SOIL CHOIR v.1.3 - soil moisture sonification installation

J. Suchánek
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引用次数: 2

Abstract

The artistic sonification offers a creative method for putting direct semantic layers to the abstract sounds. This paper is dedicated to the sound installation “Soil choir v.1.3” that use sonifies soil moisture in different depths and transforms this non-musical phenomenon into organized sound structures. The sonification of natural soil moisture processes tests the limits of our attention, patience and willingness to still perceive ultra-slow reactions and examines the mechanisms of our sense adaptation. Although the musical time of the installation is set to almost non-human – environmental time scale (changes happen within hours, days, weeks or even months…) this system can be explored and even played also as an instrument by putting sensors to different soil areas or pouring liquid into the soil and waiting for changes... The crucial aspect of the work was to design the sonification architecture that deals with extreme slow changes of input data – measured values from moisture sensors. The result is the sound installation consisting of three objects – each with different types of soil. Every object is compact, independent unit consisting of three low-cost capacitive soil moisture sensors, 1m long perspex tube filled with soil, full range loudspeaker and Bela platform with custom Supercollider code. I developed this installation during the year 2019 and this paper will give insight into the aspects and issues connected with creating this installation.
土壤合唱团v.1.3 -土壤水分超声装置
艺术发声为抽象声音的直接语义层提供了一种创造性的方法。本文研究的是声音装置“土壤唱诗班v.1.3”,它利用不同深度的土壤水分来发声,并将这种非音乐现象转化为有组织的声音结构。自然土壤湿度过程的声音测试了我们的注意力,耐心和意愿的极限,仍然感知超慢的反应,并检查了我们的感觉适应机制。虽然装置的音乐时间被设置为几乎非人类-环境的时间尺度(变化发生在几小时,几天,几周甚至几个月内……),这个系统可以通过将传感器放置在不同的土壤区域或将液体倒入土壤中并等待变化来探索甚至作为乐器演奏……这项工作的关键方面是设计处理输入数据(来自湿度传感器的测量值)极慢变化的超声结构。结果是由三个物体组成的声音装置-每个物体都有不同类型的土壤。每个物体都是紧凑的,独立的单元,由三个低成本的电容式土壤湿度传感器,1米长的充满土壤的有机玻璃管,全范围扬声器和带有定制超级对撞机代码的Bela平台组成。我在2019年开发了这个装置,本文将深入了解与创建这个装置相关的方面和问题。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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