Int. J. Art Cult. Des. Technol.最新文献_第5页

iPattern: A Pattern-Generating Software Using Rule-Based Computational Design iPattern:使用基于规则的计算设计的模式生成软件

Int. J. Art Cult. Des. Technol. Pub Date : 2017-07-01 DOI: 10.4018/IJACDT.2017070102

Youmna Bassiouny, R. Elias, Philipp Paulsen

{"title":"iPattern: A Pattern-Generating Software Using Rule-Based Computational Design","authors":"Youmna Bassiouny, R. Elias, Philipp Paulsen","doi":"10.4018/IJACDT.2017070102","DOIUrl":"https://doi.org/10.4018/IJACDT.2017070102","url":null,"abstract":"Computationaldesigntakesacomputerscienceviewofdesign,applyingboththescienceandartof computationalapproachesandmethodologiestodesignproblems.Thisarticleproposestoconvert design methodologies studied by designers into rule-based computational design software and helpthembyprovidingsuggestionsfordesignstobuildupongivenasetofprimitiveshapesand geometricalrules.iPatternisapattern-makingsoftwarededicatedtodesignerstogenerateinnovative designpatternsthatcanbeusedinadecorativemanner.Theymaybeappliedonwallpapers,carpets, fabrictextiles,three-dimensionallanterns,tableware,etc.Thepurposeistocreateamodernpattern designcollectionthataddsanewessencetotheplace.Inordertogeneratecreativedesignpatterns, primitiveshapesandgeometricalrulesareused.Thegenerateddesignpatternisconstructedbased onthegridoftheFlowerofLifeofthesacredgeometryorsimilargridsconstructedusingprimitive shapes(rectangles,squaresandtriangles)combinedinthelayoutoftheFlowerofLife. KeywoRDS Computational Design, Computer Graphics, Flower of Life, Geometric Patterns, Pattern Generation, PatternGenerating Software","PeriodicalId":181387,"journal":{"name":"Int. J. Art Cult. Des. Technol.","volume":"80 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123352670","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Behind the Scenes: Service Experience in Traditional Performing Arts Groups in Indonesia 幕后:印尼传统表演艺术团体的服务经验

Int. J. Art Cult. Des. Technol. Pub Date : 2017-07-01 DOI: 10.4018/IJACDT.2017070105

Adilla Anggraeni, Adilla Amelia

{"title":"Behind the Scenes: Service Experience in Traditional Performing Arts Groups in Indonesia","authors":"Adilla Anggraeni, Adilla Amelia","doi":"10.4018/IJACDT.2017070105","DOIUrl":"https://doi.org/10.4018/IJACDT.2017070105","url":null,"abstract":"Deliveringasatisfactoryexperiencetothecustomersisaninseparablepartofaserviceorganization. This article investigateshow two different groups of wayang orang (human wayang), a form of traditionalartinIndonesiadeliverserviceexperiencestotheaudiences.Qualitativemethodsconsisted ofin-depthinterviewsandopen-endedsurveywereutilizedasthedatacollectionmethod.Thefindings suggestthatserviceexperiencesweredeliveredthroughthecombinationofvariousartelementsin theperformance,andsomeoftheelementsareconsideredtobemoreimportantthantheothers. Severalbarriershavealsobeenidentifiedasthebarriersthatinhibitconsumptionofthistraditional art.BharataandSwargalokaperformingartgroupswereutilizedasthecontextofthisresearch.This articlecontributestolimitedstudiesontraditionalartswithintheartsmarketingdomain,especially withregardstoartexperiencedeliveryandartconsumption. KEywoRDS Art Consumption, Art Marketing, Heritage, Indonesia, Service Experience, Wayang Orang","PeriodicalId":181387,"journal":{"name":"Int. J. Art Cult. Des. Technol.","volume":"295 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124231158","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Examples of the Impact of Collaboration in Creative and Technological Practices 创新和技术实践中合作影响的例子

Int. J. Art Cult. Des. Technol. Pub Date : 2017-07-01 DOI: 10.4018/IJACDT.2017070104

Stuart Cunningham, R. Earnshaw, Daniel E. Berry, P. Excell, E. Thompson

{"title":"Examples of the Impact of Collaboration in Creative and Technological Practices","authors":"Stuart Cunningham, R. Earnshaw, Daniel E. Berry, P. Excell, E. Thompson","doi":"10.4018/IJACDT.2017070104","DOIUrl":"https://doi.org/10.4018/IJACDT.2017070104","url":null,"abstract":"Over recent years, the creative industries have continued to flourish, especially in the UK, where its economic growth and impact has bucked trends of national decline. One of the most identifiable characteristics of the creative industries is the range and diversity of people who work in the field. As such, it includes employees from many disciplines working in collaboration to achieve organizational goals. It is this creative collaboration, with a rich level of technological support in the background, which is the focus of discussion. This article describes an analysis of collaborative practices, followed by the formation of a model that attempts to capture and explain the relationship between the key features. This model is then applied as a lens to a small case study of 63 technology–related employees' perceptions of their employer in three successful companies who were in the top 5 of the 2017 Fortune 500 list, with the intention of determining how well their experiences map to the model. It was found that the six characteristics of the model were evident in each of the three organizations studied, but that one feature, organizational support, seemed to be more prevalent than the others. Consideration, via a second case study, is then given to creative multidisciplinary work, specifically in the field of crowd–accelerated development and the factors that surround it, leading us to devise a set of recommendations as to how future successful creative collaborations might be assessed and valued, along with a discussion of questions that have been identified for additional research and exploration. This is an extended version of a paper published at the Cyberworlds 2015 international conference.","PeriodicalId":181387,"journal":{"name":"Int. J. Art Cult. Des. Technol.","volume":"51 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127424199","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Introducing the Robo-Raconteur Artificial Writer Or: Can a Computer Demonstrate Creativity? 介绍机器人叙事人工作家或:计算机能展示创造力吗?

Int. J. Art Cult. Des. Technol. Pub Date : 2017-07-01 DOI: 10.4018/IJACDT.2017070103

J. Velikovsky

引用次数: 2

From the Walls to the Web: Media Aesthetics, Technological Innovation, and Audience Attention to Artwork Representations 从墙壁到网络:媒介美学、技术创新与观众对艺术表现的关注

Int. J. Art Cult. Des. Technol. Pub Date : 2016-06-01 DOI: 10.4018/IJACDT.2016070103

N. Dahmen

{"title":"From the Walls to the Web: Media Aesthetics, Technological Innovation, and Audience Attention to Artwork Representations","authors":"N. Dahmen","doi":"10.4018/IJACDT.2016070103","DOIUrl":"https://doi.org/10.4018/IJACDT.2016070103","url":null,"abstract":"Aesthetic theory considers the reciprocal relationship between the creator, the object, and the viewer of an artwork. When viewing artworks on a museum website, a new element is added to the aesthetic model: the mass-mediated representation of the art object. This research brings together art and media theory, as well as technological understanding, to study mass-mediated presentations of artworks and to gauge audiences’ visual attention to artworks based on differences in media presentations. Study findings indicate that art museums are generally showing rigor for visual displays of their artworks on their websites, thereby providing a legitimate visiting experience for their virtual patrons. However, regarding technology, art museum websites are not fully embracing web capabilities. Eyetracking data provide empirical evidence of the effects of certain changed aesthetic variables in the viewing experience. From a theoretical perspective, the research showed how aesthetic theory can be placed within a media aesthetic theory model to study the mass mediated viewing experience. KeyWoRDS Art Museums, Eyetracking, Media Aesthetic Theory, Web Technology","PeriodicalId":181387,"journal":{"name":"Int. J. Art Cult. Des. Technol.","volume":"71 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133054042","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Knitting Patterns: Managing Design Complexity with Computation 编织图案:用计算管理设计复杂性

Int. J. Art Cult. Des. Technol. Pub Date : 2016-06-01 DOI: 10.4018/IJACDT.2016070101

D. McMeel, R. Amor

{"title":"Knitting Patterns: Managing Design Complexity with Computation","authors":"D. McMeel, R. Amor","doi":"10.4018/IJACDT.2016070101","DOIUrl":"https://doi.org/10.4018/IJACDT.2016070101","url":null,"abstract":"Large software conglomerates like Trimble and Autodesk provide consumers with suites of software that perform many functions within the design and construction process. Communicating with software outside of the suite can be highly problematic as file types and communication protocols are proprietary and closed within that software family the antithesis of interoperability). This is in stark contrast with emerging trends in consumer computing, where we find a rich ecosystem of devices and services facilitating a period of intense innovation. This paper documents original research that aims to implement communication beyond specific software suites and test, to what extent, wider software ecosystems revolving around open standards might be implemented within the design and construction domain. Our first test case—an agentbased dynamic simulation combining natural and built environmental components—is deployed to explore the city as a multitude of interrelated natural and built patterns. We analyze the role this simulation might play in managing the complexities of rebuilding a sustainable urban environment after the devastating earthquake in Christchurch, New Zealand. The second test case deploys an iPad application to communicate with a BIM model exploring the development of a mobile application and methodology for openly communicating outside of the intended software family. Through these case studies we begin to identify ways to leverage emergent device and data ecosystems and representations for ‘knitting’ devices and services together in innovative ways to advance design and construction processes. KeywoRDS Architecture, BIM, Design, Digital, Ecology Knitting Patterns: Managing Design Complexity with Computation Dermott John James McMeel, University of Auckland, Auckland, New Zealand Robert Amor, University of Auckland, Auckland, New Zealand","PeriodicalId":181387,"journal":{"name":"Int. J. Art Cult. Des. Technol.","volume":"16 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114394327","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Concealment and Exposure: Contemporary Application of Masks in Lampshade 隐藏与暴露:灯罩中面具的当代应用

Int. J. Art Cult. Des. Technol. Pub Date : 2016-06-01 DOI: 10.4018/IJACDT.2016070102

Kofi Adjei, K. Opoku-Bonsu, E. Appiah

引用次数: 2

Perception of Relationship between Art and Science in Contemporary African Arts and Technology 当代非洲艺术与技术中艺术与科学关系的感知

Int. J. Art Cult. Des. Technol. Pub Date : 2014-07-01 DOI: 10.4018/IJACDT.2014070105

Bankole E. Oladumiye

{"title":"Perception of Relationship between Art and Science in Contemporary African Arts and Technology","authors":"Bankole E. Oladumiye","doi":"10.4018/IJACDT.2014070105","DOIUrl":"https://doi.org/10.4018/IJACDT.2014070105","url":null,"abstract":"The contemporary African art and science is a product of human works of conception and perception worthy aesthetic values. Anthropologically and archaeologically speaking art and science was the first physical weapon of survival through the production of shape tools that allowed man an effective control over survival in his untamed environment, through which art and science researchers concluded that art is science and science is art it is logical, systematic and rational. The two implies a systematic principles and methods employing in performing a set of activities as a result many and varied are the usage of art and science and together they reveal the basic urges and aspiration of Africans which is evolutionary and revolutionary, scientifically and artistically. Art and science in the contemporary African undergoes a process of industrial art and industrial science. It is however pertinent to state this point that the various stand-points from which science and art have been viewed by professionals and researchers, are the similarity and relationship between the two. The paper discussed the perception of art and science. The conceptualization and the classification of the two, the perception of arts and science in the contemporary Africa, are therefore analyzed in the paper and this will bring into closer contact arts and science and popularizing the benefits of interaction, as being of concern to the artist and the scientific community in recent years. The paper drawn a conclusion that art and science are of the same culture.","PeriodicalId":181387,"journal":{"name":"Int. J. Art Cult. Des. Technol.","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122885612","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Conversation China: Serendipity on a Plate 中国:盘子里的意外之喜

Int. J. Art Cult. Des. Technol. Pub Date : 2014-07-01 DOI: 10.4018/IJACDT.2014070102

Michael Johansson

{"title":"Conversation China: Serendipity on a Plate","authors":"Michael Johansson","doi":"10.4018/IJACDT.2014070102","DOIUrl":"https://doi.org/10.4018/IJACDT.2014070102","url":null,"abstract":"This article will present and discuss the design thinking, methods, processes and some examples of work that demonstrates how, together with different co-creators, one sets up a work practice using digital 3d objects and images. That in different ways and formats helps us to explore how a database, a set of rules can be used in a dialogue with artistic work practice and how such a process can be used to create images and animation in a variety of design and art projects. The main example is a project called Conversation China that still is in its making, here one works with rather complex processes, involving several digital analogue techniques as the basis for creating the images for a 150 pieces porcelain dinner set. The author's interest in this work is how the intention of the artist or designer is transferred and later embedded in the procedural or algorithmic process and how this intent is organized and set up to secure an desired outcome, mixing the possibilities of the digital media object with manual editing and artistic craftsmanship. What this article tries to put forward is how we designed and set up environments for working with non linear and procedural media, their different expressions and forms by using explorable prototypes and design thinking?","PeriodicalId":181387,"journal":{"name":"Int. J. Art Cult. Des. Technol.","volume":"42 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2014-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124385357","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Towards a Categorization of Scambaiting Strategies against Online Advance Fee Fraud 试论网络预付费诈骗的诈骗策略分类

Int. J. Art Cult. Des. Technol. Pub Date : 2014-06-01 DOI: 10.4018/IJACDT.2014070104

Andreas Zingerle

引用次数: 4