动画,声音和流体时间:一个视觉-听觉原型

Taylor Olsen
{"title":"动画,声音和流体时间:一个视觉-听觉原型","authors":"Taylor Olsen","doi":"10.5281/ZENODO.4813230","DOIUrl":null,"url":null,"abstract":"The visual-audioizer is a patch created in Max in which the concept of fluid-time animation techniques, in tandem with basic computer vision tracking methods, can be used as a tool to allow the visual time-based media artist to create music. Visual aspects relating to the animator’s knowledge of motion, animated loops, and auditory synchronization derived from computer vision tracking methods, allow an immediate connection between the generated audio derived from visuals—becoming a new way to experience and create audio-visual media. A conceptual overview, comparisons of past/current audio-visual contributors, and a summary of the Max patch will be discussed. The novelty of practice-based animation methods in the field of musical expression, considerations of utilizing the visual-audioizer, and the future of fluid-time animation techniques as a tool of musical creativity will also be addressed.","PeriodicalId":161317,"journal":{"name":"New Interfaces for Musical Expression","volume":"25 1","pages":"0"},"PeriodicalIF":0.0000,"publicationDate":"2020-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":"{\"title\":\"Animation, Sonification, and Fluid-Time: A Visual-Audioizer Prototype\",\"authors\":\"Taylor Olsen\",\"doi\":\"10.5281/ZENODO.4813230\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"The visual-audioizer is a patch created in Max in which the concept of fluid-time animation techniques, in tandem with basic computer vision tracking methods, can be used as a tool to allow the visual time-based media artist to create music. Visual aspects relating to the animator’s knowledge of motion, animated loops, and auditory synchronization derived from computer vision tracking methods, allow an immediate connection between the generated audio derived from visuals—becoming a new way to experience and create audio-visual media. A conceptual overview, comparisons of past/current audio-visual contributors, and a summary of the Max patch will be discussed. The novelty of practice-based animation methods in the field of musical expression, considerations of utilizing the visual-audioizer, and the future of fluid-time animation techniques as a tool of musical creativity will also be addressed.\",\"PeriodicalId\":161317,\"journal\":{\"name\":\"New Interfaces for Musical Expression\",\"volume\":\"25 1\",\"pages\":\"0\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2020-06-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"1\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"New Interfaces for Musical Expression\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.5281/ZENODO.4813230\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"New Interfaces for Musical Expression","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.5281/ZENODO.4813230","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 1

摘要

视觉助听器是在Max中创建的一个补丁,其中流体时间动画技术的概念与基本的计算机视觉跟踪方法相结合,可以用作允许基于视觉时间的媒体艺术家创作音乐的工具。视觉方面与动画师的运动知识、动画循环和源自计算机视觉跟踪方法的听觉同步有关,允许在源自视觉的生成音频之间建立直接联系——成为体验和创建视听媒体的新方式。一个概念概述,比较过去/当前的视听贡献者,和总结的最大补丁将讨论。以实践为基础的动画方法在音乐表达领域的新颖性,利用视听工具的考虑,以及流体时间动画技术作为音乐创作工具的未来也将得到解决。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Animation, Sonification, and Fluid-Time: A Visual-Audioizer Prototype
The visual-audioizer is a patch created in Max in which the concept of fluid-time animation techniques, in tandem with basic computer vision tracking methods, can be used as a tool to allow the visual time-based media artist to create music. Visual aspects relating to the animator’s knowledge of motion, animated loops, and auditory synchronization derived from computer vision tracking methods, allow an immediate connection between the generated audio derived from visuals—becoming a new way to experience and create audio-visual media. A conceptual overview, comparisons of past/current audio-visual contributors, and a summary of the Max patch will be discussed. The novelty of practice-based animation methods in the field of musical expression, considerations of utilizing the visual-audioizer, and the future of fluid-time animation techniques as a tool of musical creativity will also be addressed.
求助全文
通过发布文献求助,成功后即可免费获取论文全文。 去求助
来源期刊
自引率
0.00%
发文量
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
确定
请完成安全验证×
copy
已复制链接
快去分享给好友吧!
我知道了
右上角分享
点击右上角分享
0
联系我们:info@booksci.cn Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号:604180095
Book学术官方微信