New Interfaces for Musical Expression最新文献_第4页

Inexpensive Colour Tracking to Overcome Performer ID Loss 廉价的颜色跟踪，以克服表演者ID丢失

New Interfaces for Musical Expression Pub Date : 2020-06-01 DOI: 10.5281/ZENODO.4813245

Bob Pritchard, I. Lavery

引用次数: 0

Brainwaves-driven Effects Automation in Musical Performance 音乐表演中脑波驱动的效果自动化

New Interfaces for Musical Expression Pub Date : 2020-06-01 DOI: 10.5281/ZENODO.4813180

Giorgos Filandrianos, Natalia Kotsani, Edmund Dervakos, G. Stamou, Vaios Amprazis, Panagiotis Kiourtzoglou

引用次数: 0

Support System for Improvisational Ensemble Based on Long Short-Term Memory Using Smartphone Sensor 基于智能手机传感器的长短期记忆即兴合奏支持系统

New Interfaces for Musical Expression Pub Date : 2020-06-01 DOI: 10.5281/ZENODO.4813434

Haruya Takase, Shun Shiramatsu

{"title":"Support System for Improvisational Ensemble Based on Long Short-Term Memory Using Smartphone Sensor","authors":"Haruya Takase, Shun Shiramatsu","doi":"10.5281/ZENODO.4813434","DOIUrl":"https://doi.org/10.5281/ZENODO.4813434","url":null,"abstract":"Our goal is to develop an improvisational ensemble support system for music beginners who do not have knowledge of chord progressions and do not have enough experience of playing an instrument. We hypothesized that a music beginner cannot determine tonal pitches of melody over a particular chord but can use body movements to specify the pitch contour (i.e., melodic outline) and the attack timings (i.e., rhythm). We aim to realize a performance interface for supporting expressing intuitive pitch contour and attack timings using body motion and outputting harmonious pitches over the chord progression of the background music. Since the intended users of this system are not limited to people with music experience, we plan to develop a system that uses Android smartphones, which many people have. Our system consists of three modules: a module for specifying attack timing using smartphone sensors, module for estimating the vertical movement of the smartphone using smartphone sensors, and module for estimating the sound height using smartphone vertical movement and background chord progression. Each estimation module is developed using long short-term memory (LSTM), which is often used to estimate time series data. We conduct evaluation experiments for each module. As a result, the attack timing estimation had zero misjudgments, and the mean error time of the estimated attack timing was smaller than the sensor-acquisition interval. The accuracy of the vertical motion estimation was 64%, and that of the pitch estimation was 7.6%. The results indicate that the attack timing is accurate enough, but the vertical motion estimation and the pitch estimation need to be improved for actual use.","PeriodicalId":161317,"journal":{"name":"New Interfaces for Musical Expression","volume":"41 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115420829","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Semi-Automated Mappings for Object-Manipulating Gestural Control of Electronic Music 电子音乐对象操纵手势控制的半自动映射

New Interfaces for Musical Expression Pub Date : 2020-06-01 DOI: 10.5281/ZENODO.4813232

Virginia de las Pozas

引用次数: 0

Creating an Online Ensemble for Home Based Disabled Musicians: Disabled Access and Universal Design - why disabled people must be at the heart of developing technology 为家庭残疾音乐家创建在线合奏:残疾人访问和通用设计-为什么残疾人必须处于发展技术的核心

New Interfaces for Musical Expression Pub Date : 2020-06-01 DOI: 10.5281/ZENODO.4813266

Amble Skuse, Shelly Knotts

引用次数: 3

Animation, Sonification, and Fluid-Time: A Visual-Audioizer Prototype 动画，声音和流体时间:一个视觉-听觉原型

New Interfaces for Musical Expression Pub Date : 2020-06-01 DOI: 10.5281/ZENODO.4813230

Taylor Olsen

引用次数: 1

A Dimension Space for the Evaluation of Accessible Digital Musical Instruments 无障碍数字乐器评价的维度空间

New Interfaces for Musical Expression Pub Date : 2020-06-01 DOI: 10.5281/ZENODO.4813326

Nicola Davanzo, F. Avanzini

引用次数: 7

Biophysiologically synchronous computer generated music improves performance and reduces perceived effort in trail runners 生物生理学同步计算机生成的音乐提高了表现，减少了越野跑者的感知努力

New Interfaces for Musical Expression Pub Date : 2020-06-01 DOI: 10.5281/ZENODO.4813174

Duncan A. H. Williams, B. Fazenda, V. Williamson, György Fazekas

{"title":"Biophysiologically synchronous computer generated music improves performance and reduces perceived effort in trail runners","authors":"Duncan A. H. Williams, B. Fazenda, V. Williamson, György Fazekas","doi":"10.5281/ZENODO.4813174","DOIUrl":"https://doi.org/10.5281/ZENODO.4813174","url":null,"abstract":"Music has previously been shown to be beneficial in improving runners performance in treadmill based experiments. This paper evaluates a generative music system, HEARTBEATS, designed to create biosignal synchronous music in real-time according to an individual athlete’s heart-rate or cadence (steps per minute). The tempo, melody, and timbral features of the generated music are modulated according to biosensor input from each runner using a wearable Bluetooth sensor. We compare the relative performance of athletes listening to heart-rate and cadence synchronous music, across a randomized trial (N=57) on a trail course with 76ft of elevation. Participants were instructed to continue until perceived effort went beyond an 18 using the Borg rating of perceived exertion scale. We found that cadence-synchronous music improved performance and decreased perceived effort in male runners, and improved performance but not perceived effort in female runners, in comparison to heart-rate synchronous music. This work has implications for the future design and implementation of novel portable music systems and in music-assisted coaching.","PeriodicalId":161317,"journal":{"name":"New Interfaces for Musical Expression","volume":"74 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130920990","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 3

SnoeSky and SonicDive - Design and Evaluation of Two Accessible Digital Musical Instruments for a SEN School SnoeSky和SonicDive -为SEN学校设计和评估两种无障碍数字乐器

New Interfaces for Musical Expression Pub Date : 2020-06-01 DOI: 10.5281/ZENODO.4813243

Andreas Förster, Christina Komesker, Norbert Schnell

{"title":"SnoeSky and SonicDive - Design and Evaluation of Two Accessible Digital Musical Instruments for a SEN School","authors":"Andreas Förster, Christina Komesker, Norbert Schnell","doi":"10.5281/ZENODO.4813243","DOIUrl":"https://doi.org/10.5281/ZENODO.4813243","url":null,"abstract":"Music technology can provide persons who experience physical and/or intellectual barriers using traditional musical instruments with a unique access to active music making. This applies particularly but not exclusively to the so-called group of people with physical and/or mental disabilities. This paper presents two Accessible Digital Musical Instruments (ADMIs) that were specifically designed for the students of a Special Educational Needs (SEN) school with a focus on intellectual disabilities. With SnoeSky, we present an interactive installation in form of a starry sky that integrates into the ceiling of a Snoezel-Room. Here, users can ’play’ with ’melodic constellations’ using a flashlight. SonicDive is an interactive installation that enables users to explore a complex water soundscape through their movement inside a ball pool. The underlying goal of both ADMIs is the promotion of self-efficacy experiences while stimulating the users’ relaxation and activation. This paper reports on the design process involving the users and their environment. In addition, it describes some details of the technical implementation of the ADMIs as well as first indices for their effectiveness.","PeriodicalId":161317,"journal":{"name":"New Interfaces for Musical Expression","volume":"53 3","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120883545","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 3

Sonification of High Energy Physics Data Using Live Coding and Web Based Interfaces 使用实时编码和基于Web的接口的高能物理数据的声音化

New Interfaces for Musical Expression Pub Date : 2020-06-01 DOI: 10.5281/ZENODO.4813430

K. Vasilakos, Scott Wilson, T. McCauley, Tsun Winston Yeung, Emma Margetson, Milad Khosravi Mardakheh

{"title":"Sonification of High Energy Physics Data Using Live Coding and Web Based Interfaces","authors":"K. Vasilakos, Scott Wilson, T. McCauley, Tsun Winston Yeung, Emma Margetson, Milad Khosravi Mardakheh","doi":"10.5281/ZENODO.4813430","DOIUrl":"https://doi.org/10.5281/ZENODO.4813430","url":null,"abstract":"This paper presents a discussion of Dark Matter, a sonification project by the Birmingham Ensemble for Electroacoustic Research (BEER), a laptop group using live coding and just-in-time programming techniques, based at the University of Birmingham (UK). The project uses prerecorded data from proton-proton collisions produced by the Large Hadron Collider (LHC) at CERN, Switzerland, and then detected and reconstructed by the Compact Muon Solenoid (CMS) experiment, and was developed with the support of the art@CMS project. Work for the Dark Matter project included the development of a custom-made environment in the SuperCollider (SC) programming language that lets the performers of the group engage in collective improvisations using dynamic interventions and networked music systems. This paper will also provide information about a spin-off project entitled the Interactive Physics Sonification System (IPSOS), an interactive and standalone online application developed in the JavaScript programming language. It provides a web-based interface that allows users to map particle data to sound on commonly used web browsers, and mobile devices, such as smartphones, tablets etc. The project was developed as an educational outreach tool to engage young students and the general public with prerecorded data derived from LHC collisions.","PeriodicalId":161317,"journal":{"name":"New Interfaces for Musical Expression","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125657456","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 4