New Interfaces for Musical Expression最新文献_第3页

All You Need Is LOD : Levels of Detail in Visual Augmentations for the Audience 你所需要的是LOD:为观众提供视觉增强的细节水平

New Interfaces for Musical Expression Pub Date : 2020-07-21 DOI: 10.5281/zenodo.4813236

Olivier Capra, Florent Berthaut, L. Grisoni

引用次数: 5

P(l)aying Attention: Multi-modal, multi-temporal music control 注意:多模态、多时间的音乐控制

New Interfaces for Musical Expression Pub Date : 2020-07-21 DOI: 10.5281/zenodo.4813303

N. Gold, Chongyang Wang, Temitayo A. Olugbade, N. Berthouze, A. Williams

{"title":"P(l)aying Attention: Multi-modal, multi-temporal music control","authors":"N. Gold, Chongyang Wang, Temitayo A. Olugbade, N. Berthouze, A. Williams","doi":"10.5281/zenodo.4813303","DOIUrl":"https://doi.org/10.5281/zenodo.4813303","url":null,"abstract":"The expressive control of sound and music through body movements is well-studied. For some people, body movement is demanding, and although they would prefer to express themselves freely using gestural control, they are unable to use such interfaces without diﬃculty. In this paper, we present the P(l)aying Attention framework for manipulating recorded music to support these people, and to help the therapists that work with them. The aim is to facilitate body awareness, exploration, and expressivity by allowing the manipulation of a pre-recorded ‘ensemble’ through an interpretation of body movement, provided by a machine-learning system trained on physiotherapist assessments and movement data from people with chronic pain. The system considers the nature of a person’s movement (e.g. protective) and oﬀers an interpretation in terms of the joint-groups that are playing a major role in the determination at that point in the movement, and to which attention should perhaps be given (or the opposite at the user’s discretion). Using music to convey the interpretation oﬀers informational (through movement soniﬁcation) and creative (through manipulating the ensemble by movement) possibilities. The approach oﬀers the opportunity to explore movement and music at multiple timescales and under varying musical aesthetics.","PeriodicalId":161317,"journal":{"name":"New Interfaces for Musical Expression","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125617217","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

A Taxonomy of Spectator Experience Augmentation Techniques 观众体验增强技术的分类

New Interfaces for Musical Expression Pub Date : 2020-07-21 DOI: 10.5281/zenodo.4813396

Olivier Capra, Florent Berthaut, L. Grisoni

引用次数: 2

A platform for low-latency continuous keyboard sensing and sound generation 一个低延迟连续键盘感应和声音生成的平台

New Interfaces for Musical Expression Pub Date : 2020-07-20 DOI: 10.5281/zenodo.4813253

G. Moro, Andrew Mcpherson

{"title":"A platform for low-latency continuous keyboard sensing and sound generation","authors":"G. Moro, Andrew Mcpherson","doi":"10.5281/zenodo.4813253","DOIUrl":"https://doi.org/10.5281/zenodo.4813253","url":null,"abstract":"On several acoustic and electromechanical keyboard instruments, the produced sound is not always strictly dependent exclusively on a discrete key velocity parameter, and minute gesture details can aﬀect the ﬁnal sonic result. By contrast, subtle variations in articulation have a relatively limited eﬀect on the sound generation when the keyboard controller uses the MIDI standard, used in the vast ma-jority of digital keyboards. In this paper we present an embedded platform that can generate sound in response to a controller capable of sensing the continuous position of keys on a keyboard. This platform enables the creation of keyboard-based DMIs which allow for a richer set of interaction gestures than would be possible through a MIDI keyboard, which we demonstrate through two example instruments. First, in a Hammond organ emulator, the sensing device allows to recreate the nuances of the interaction with the original instrument in a way a velocity-based MIDI controller could not. Second, a nonlinear waveguide ﬂute synthesizer is shown as an example of the expressive capabilities that a continuous-keyboard controller opens up in the creation of new keyboard-based DMIs.","PeriodicalId":161317,"journal":{"name":"New Interfaces for Musical Expression","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-07-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122955096","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Examining Temporal Trends and Design Goals of Digital Music Instruments for Education in NIME: A Proposed Taxonomy 检视NIME教育用数位乐器的时间趋势与设计目标:一个拟议的分类

New Interfaces for Musical Expression Pub Date : 2020-07-01 DOI: 10.5281/zenodo.4813210

Margarida Pessoa, Cláudio Parauta, Pedro Luís, I. Almeida, Gilberto Bernardes

引用次数: 6

ExSampling: a system for the real-time ensemble performance of field-recorded environmental sounds 采样:用于现场录制环境声音的实时集成性能的系统

New Interfaces for Musical Expression Pub Date : 2020-06-17 DOI: 10.5281/zenodo.4813371

Atsuya Kobayashi, Reo Anzai, N. Tokui

引用次数: 1

The Da ̈ıs: A Haptically Enabled New Interface for Musical Expression for Controlling Physical Models for Sound Synthesis The Da ıs:一种用于控制声音合成物理模型的音乐表达的触觉新界面

New Interfaces for Musical Expression Pub Date : 2020-06-01 DOI: 10.5281/ZENODO.4813220

P. J. Christensen, Dan Overholt, S. Serafin

引用次数: 0

Towards an Interactive Model-Based Sonification of Hand Gesture for Dance Performance 基于交互模型的舞蹈动作声音化研究

New Interfaces for Musical Expression Pub Date : 2020-06-01 DOI: 10.5281/ZENODO.4813422

James Leonard, A. Giomi

{"title":"Towards an Interactive Model-Based Sonification of Hand Gesture for Dance Performance","authors":"James Leonard, A. Giomi","doi":"10.5281/ZENODO.4813422","DOIUrl":"https://doi.org/10.5281/ZENODO.4813422","url":null,"abstract":"This paper presents an ongoing research on hand gesture interactive sonification in dance performances. For this purpose, a conceptual framework and a multilayered mapping model issued from an experimental case study will be proposed. The goal of this research is twofold. On the one hand, we aim to determine action-based perceptual invariants that allow us to establish pertinent relations between gesture qualities and sound features. On the other hand, we are interested in analysing how an interactive model-based sonification can provide useful and effective feedback for dance practitioners. From this point of view, our research explicitly addresses the convergence between the scientific understandings provided by the field of movement sonification and the traditional know-how developed over the years within the digital instrument and interaction design communities. A key component of our study is the combination between physically-based sound synthesis and motion features analysis. This approach has proven effective in providing interesting insights for devising novel sonification models for artistic and scientific purposes, and for developing a collaborative platform involving the designer, the musician and the performer.","PeriodicalId":161317,"journal":{"name":"New Interfaces for Musical Expression","volume":"160 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114735645","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

User-Defined Mappings for Spatial Sound Synthesis 用于空间声音合成的用户定义映射

New Interfaces for Musical Expression Pub Date : 2020-06-01 DOI: 10.5281/ZENODO.4813477

Henrik von Coler, Steffen Lepa, S. Weinzierl

引用次数: 0

SOIL CHOIR v.1.3 - soil moisture sonification installation 土壤合唱团v.1.3 -土壤水分超声装置

New Interfaces for Musical Expression Pub Date : 2020-06-01 DOI: 10.5281/ZENODO.4813226

J. Suchánek

{"title":"SOIL CHOIR v.1.3 - soil moisture sonification installation","authors":"J. Suchánek","doi":"10.5281/ZENODO.4813226","DOIUrl":"https://doi.org/10.5281/ZENODO.4813226","url":null,"abstract":"The artistic sonification offers a creative method for putting direct semantic layers to the abstract sounds. This paper is dedicated to the sound installation “Soil choir v.1.3” that use sonifies soil moisture in different depths and transforms this non-musical phenomenon into organized sound structures. The sonification of natural soil moisture processes tests the limits of our attention, patience and willingness to still perceive ultra-slow reactions and examines the mechanisms of our sense adaptation. Although the musical time of the installation is set to almost non-human – environmental time scale (changes happen within hours, days, weeks or even months…) this system can be explored and even played also as an instrument by putting sensors to different soil areas or pouring liquid into the soil and waiting for changes... The crucial aspect of the work was to design the sonification architecture that deals with extreme slow changes of input data – measured values from moisture sensors. The result is the sound installation consisting of three objects – each with different types of soil. Every object is compact, independent unit consisting of three low-cost capacitive soil moisture sensors, 1m long perspex tube filled with soil, full range loudspeaker and Bela platform with custom Supercollider code. I developed this installation during the year 2019 and this paper will give insight into the aspects and issues connected with creating this installation.","PeriodicalId":161317,"journal":{"name":"New Interfaces for Musical Expression","volume":"123 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125219901","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2