两种相邻颜色面积比例的最优一致性的感性研究

Masato Chiba, M. Yamada
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引用次数: 0

摘要

可爱的女性角色经常出现在酷日本的内容中,比如动漫、电子游戏和漫画。在设计角色时,颜色是最重要的因素之一。之前的研究表明,黄色字符往往有可爱的内涵,就像pok一样。一个黄头发的角色也给人可爱的印象。特别是,黄头发和蓝虹膜的角色被认为是最可爱的角色之一。一对黄和蓝是由互补色组成的,一般来说,一对互补色给人一种不舒服的印象。可以假设,这对蓝色虹膜的小区域与黄色头发的大区域结合在一起时起到了效果色的作用,并且这些颜色被认为是一致的。瑞士艺术家、理论家和教育家约翰内斯·伊滕(1888-1967)以德国诗人、剧作家、小说家和评论家约翰·沃尔夫冈·冯·歌德(1749-1832)为基础,计算出了不同颜色区域的比例。歌德坚持不同颜色的亮度比例是“黄:橙:红:紫:蓝:绿= 9:8:6:3:4:6”。然后,在Itten的理论中,不同颜色的一致性面积比例为“黄:橙:红:紫:蓝:绿= 3:4:6:9:8:6”。Itten的理论显示了一种与可爱角色现象相反的趋势。根据Itten的理论,蓝色区域一定比黄色区域宽。然而,伊登和歌德的理论是基于他们的直觉。在本研究中,我们进行了一个感知实验来直接测量不同颜色的区域的一致性比例,以检验Itten的理论。从Itten的色轮中选择了12种颜色;黄、橙、红、紫、蓝、绿,共准备了132对两种不同的颜色。两个相邻的广场被涂上了两种不同的颜色,来自金泽工业大学的20名参与者被要求使用Illustrator软件调整两个区域的边界,使它们最一致。实验结果表明,比例为“黄:橙:红:紫:蓝:绿= 5:6:5:6:7:6”。黄色和蓝色的5:7比Itten的理论小,但趋势与Itten的理论一致。综上所述,在日本内容中的可爱角色中观察到的现象不能用黄色和蓝色互补色的面积比例来说明。这一现象可以解释为日本人崇拜金发碧眼的西方人的文化影响。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
A Perceptual Study on the Ratios of Areas of Two Adjacent Colors for the Optimal Congruency
Cute female characters frequently appear in Cool Japan content, such as anime, video games and manga. When designing a character, color is one of the most important factors. Previous studies showed that yellow characters tended to have a cute connotation like Pokémon. A character with yellow hair also had a cute impression. Particularly, a character with yellow hair and blue irises was perceived as one of the cutest types of character. A pair of yellow and blue consists of complementary colors and generally it is said that a pair of complementary colors gives an uncomfortable impression. It could be hypothesized that the small area of the pair of blue irises functioned as the effect color when combined with the wide area of yellow hair, and these colors were perceived as congruent. A Swiss artist, theorist and educator, Johannes Itten (1888-1967) calculated the ratios of areas of different colors based on a German poet, playwright, novelist and critic, Johann Wolfgang von Goethe (1749-1832). Goethe insisted the ratios of brightness of different colors are “yellow: orange: red: violet: blue: green = 9:8:6:3:4:6”. Then, the ratios of area of different colors for congruency were “yellow: orange: red: violet: blue: green = 3:4:6:9:8:6”, in Itten’s theory. Itten’s theory shows an inverse tendency from the phenomenon of a cute character. According to Itten’s theory, the area of blue must be wider than yellow. However, the theories of Itten and Goethe were based on their intuition. In the present study, a perceptual experiment was conducted to directly measure the ratios of areas of different colors for congruency, to test Itten’s theory. Twelve colors were selected from Itten’s color wheel; yellow, orange, red, violet, blue and green, and 132 pairs of two different colors were prepared. Two adjacent squares were painted in two different colors and 20 participants from the Kanazawa Institute of Technology were requested to adjust the boundary of the two areas to make them most congruent, using the software Illustrator. The results of the experiment showed that the ratios were “yellow: orange: red: violet: blue: green = 5:6:5:6:7:6”. The ratio of 5:7 for yellow and blue colors were smaller than Itten’s theory, but the tendency was consistent with Itten’s theory. To conclude, the phenomenon observed in cute characters in Japanese content could not be illustrated by the ratio of areas of the complementary colors of yellow and blue. The phenomenon may be explained rather by the cultural effects where Japanese people admired Western people with blond hair and blue eyes.
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