of the woman’s relationship with the world around her. With her male counterpart as the muse – the idealized object – the woman is the creator and work of her own story, an actress on her own stage, and through her conscious staging of reality she reintroduces certain social constructs as arbitrary. Building on previous literature on the novel, the author examines the evolution of the woman’s sense of selfhood using Stanley Cavell's notion of theatricality and Adriana Caverero's theory of the narratable self. Furthermore, the woman's theatricalization of being itself, where being appears as an act of self-representation that must be recognized by the other, is explored. Finally, by discussing how this is expressed in relation to the woman’s perception of self and the other, the role of theatricality in the woman’s journey through the inner unknown to the interpersonal is illustrated. Forever the other, the woman becomes a stranger – even in relation to herself.","PeriodicalId":202881,"journal":{"name":"Tidskrift för litteraturvetenskap","volume":"14 3","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-04-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120993803","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
求助内容：
应助结果提醒方式：
京公网安备 11010802042870号
