Towards an Interactive Model-Based Sonification of Hand Gesture for Dance Performance

James Leonard, A. Giomi
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引用次数: 2

Abstract

This paper presents an ongoing research on hand gesture interactive sonification in dance performances. For this purpose, a conceptual framework and a multilayered mapping model issued from an experimental case study will be proposed. The goal of this research is twofold. On the one hand, we aim to determine action-based perceptual invariants that allow us to establish pertinent relations between gesture qualities and sound features. On the other hand, we are interested in analysing how an interactive model-based sonification can provide useful and effective feedback for dance practitioners. From this point of view, our research explicitly addresses the convergence between the scientific understandings provided by the field of movement sonification and the traditional know-how developed over the years within the digital instrument and interaction design communities. A key component of our study is the combination between physically-based sound synthesis and motion features analysis. This approach has proven effective in providing interesting insights for devising novel sonification models for artistic and scientific purposes, and for developing a collaborative platform involving the designer, the musician and the performer.
基于交互模型的舞蹈动作声音化研究
本文介绍了一项正在进行的关于舞蹈表演中手势交互声化的研究。为此目的,将提出一个概念框架和一个来自实验案例研究的多层映射模型。这项研究的目的是双重的。一方面,我们的目标是确定基于动作的感知不变量,使我们能够在手势质量和声音特征之间建立相关关系。另一方面,我们感兴趣的是分析基于交互式模型的超声如何为舞蹈从业者提供有用和有效的反馈。从这个角度来看,我们的研究明确地解决了运动超声领域提供的科学理解与数字仪器和交互设计社区多年来发展的传统知识之间的融合。我们研究的一个关键组成部分是基于物理的声音合成和运动特征分析的结合。这种方法已被证明是有效的,它为设计用于艺术和科学目的的新型声音模型提供了有趣的见解,并为开发涉及设计师、音乐家和表演者的协作平台提供了有效的见解。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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