注意:多模态、多时间的音乐控制

N. Gold, Chongyang Wang, Temitayo A. Olugbade, N. Berthouze, A. Williams
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引用次数: 0

摘要

通过身体动作对声音和音乐的表达控制得到了很好的研究。对于一些人来说,身体运动是有要求的,虽然他们更喜欢用手势控制来自由地表达自己,但他们无法毫无困难地使用这些界面。在本文中,我们提出了P(l)注意力框架,用于操纵录制的音乐来支持这些人,并帮助与他们一起工作的治疗师。其目的是通过对身体运动的解释来操纵预先录制的“合奏”,从而促进身体的意识、探索和表达,这是由经过物理治疗师评估和慢性疼痛患者运动数据培训的机器学习系统提供的。该系统考虑一个人的运动的性质(例如保护),并根据在运动的那个点上起主要作用的联合组提供解释,并且可能应该给予注意(或相反,由用户自行决定)。用音乐来传达诠释提供了信息(通过动作声音化)和创造性(通过动作操纵合奏)的可能性。这种方法提供了在多个时间尺度和不同音乐美学下探索运动和音乐的机会。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
P(l)aying Attention: Multi-modal, multi-temporal music control
The expressive control of sound and music through body movements is well-studied. For some people, body movement is demanding, and although they would prefer to express themselves freely using gestural control, they are unable to use such interfaces without difficulty. In this paper, we present the P(l)aying Attention framework for manipulating recorded music to support these people, and to help the therapists that work with them. The aim is to facilitate body awareness, exploration, and expressivity by allowing the manipulation of a pre-recorded ‘ensemble’ through an interpretation of body movement, provided by a machine-learning system trained on physiotherapist assessments and movement data from people with chronic pain. The system considers the nature of a person’s movement (e.g. protective) and offers an interpretation in terms of the joint-groups that are playing a major role in the determination at that point in the movement, and to which attention should perhaps be given (or the opposite at the user’s discretion). Using music to convey the interpretation offers informational (through movement sonification) and creative (through manipulating the ensemble by movement) possibilities. The approach offers the opportunity to explore movement and music at multiple timescales and under varying musical aesthetics.
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