Kansei Engineering最新文献

{"title":"The Evaluation Method of Cruise Ship Exterior Styling Imagery Based on Kansei Engineering and Analytic Hierarchy Process","authors":"Jiefeng Lu, Jie Jiang, Mengying Tang, Li Zhang","doi":"10.54941/ahfe1002997","DOIUrl":"https://doi.org/10.54941/ahfe1002997","url":null,"abstract":"In order to solve the matching problem between the acquisition of modeling features during the cruise ship design process and the cognition of the cruise ship exterior styling imagery after the design is completed, and to assist the designer in making a reasonable selection of the design scheme through styling imagery evaluation, the research group of this paper proposes a cruise ship exterior styling imagery evaluation method based on Kansei Engineering (KE) and analytic hierarchy process (AHP). The semantic vocabulary of the cruise ship exterior imagery is quantified and analyzed by using the methods of semantic difference (SD) and AHP, and the index system that affects the evaluation of the styling imagery is established. The weight of each evaluation index is calculated by constructing the judgment matrix, and the comprehensive ranking is carried out. Combined with the weights of the evaluation indexes of each level in the judgment matrix, the image fuzzy comprehensive evaluation matrix of cruise ship exterior styling is established to evaluate the four cruise ship exterior styling imagery design schemes designed by the members of the research group, and finally, the best image design scheme of cruise ship exterior styling is obtained. This method reduces the subjective factors in the evaluation process as much as possible and can provide an effective reference for the evaluation of the cruise ship exterior styling imagery design scheme.","PeriodicalId":164502,"journal":{"name":"Kansei Engineering","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114973015","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Kansei Evaluation of Localized Film Posters","authors":"Emiri Otsuka, Namgyu Kang","doi":"10.54941/ahfe1001769","DOIUrl":"https://doi.org/10.54941/ahfe1001769","url":null,"abstract":"In recent years, Japanese animation films have been attracting attention overseas. For example, \"Blade of the Demon\" was released in 2020 and became a massive hit in 45 countries and regions worldwide. Film posters are one of the influential advertising media for the release of a film. film posters are essential advertising media to influence the film box office, as they comprehensively express the contents and appeal of the film story in a single image. However, depending on where the film is released, the poster is changed into a different layout from the home country version. For example, the film poster of \"Big Hero6\" in Japan appealed to an emotional story, but in some other countries, the poster appealed to an action hero film. In this way, film posters were localized depending on the country where the film was released. According to previous studies on film posters, the Japanese and Americans had different perspectives in grasping the film stories even though the film was the same, reflected in the film posters. In addition, in a previous study conducted by our research team on film posters of Studio Ghibli of Japan, subjects' impressions differed significantly from the original Japanese poster version and re-produced others. However, even though the Japanese and Korean versions are very similar layouts and designs, the participants' impressions about these two posters differed due to the influence of the textual information. Therefore, this study evaluated the impressions of film posters with mosaic processing on the language part to eliminate the influence of the language information on the posters. As a result of the SD method's experiment, there was a negative correlation between the \"Familiarity feeling\" and the \"Unique feeling\" of the film posters. However, there was a positive correlation between the \"Dynamism feeling\" and the \"Familiarity feeling\" of the posters. Moreover, participants' impression about the mosaiced textual information of the Japanese and Korean versions was almost the same. That means textual information in a poster influences participants' impressions significantly. These results in this study will help future film posters production.","PeriodicalId":164502,"journal":{"name":"Kansei Engineering","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128637533","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Customer Preference of Recycled Plastic Products","authors":"Pei-Ju Lin, Jun-yu Yang","doi":"10.54941/ahfe1001770","DOIUrl":"https://doi.org/10.54941/ahfe1001770","url":null,"abstract":"The circular economy of recycled plastics is gradually emerging. Its objective is to reduce the production of new plastics, design products with recycled plastics according to the thermoplastic characteristics of plastics, classify, wash, dry, finely shred, and then melt and remanufacture waste plastics to reshape the appearance and function of products. In this study, consumers’ acceptance, cognition, and preference for recycled plastic products were explored based on the image these products carry. A total of 11 commercially available recycled plastic products were collected, which were respectively made of propylene (PP), high/low-density polyethylene (HDPE/LDPE), and poly (ethylene glycol-co-1,4-cyclohexanedimethanol terephthalate) (PETG), and shaped by the injection moulding machine, compressor, tablet press, and 3D printing. These adjectives were used for the survey of 100 subjects for their evaluation of recycled plastic products. The consumers’ preference for the material of the recycled plastic products is in the order of HDPE/LDPE > PETG > PP. In addition, the evaluation of those using moulds in the manufacturing process is high, which can achieve a better product image and win consumer preferences. In the sample products of this study, a recycled watch strap is made of LDPE material using the injection moulding machine.","PeriodicalId":164502,"journal":{"name":"Kansei Engineering","volume":"9 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130912397","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"A Perceptual Study on the Ratios of Areas of Two Adjacent Colors for the Optimal Congruency","authors":"Masato Chiba, M. Yamada","doi":"10.54941/ahfe1002995","DOIUrl":"https://doi.org/10.54941/ahfe1002995","url":null,"abstract":"Cute female characters frequently appear in Cool Japan content, such as anime, video games and manga. When designing a character, color is one of the most important factors. Previous studies showed that yellow characters tended to have a cute connotation like Pokémon. A character with yellow hair also had a cute impression. Particularly, a character with yellow hair and blue irises was perceived as one of the cutest types of character. A pair of yellow and blue consists of complementary colors and generally it is said that a pair of complementary colors gives an uncomfortable impression. It could be hypothesized that the small area of the pair of blue irises functioned as the effect color when combined with the wide area of yellow hair, and these colors were perceived as congruent. A Swiss artist, theorist and educator, Johannes Itten (1888-1967) calculated the ratios of areas of different colors based on a German poet, playwright, novelist and critic, Johann Wolfgang von Goethe (1749-1832). Goethe insisted the ratios of brightness of different colors are “yellow: orange: red: violet: blue: green = 9:8:6:3:4:6”. Then, the ratios of area of different colors for congruency were “yellow: orange: red: violet: blue: green = 3:4:6:9:8:6”, in Itten’s theory. Itten’s theory shows an inverse tendency from the phenomenon of a cute character. According to Itten’s theory, the area of blue must be wider than yellow. However, the theories of Itten and Goethe were based on their intuition. In the present study, a perceptual experiment was conducted to directly measure the ratios of areas of different colors for congruency, to test Itten’s theory. Twelve colors were selected from Itten’s color wheel; yellow, orange, red, violet, blue and green, and 132 pairs of two different colors were prepared. Two adjacent squares were painted in two different colors and 20 participants from the Kanazawa Institute of Technology were requested to adjust the boundary of the two areas to make them most congruent, using the software Illustrator. The results of the experiment showed that the ratios were “yellow: orange: red: violet: blue: green = 5:6:5:6:7:6”. The ratio of 5:7 for yellow and blue colors were smaller than Itten’s theory, but the tendency was consistent with Itten’s theory. To conclude, the phenomenon observed in cute characters in Japanese content could not be illustrated by the ratio of areas of the complementary colors of yellow and blue. The phenomenon may be explained rather by the cultural effects where Japanese people admired Western people with blond hair and blue eyes.","PeriodicalId":164502,"journal":{"name":"Kansei Engineering","volume":"55 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124003171","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Correspondence Analysis on the Production Staff for the Anime Series Nintama Rantaro","authors":"Ayaka Iguma, M. Yamada","doi":"10.54941/ahfe1001768","DOIUrl":"https://doi.org/10.54941/ahfe1001768","url":null,"abstract":"Nintama Rantaro is a long running TV anime series in Japan, which is produced by a large number of staff members. In the present study, 228 episodes of this series were selected to analyze the relationships among the staff members and the elements in the episodes, using correspondence analysis and cluster analysis. Numbers of storyboard writers, animation directors, screenplay writers and directors, and factors of the stories, e.g., representative expressions, motions of the main characters and emotions of the main characters, were counted, and a cross-tabulation table was constructed. The results of the correspondence analysis of the table showed that a three-dimensional space illustrated the correlations in the table with the cumulative contribution ratio of 42 %. The results of the cluster analysis with Ward’s method showed four clusters. Each of the four clusters coincided to each quadrant on the plane spanned by the first two dimensions. In the first quadrant, an animation director Tsuyoshi Ichiki was plotted. In the same quadrant, fighting motions of the main characters were plotted. Tsuyoshi Ichiki is one of the most proficient anime directors for battle scenes. Therefore, this indicates that the animation of episodes which includes battle scenes is chiefly directed by Tsuyoshi Ichiki in Nintama Rantaro. In the second quadrant, experienced animation directors, Emiko Niiyama and Kazue Tamari were plotted as well as a screenplay writer, Mitsuharu Yoshida who frequently writes the screenplay for the initial episode of a season. Moreover, characteristic expressions in Nitama Rantaro, such as the escape of the soul from the body, use a regional dialect “bayai” instead of “baai”, and the appearance of a character with breaking the screen, were plotted in this quadrant. This implies that the experienced animation directors and the screenplay writer use characteristic expressions especially for the initial episode of a season. In the third quadrant, an animation director Setsuko Shibuichi, who previously directed animations with sad stories, was plotted. The sad emotion of a main character is also plotted in the same quadrant. This indicates that for a sad episode, Setsuko Shibuichi directed the animation. In the fourth quadrant, screenplay writers, Satoshi Kimura and Kazuko Iwasaki are plotted as well as an animation director, Yasuhiro Endo, and various directions of motions of the characters are also plotted. This means that they are proficient dynamic motions of characters. In this way, the relationships among the staff members and the elements of the anime episodes are clarified in the context of Nintama Rantaro.","PeriodicalId":164502,"journal":{"name":"Kansei Engineering","volume":"55 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114548614","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Minimalist Design of Oven Products Based on Differences in User Needs","authors":"Miao Liu, Yitong Jiang","doi":"10.54941/ahfe1001762","DOIUrl":"https://doi.org/10.54941/ahfe1001762","url":null,"abstract":"At present, the oven has become a popular electrical product for home life，and its appearance design is based on a minimalist style, pursuing the purity of appearance and streamlining of functions. However, different users have different perceptions of the simplicity and ease of use of the oven design, which may lead to differences in aesthetic preferences and design requirements, which in turn may lead to varying degrees of use obstacles and poor experience. How to grasp the \"degree\" of Minimalist Design to meet the differentiated needs of more users? It is the main problem of oven design at this stage. However, the method researches of related Minimalist Design are mostly theoretical reference and lack practical guiding significance. Therefore, this article will focus on the concept of Minimalist Design, combined with multi-level demand theory and Analytic Hierarchy Process, to explore the differences in users’ aesthetic preferences for minimalist oven design, construct a multi-level structural model of user needs, obtain the importance of user needs, and summarize differentiated minimalist oven designs methods. First, hot-selling ovens were selected as the research objects; compared the relative simplicity difference of each two products , a difference matrix was obtained; Multi-Dimensional Scaling Analysis, Cluster Analysis, and K-means Clustering were applied, the simplicity of ovens was classified and each category Typical products were obtained as simple prototypes; questionnaire surveys and statistical tests were used, the characteristics of the user groups of each prototype were obtained; based on the concept of Minimalist Design, user interviews and other methods were applied, the simplicity of users on three levels of stable performance, smooth interaction, and minimalist appearance Design demand factors were obtained; finally, the Analytic Hierarchy Process was applied, a hierarchical model of simple design factors were constructed, the weight of needs of each user group was obtained, and the differentiated design methods were summarized. As a result, a total of 12 hot-selling ovens were selected; a total of 3 minimalist prototypes ABC were obtained, The user group of prototype A is dominated by young women in higher education, prototype B is dominated by middle-aged women in secondary education, and prototype C is dominated by the elderly; a multi-level structure model of user needs was constructed, and The weight of the needs of the 3 user groups were obtained; based on the importance of the needs of each group, the targeted minimalist oven design methods were proposed. Therefore, the method which is based on the theory of multi-level needs and applying the Analytic Hierarchy Process, to construct a multi-level structure model of user needs can clarify the characteristics and design needs of different user groups, and improve the effectiveness and practical significance of the Minimalist Design of the oven. This method can provide a","PeriodicalId":164502,"journal":{"name":"Kansei Engineering","volume":"29 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114805342","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Research methods of product perceptual image recognition in Kansei Engineering","authors":"Ruiguang Tan","doi":"10.54941/ahfe1001764","DOIUrl":"https://doi.org/10.54941/ahfe1001764","url":null,"abstract":"The paper studies the image recognition in Kansei engineering. Firstly, the development history of Kansei Engineering is reviewed. The early research object of ergonomics is the explicit physiological and psychological reaction generated after the interaction between human and artificial objects. This type of research object is characterized by objectivity, universality, stability and easiness to measure. Kansei Engineering extends the research object of ergonomics to the implicit psychological reaction generated by the interaction between human beings and artificial objects, which is characterized by subjectivity, difference, fuzziness and unpredictability.Secondly,the perceptual image of the product is discussed. Perceptual images in Kansei engineering are human's feelings and psychological expectations for artificial objects, as well as highly condensed and deep emotional activities. Different groups may have different perceptual images in different stages. In the study of perceptual image, it is necessary to clarify the subject and stage of the perceptual image. Thirdly, the method of product perceptual image recognition is studied. Perceptual image recognition can be divided into two stages: experiment and statistical analysis, which involves the acquisition, representation, modeling and mapping of user perceptual image with product modeling elements. Generally, the test method is to collect product sample pictures and product perceptual evaluation words, combine morphological analysis method and semantic difference method to form a questionnaire, and then select subjects for testing. A series of statistical analyses should be carried out on the questionnaire data, including factor analysis, cluster analysis, multidimensional scale analysis, artificial neural network analysis, etc. The aim of statistical analyses is to establish the mapping relationship between perceptual image and form. Finally, it points out the problems existing in perceptual image recognition, including \"the purpose and subject of perceptual image recognition\",\"Questions of subject representation\". A more comprehensive research perspective and technical means should be established to study the above problems.","PeriodicalId":164502,"journal":{"name":"Kansei Engineering","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123989204","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Color combination of information display interface based on Kansei Engineering and paired comparison experiment","authors":"Lin Sheng, Zhenyu Gu, An Zhang","doi":"10.54941/ahfe1002998","DOIUrl":"https://doi.org/10.54941/ahfe1002998","url":null,"abstract":"Through the color extraction and perceptual semantic extraction of text disply, this paper puts forward the design elements and guidelines of text information display in public environment. Taking the design of information display in railway station as an example, the relationship model between perceptual semantics and color was established. In this study, the preference selection experiment proposed by Thurstone in psychology was combined with LCJ method and SD method of Kansei Engineering, and the Kansei Engineering evaluation of samples in multiple perceptual dimensions was carried out. The perceptual dimensions were reduced by factor analysis, and the evaluation system architecture of information display was obtained. Then, the paired comparison method was used to evaluate samples in two perceptual dimensions of clarity and pleasure, and the color design elements of public area information display was extracted and summarized. The correlation between perceptual image cognition and sample characteristics was established by regression analysis. Finally, we found that the blue background condition has better performance on the whole, while the text color has great differences in different perceptual cognition, which provides reference for the design of information display interface under different perceptual requirements.","PeriodicalId":164502,"journal":{"name":"Kansei Engineering","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130105209","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"A Study on the Spatial Location of HCP and Spinopelvic Alignment when Sitting on an Automotive Seat","authors":"Woojin Choi, Siyoung Choi, Ka Sanghoon, Kim Sunwoong, Sohn Moonjun","doi":"10.54941/ahfe1002989","DOIUrl":"https://doi.org/10.54941/ahfe1002989","url":null,"abstract":"The design of automotive seats is an important design factor that affects the biomechanical alignment of the driver's spinopelvic alignment when in a seated state. However, there is a lack of biomechanical studies evaluating body changes in a driver's seated state in a driving environment. Therefore, urgent research is needed on driver-specific basic data that can be used as basic data to be considered in the development and design of automotive seats.Purpose: The purpose of this study is to measure the difference in the alignment of the spine and pelvis according to the driver's sitting posture when voluntarily participating drivers sit at their preferred car seat back angle and to use this data as basic biomechanical data for car seat design.Method: A total of 15 participants were seated in their preferred posture, and the lateral view of their spine and pelvis was evaluated using X-rays. The sagittal seatback angle at the time of sitting and the distance from the HCP (hip center point) to the VBC (vertebral body center) were measured. The HCP was determined as being the center of the femoral head, which is the point where the horizontal line and the vertical line bisecting the horizontal line meet after drawing a circle enclosing the femoral head on the lateral X-ray. VBC was defined as being the point at which the lines connecting the four ends of the vertebral body with intersections met in the side view of the X-ray. Then, based on the HCP, the distance of the VBC from the 5th lumbar vertebra to the 10th thoracic vertebra was measured with the x-coordinate for the horizontal line and the y-coordinate for the vertical line.Result: When the angle of the seatback was optimized when sitting, the angle was 10.9.4°±2.997°. And the distance of all vertebral bodies (L5, L4, L3, L2, L1, T12, T11, T10) from the HCP was 128±15.96, 147.3±19.44, 167.6±22.39, 187.5±24.87, 202.9±26.93, 216.2±29.89, 226.4±32.42, and 234±33.46, respectively, and the y (mm) values were 64.67±21.93, 106.1±22.91, 143.8±24.78, 181.6±23.30, 218.1±24.32, 253.6±27.80, 283.8±30.6.57, 331.6.57, respectively. Thus, as the change in distance from the HCP from the 5th lumbar vertebra to the 10th thoracic vertebra increases, x-axis increases by 15%, 13.78%, 11.87%, 8.2%, 6.55%, 4.72%, and 3.4%, respectively, and y-axis increases by 64.67%, 35.53%, 26.29%, 20.1%, 16.28%, 11.9%, and 10.6%, respectively, were observed.Conclusion: The results of this study will be used as basic data that can be reflected in an optimal ergonomic seat design by providing the vertebral body coordinate shift in the thoracic and lumbar region from the HCP through actual X-ray imaging, not virtual simulation, for optimal car seat design.","PeriodicalId":164502,"journal":{"name":"Kansei Engineering","volume":"37 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127768386","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Relationship between the Attitudes to Physical Exercise and Exercise Habit under Competitive Situation","authors":"Atsunari Suzuki, Mai Nakamura, Akane Mikura, Junya Kitagawa, Yuko Sakurama, Etsuko Ogasawara, Naoki Takahashi, T. Sakamoto, F. Sakaori, Toshikazu Kato","doi":"10.54941/ahfe1001760","DOIUrl":"https://doi.org/10.54941/ahfe1001760","url":null,"abstract":"As a first step toward supporting physical exercise habituation suitable for individual personalities, we investigated the values and attitudes toward exercise that are effective in motivating people to exercise, when competition with others is stimulated. We developed an experiment, wherein agents posed as competitors to the participants, so that the competition among the participants could be controlled.The results of the experiments show that competition with others and the difference in exercise performance between others and oneself influences motivation. The relationship between the user's attitude factors, especially confidence, and motivation were also discussed.","PeriodicalId":164502,"journal":{"name":"Kansei Engineering","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128054976","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}