隐藏与暴露:灯罩中面具的当代应用

Kofi Adjei, K. Opoku-Bonsu, E. Appiah
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引用次数: 2

摘要

本研究探讨非洲传统面具在室内设计配件设计与制作中的运用。通过前殖民时期的背景和面具的当代探索,我们选择了三个面具,并利用陶瓷工作室的实践对其进行了重新设计。面具的选择是基于它们的物理特征和相关的含义。面具被认为是它们所代表的精神的载体,可能具有宗教、生殖、社会文化和戏剧意义。由于其最初的用途和象征意义,非洲面具几乎没有成为普通家庭和公众适应的社交对象。它们被认为是神秘的、仪式性的和通灵的,并创造了一种氛围,这种氛围对当今设计关注的探索似乎是合理的。该研究的设计结果表明,面具作为与神秘主义和社会文化净化相关的文化对象,可以通过有效的设计决策来适应功能和美学问题。关键词美学,光环,陶瓷实践,隐蔽性,设计关注,神秘主义,传统非洲面具
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Concealment and Exposure: Contemporary Application of Masks in Lampshade
This study explored the use of traditional African masks in the designing and production of interior design accessories. Through pre-colonial antecedent and masks’ contemporary explorations, three masks were selected and redesigned for interior ambiance using ceramics studio practice. The selection of the masks was based on their physical characteristics and associated meanings. Masks are believed to be carriers of the spirits they represent and may possess religious, reproductive, socio-cultural and theatrical significance. Due to their original use and symbolism, African masks have scarcely been sociable objects for ordinary domestic and public adaptations. They are deemed mystical, ritualistic, and psychic, and create auras whose exploration for today’s design concerns seem plausible. The design outcomes from the study showed that masks as cultural objects associated with mysticism and socio-cultural purifications, could through effective design decisions be adapted for functional and aesthetic concerns. KEywoRDS Aesthetics, Aura, Ceramic Practice, Concealment, Design Concerns, Mysticism, Traditional African Masks
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