L’espace à travers l’imaginaire littéraire最新文献

Louis Wolfson et la traduction plurilinguistique, ou comment se mettre à l’abri dans l’espace rhizomique 路易斯·沃尔夫森和多语言翻译，或者如何在根茎空间避难

L’espace à travers l’imaginaire littéraire Pub Date : 2023-07-13 DOI: 10.7202/1101621ar

Nicholas Hauck

{"title":"Louis Wolfson et la traduction plurilinguistique, ou comment se mettre à l’abri dans l’espace rhizomique","authors":"Nicholas Hauck","doi":"10.7202/1101621ar","DOIUrl":"https://doi.org/10.7202/1101621ar","url":null,"abstract":"This article examines Louis Wolfson’s theory of plurilingual translation in Le Schizo et les langues (1970) and his experience of practicing his theory as described in Ma mère, musicienne… (1984). Diagnosed as schizophrenic, Wolfson developed a deep hatred for his mother tongue, English, and a strong mistrust toward others and the world in general. In order to protect himself, he learned French, Russian, German, and Hebrew, languages which he then uses to translate his anglophone environment. Taking a cue from Caroline Rabourdin’s writings that show how the logic of Euclidian space forms and informs our linguistic identity – what she calls incarnated bilingualism – we understand how Wolfson’s space is organized by a different logic, non-binary and structured according to his plurilingual translations. For Deleuze and Guattari, Wolfson’s system follows lines of flight and functions based on a reformulation of space similar to the rhizome: non- hierarchical and non-signifying. With Wolfson, the nomad replaces the flaneur, and word play and polysemy replace signification, creating a constantly translated space, one that is finally, but temporarily, livable.","PeriodicalId":200386,"journal":{"name":"L’espace à travers l’imaginaire littéraire","volume":"7 4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116803299","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

L’objet monétaire comme objet romanesque : le cas de Balzac 作为浪漫对象的货币对象:巴尔扎克的案例

L’espace à travers l’imaginaire littéraire Pub Date : 2023-07-13 DOI: 10.7202/1101624ar

F. Spandri

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Suzanne Lipinska et son Salon au Moulin d’Andé : inspiratrice, initiatrice, intellectuelle « sans tralalas » 苏珊娜·利宾斯卡(Suzanne Lipinska)和她在Moulin d ' ande的沙龙:灵感、发起者、“没有tralalas”的知识分子

L’espace à travers l’imaginaire littéraire Pub Date : 2023-07-13 DOI: 10.7202/1101627ar

K. Gyssels

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Espace confiné et imaginaire littéraire : le journal intime d’écrivain en temps de crise 有限空间与文学想象:危机时期作家的日记

L’espace à travers l’imaginaire littéraire Pub Date : 2023-07-13 DOI: 10.7202/1101620ar

C. Sandu

{"title":"Espace confiné et imaginaire littéraire : le journal intime d’écrivain en temps de crise","authors":"C. Sandu","doi":"10.7202/1101620ar","DOIUrl":"https://doi.org/10.7202/1101620ar","url":null,"abstract":"This article examines a contemporary illustration of the journal d ’écrivain en temps de crise (writers’ diaries in times of crisis) through a series of articles published online in the magazine Télérama at the beginning of the Covid-19 pandemic and entitled: Journal de confinement [Lockdown Diary] (March 23– April 10, 2020). In my analysis, I address writing strategies and topics specific to this particular form of diary: the pathos of sadness; the authors’ status as connaisseurs and observers; writing shaped by a proliferation of flashbacks and cultural references; the topos of a daily life viewed as a spectacle; a new perspective on the time-space relation, one where temporality becomes subservient to spatiality (since the diarists concentrate essentially upon intimate space). Textual analysis of the corpus shows a significant change in what is considered as a primary factor leading to the writing of a journal: the legitimate will for isolation articulated by lonely, “rétractile” writers. As proven by the authors of the Télérama articles, in times of crisis a writer’s diary testifies to the authors’ will to expand their perspectives, and their acute, conscious perceptions of the surrounding space.","PeriodicalId":200386,"journal":{"name":"L’espace à travers l’imaginaire littéraire","volume":"23 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124688874","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

L’espace carcéral comme lieu d’évasion dans Riz noir d’Anna Moï 安娜·莫伊的《黑米》中的监狱空间作为逃离的地方

L’espace à travers l’imaginaire littéraire Pub Date : 2023-07-13 DOI: 10.7202/1101616ar

Kyeongmi Kim-Bernard

{"title":"L’espace carcéral comme lieu d’évasion dans Riz noir d’Anna Moï","authors":"Kyeongmi Kim-Bernard","doi":"10.7202/1101616ar","DOIUrl":"https://doi.org/10.7202/1101616ar","url":null,"abstract":"In this study, I explore the descriptions of enclosed spaces in Anna Moï's novel Riz noir, the main plot of which takes place a few months after the outbreak of the Tet Offensives in Vietnam. In this novel, the imagination of the 15-year-old autodiegetic narrator constantly wanders between two spaces opposed in their function: her bourgeois house protected from the violent killings occurring outside the walls, and the enclosed space of a prison cell termed “the tiger cage,” in which she spends seventeen months. It is in this space of incarceration that the story takes shape through multiple flashbacks. The constant back and forth between two spaces, one welcoming and the other hostile, which the young prisoner explores so obsessively, merge into a single place at the time of the unexpected ending of the story. The confusion following the merging of the two separate spaces occurs in particular when the reader discovers the allusion to what happened in the life of the young girl at her home until her imprisonment. In this study, I will employ thematic analysis to highlight how and why this prison space becomes a place of introspection, one which will paradoxically save the protagonist from her isolation relative to the outside world by becoming a way of escaping from her inner abyss.","PeriodicalId":200386,"journal":{"name":"L’espace à travers l’imaginaire littéraire","volume":"50 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134563823","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

A Room All Her Own: An Aged Care Story 她自己的房间:一个老年护理的故事

L’espace à travers l’imaginaire littéraire Pub Date : 2023-07-13 DOI: 10.7202/1101623ar

Catherine Dhavernas

引用次数: 0

En voyage avec François Villon et Sainte-Beuve 与francois Villon和saint - beuve一起旅行

L’espace à travers l’imaginaire littéraire Pub Date : 2023-07-13 DOI: 10.7202/1101625ar

D. Mus

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J.M.G. Le Clézio and Jacques Derrida’s “Limitrophic,” Biocentric Deconstruction of the “Genesis Myth” j·m·g·勒·克拉西奥和雅克·德里达对“创世纪神话”的“有限的”、以生物为中心的解构

L’espace à travers l’imaginaire littéraire Pub Date : 2023-07-13 DOI: 10.7202/1101626ar

Keith Moser

{"title":"J.M.G. Le Clézio and Jacques Derrida’s “Limitrophic,” Biocentric Deconstruction of the “Genesis Myth”","authors":"Keith Moser","doi":"10.7202/1101626ar","DOIUrl":"https://doi.org/10.7202/1101626ar","url":null,"abstract":"This transdisciplinary reflection examines J.M.G. Le Clézio and Jacques Derrida’s limitrophic deconstruction of what is commonly referred to as the “genesis myth” in Judeo-Christian society. In addition to Cartesian dichotomies and debunked notions of human exceptionalism originating from Renaissance humanism, the Franco-Mauritian writer and Pied-noir philosopher take aim at the mainstream interpretation of Abrahamic cosmogonic narratives that have created a sharp ontological gap between Homo sapiens and other animals. Le Clézio and Derrida describe the genesis account of human-animal relations as an ecocidal, conflictual relationship that could be labeled a world war. They demonstrate that our dominant cognitive structures including the “genesis myth” that mostly remain uncontested, at least within the general public, have already left behind a path of irreversible destruction and other-than-human suffering. Unless we are able to curb the unending fury that the animal within us has unleashed against other sentient beings who bleed, suffer, live, and die just like us, Le Clézio and Derrida lament that our days are numbered.","PeriodicalId":200386,"journal":{"name":"L’espace à travers l’imaginaire littéraire","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123982022","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

La scène littérale et la scène textuelle : les espaces de présentation de soi dans les écritures personnelles des danseuses 文字场景和文本场景:舞者个人写作中自我呈现的空间

L’espace à travers l’imaginaire littéraire Pub Date : 2023-07-13 DOI: 10.7202/1101617ar

M. Wightman

{"title":"La scène littérale et la scène textuelle : les espaces de présentation de soi dans les écritures personnelles des danseuses","authors":"M. Wightman","doi":"10.7202/1101617ar","DOIUrl":"https://doi.org/10.7202/1101617ar","url":null,"abstract":"This article compares the textual stage and the literal stage in autobiographical texts written by former French principal dancers Agnès Letestu (Danseuse étoile, 2016) and Marie-Claude Piétragalla (La femme qui danse, 2008) to explore how the space in which the self is presented influences the image that an individual can give of themselves. Drawing mainly on the definition of the mise en scène in Patrice Pavis’ Dictionnaire du théâtre (1996) and Dominique Maingueneau’s concepts of authority and enunciative vocation in discourse analysis, this article first identifies elements of interpretation belonging to the textual and the literal stages, as well as how they arrange and organize each space. We then show how the textual and literal mise en scène, that is, the arrangement and organization of elements of interpretation, prescribes a discourse that is unique to each space, thereby constraining the dancer to present themselves within specific identity parameters. Ultimately, this article argues that the dancer who presents herself both on the literal and textual stages cannot but present two different images of herself because she must use the distinct discursive and interpretive tools that are made available to her in each space.","PeriodicalId":200386,"journal":{"name":"L’espace à travers l’imaginaire littéraire","volume":"356 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-07-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122805152","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

L’espace dans l’écriture biographique de Roger Laporte 罗杰·拉波特传记写作中的空间

L’espace à travers l’imaginaire littéraire Pub Date : 2023-07-13 DOI: 10.7202/1101622ar

Domenico Cambria

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