{"title":"Kroppens mening","authors":"S. Gammelgaard","doi":"10.54797/tfl.v52i2-3.2260","DOIUrl":null,"url":null,"abstract":"“Embodied Meaning. Materiality, Representation and Money in La Peau de Chagrin, À rebours and Le Jardin des supplices”\nThis article presents readings of three French novels from the nineteenth century, namely Balzac's La Peau de chagrin, Huysmans' À rebours and Octave Mirbeau's Le Jardin des supplices. It examines issues of representation and meaning in relation to debt narratives and the use of bodies as a motif in relation to debt, and it argues that, in these novels, literary language and monetary representation displays parallel developments, exemplified through the shift from realist aesthetics to decadent literary style. The article ends by connecting a shifting representative function and related issues of meaning, to modern tendencies in literature, and the function of the human body in these narratives. ","PeriodicalId":202881,"journal":{"name":"Tidskrift för litteraturvetenskap","volume":"206 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2023-04-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Tidskrift för litteraturvetenskap","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.54797/tfl.v52i2-3.2260","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
“Embodied Meaning. Materiality, Representation and Money in La Peau de Chagrin, À rebours and Le Jardin des supplices”
This article presents readings of three French novels from the nineteenth century, namely Balzac's La Peau de chagrin, Huysmans' À rebours and Octave Mirbeau's Le Jardin des supplices. It examines issues of representation and meaning in relation to debt narratives and the use of bodies as a motif in relation to debt, and it argues that, in these novels, literary language and monetary representation displays parallel developments, exemplified through the shift from realist aesthetics to decadent literary style. The article ends by connecting a shifting representative function and related issues of meaning, to modern tendencies in literature, and the function of the human body in these narratives.
”体现的意义。这篇文章介绍了三本19世纪法国小说的阅读,分别是巴尔扎克的《愤怒的Peau de Chagrin》、于斯曼的《À rebours》和奥克塔夫·米尔博的《花园》。它研究了与债务叙事有关的表现和意义问题,以及与债务有关的身体作为母题的使用,并认为,在这些小说中,文学语言和货币表现表现出平行的发展,例如从现实主义美学到颓废文学风格的转变。文章最后将一种变化的代表功能和相关的意义问题,与现代文学趋势,以及这些叙事中人体的功能联系起来。