Conversation China: Serendipity on a Plate

Michael Johansson
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Abstract

This article will present and discuss the design thinking, methods, processes and some examples of work that demonstrates how, together with different co-creators, one sets up a work practice using digital 3d objects and images. That in different ways and formats helps us to explore how a database, a set of rules can be used in a dialogue with artistic work practice and how such a process can be used to create images and animation in a variety of design and art projects. The main example is a project called Conversation China that still is in its making, here one works with rather complex processes, involving several digital analogue techniques as the basis for creating the images for a 150 pieces porcelain dinner set. The author's interest in this work is how the intention of the artist or designer is transferred and later embedded in the procedural or algorithmic process and how this intent is organized and set up to secure an desired outcome, mixing the possibilities of the digital media object with manual editing and artistic craftsmanship. What this article tries to put forward is how we designed and set up environments for working with non linear and procedural media, their different expressions and forms by using explorable prototypes and design thinking?
中国:盘子里的意外之喜
本文将展示和讨论设计思维、方法、过程和一些工作实例,展示如何与不同的共同创作者一起使用数字3d对象和图像建立工作实践。以不同的方式和格式帮助我们探索如何使用数据库,一套规则与艺术工作实践进行对话,以及如何在各种设计和艺术项目中使用这样的过程来创建图像和动画。主要的例子是一个名为“对话中国”(Conversation China)的项目,该项目仍在进行中,其中一个项目的流程相当复杂,涉及到几种数字模拟技术,作为为150件瓷器餐具制作图像的基础。作者对这项工作的兴趣在于艺术家或设计师的意图如何被转移并随后嵌入到程序或算法过程中,以及如何组织和设置这种意图以确保预期的结果,将数字媒体对象的可能性与手工编辑和艺术工艺相结合。本文试图提出的是我们如何通过可探索的原型和设计思维来设计和设置使用非线性和程序媒体的环境,以及它们的不同表达和形式?
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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