Espace confiné et imaginaire littéraire : le journal intime d’écrivain en temps de crise

C. Sandu
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Abstract

This article examines a contemporary illustration of the journal d ’écrivain en temps de crise (writers’ diaries in times of crisis) through a series of articles published online in the magazine Télérama at the beginning of the Covid-19 pandemic and entitled: Journal de confinement [Lockdown Diary] (March 23– April 10, 2020). In my analysis, I address writing strategies and topics specific to this particular form of diary: the pathos of sadness; the authors’ status as connaisseurs and observers; writing shaped by a proliferation of flashbacks and cultural references; the topos of a daily life viewed as a spectacle; a new perspective on the time-space relation, one where temporality becomes subservient to spatiality (since the diarists concentrate essentially upon intimate space). Textual analysis of the corpus shows a significant change in what is considered as a primary factor leading to the writing of a journal: the legitimate will for isolation articulated by lonely, “rétractile” writers. As proven by the authors of the Télérama articles, in times of crisis a writer’s diary testifies to the authors’ will to expand their perspectives, and their acute, conscious perceptions of the surrounding space.
有限空间与文学想象:危机时期作家的日记
本文探讨当代插图的《d ' ecrivain en临时工危机(作家日记在危机时期)通过一系列的文章发表在该杂志独立性Covid-19大流行开始时,标题为:《de监禁(锁定日记)(2020年3月23日- 4月10日)。在我的分析中,我探讨了这种特殊形式的日记的写作策略和主题:悲伤的悲怆;作者作为见证者和观察者的地位;由大量闪回和文化参考所塑造的文字;主题:作为奇观的日常生活的主题;一个关于时空关系的新视角,在这个视角中,时间性服从于空间性(因为日记作者主要集中在亲密空间上)。对语料库的文本分析显示,被认为是导致撰写期刊的主要因素发生了重大变化:孤独的、"无法自拔的"作家表达了隔离的合法意愿。正如tsamimassama文章的作者所证明的那样,在危机时刻,作家的日记证明了作者扩大视野的意愿,以及他们对周围空间的敏锐、有意识的感知。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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