Bercadik: Jurnal Pengkajian dan Penciptaan Seni最新文献

{"title":"Makna Tari Kontemporer Barangan Karya Otniel Tasman: Suatu Tinjauan Semiotika Tari","authors":"Fresti Yuliza","doi":"10.26887/bcdk.v5i2.2485","DOIUrl":"https://doi.org/10.26887/bcdk.v5i2.2485","url":null,"abstract":"This article discusses a contemporary dance work entitled Barangan, which was composed by Otniel Tasman, an Indonesian contemporary dance choreographer from Banyumas based in Surakarta. The aim is to reveal the meaning of the Barangan choreography in relation to the Lengger, a traditional Bayumas dance. The research was conducted by applying qualitative research methods with descriptive analysis methods based on the theoretical framework of dance semiotics. Research shows that the contemporary Barangan dance is a metaphor that represents the wider panorama of Banyumas culture. Seen in this way, the lengger in the Barangan choreography is a kind of metonymy of the minor folk arts, which is always confronted with the arts of the city or the arts of the dignitaries and aristocrats. When it was adopted as a contemporary dance piece in Barangan, the Legger dance was transformed into a kind of symbol of resistance and struggle.Keyword: Contemporary Dance; Barangan; Othniel Tasman; Lengger; Dance SemioticAbstrakArtikel ini membahas tentang karya tari kontemporer berjudul Barangan, yang disusun oleh Otniel Tasman, salah seorang koreografer tari kontemporer Indonesia asal Banyumas yang berbasis di Surakarta. Tujuannya adalah untuk mengungkapkan makna dari karya koreografi Barangan tersebut dalam kaitannya dengan lengger, sebuah tari tradisional Bayumas. Penelitian dilakukan dengan menerapkan metode penelitian kualitatif dengan metode analisis deskriptif yang berpijak pada kerangka teoretik semiotika tari. Penelitian menunjukkan bahwa tari kontemporer Barangan adalah metafora yang mewakili panorama kebudayaan Banyumas secara luas. Dilihat dengan cara ini, maka lengger dalam koreografi Barangan adalah semacam metonimi dari kesenian rakyat kecil, yang senantiasa berhadapan dengan kesenian kota atau kesenian para pembesar dan bangsawan. Ketika diangkat menjadi karya seni kontemporer Barangan, tari lengger bertransformasi menjadi semacam simbolisasi perlawanan dan perjuangan.Kata kunci: Tari Kontemporer; Barangan; Otniel Tasman; Lengger; Semiotika Tari  ","PeriodicalId":142581,"journal":{"name":"Bercadik: Jurnal Pengkajian dan Penciptaan Seni","volume":"22 5","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120911426","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Konsep Penyajian Gandang Sarunai Di Nagari Luak Kapau Kabupaten Solok Selatan","authors":"Rezi Susanto","doi":"10.26887/bcdk.v5i1.2482","DOIUrl":"https://doi.org/10.26887/bcdk.v5i1.2482","url":null,"abstract":"This paper discusses Gandang Sarunai, a type of traditional percussion art in South Solok. The goal is to describe the concept of its presentation. With a qualitative approach, observations were made on the practice of presenting Gandang Sarunai in Nagari Luak Kapau, South Solok, by departing from an ethnomusicological understanding. Research shows that the presentation of Gandang Sarunai has several unique features, namely: combining elements of rhythm with elements of melody; the position of the player in the presentation, with two players facing each other playing the same double; and the playing system, which begins with the gandang palalu rhythm pattern, followed by the gandang paningkah, and also followed by the Sarunai instrument which plays non-rhythmically with a free melody and is not bound by the grooves of the gandang rhythm pattern.Keywords: presentation; traditional percussion; Gandang Sarunai; South SolokAbstrakTulisan ini membahas tentang Gandang Sarunai, sebuah jenis kesenian perkusi tradisional di Solok Selatan. Tujuannya untuk menguraikan perihal konsep penyajian dari kesenian tersebut. Dengan pendekatan kualitatif, pengamatan dilakukan terhadap praktik penyajian Gandang Sarunai di nagari Luak Kapau, Solok Selatan, dengan berangkat dari pemahaman etnomusikologi. Penelitian menunjukkan bahwa penyajian Gandang Sarunai memiliki beberapa keunikan, yakni: memadukan antara unsur ritme dengan unsur melodi; posisi pemain dalam penyajian, dengan dua pemain berhadapan memainkan gandang yang sama; dan  sistem permainan, yang diawali oleh permainan pola ritme gandang palalu, diikuti oleh gandang paningkah, dan  diikuti pula oleh instrumen Sarunai yang bermain sacara non-ritmis dengan melodi bebas dan tidak terikat oleh alur dari jalinan pola ritme gandang.Kata Kunci: penyajian; perkusi tradisional; Gandang Sarunai; Solok Selatan","PeriodicalId":142581,"journal":{"name":"Bercadik: Jurnal Pengkajian dan Penciptaan Seni","volume":"96 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"113978667","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Perempuan Pelaku Musik Dikia Baruda Di Nagari Andaleh Baruh Bukit Kecamatan Sungayang Kabupaten Tanah Datar","authors":"Haris Saputra, Syafniati Syafniati, Muhammad Zulfahmi","doi":"10.26887/bcdk.v5i1.2484","DOIUrl":"https://doi.org/10.26887/bcdk.v5i1.2484","url":null,"abstract":"Dikia Baruda is one of the traditional arts with Islamic nuances that lives and develops in almost all areas of Minangkabau. One of them is located in Nagari Andaleh Baruh Bukit, Sungayang District, Tanah Datar Regency, West Sumatra Province. This paper describes the role of women in the Dikia Baruda performance, which aims to analyze the function of the Dikia Baruda performance in Nagari Andaleh Baruh Bukit, Sungayang District, and see the community's view of the participation of women in the Dikia Baruda show. Applying qualitative methods with descriptive analysis, and supported by function theory, research shows that Dikia Baruda in addition to functioning as a medium of entertainment, emotional expression, aesthetic pleasure, means of communication, in order to maintain sustainability, stability, and community integrity is also used as a medium of friendship in establishing relationships. kinship between family, relatives and fellow members of the community.Keywords: Women, Performer, Dikia Baruda, Nagari Andaleh Baruh BukitAbstrakDikia Baruda adalah salah satu kesenian tradisional yang bernuansa Islam yang hidup dan berkembang hampir di seluruh wilayah Minangkabau. Salah satunya terdapat di Nagari Andaleh Baruh Bukit, Kecamatan Sungayang, Kabupaten Tanah Datar, Provinsi Sumatera Barat. Tulisan ini mendeskripsikan peranan kaum perempuan dalam pertunjukan Dikia Baruda, yang bertujuan untuk menganalisis fungsi pertunjukan Dikia Baruda di Nagari Andaleh Baruh Bukit, Kecamatan Sungayang, serta melihat pandangan masyarakat terhadap keikutsertaan kaum perempuan dalam petunjukan Dikia Baruda tersebut. Menerapkan metode kualitatif dengan analisis deskriptif, serta di dukung teori fungsi, penelitian menunjukan bahwa Dikia Baruda disamping berfungsi sebagai media hiburan, ekspresi emosional, kesenangan estetis, sarana komunikasi, guna menjaga kelestarian, stabilitas, serta integritas masyarakat juga dijadikan sebagai media silahturahmi dalam menjalin hubungan kekerabatan antara keluarga, saudara dan sesama anggota masyarakat.Kata kunci: Perempuan, Pelaku, Dikia Baruda, Nagari Andaleh Baruh Bukit","PeriodicalId":142581,"journal":{"name":"Bercadik: Jurnal Pengkajian dan Penciptaan Seni","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116838261","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Fenomena Communita Pagurau dan Komunitas Lapau Dalam Konteks Bagurau Saluang Dendang Di Kota Payakumbuh","authors":"Auliyaa Ul Laytsy, Rustim Rustim, Nursyirwan Nursyirwan","doi":"10.26887/bcdk.v5i1.2471","DOIUrl":"https://doi.org/10.26887/bcdk.v5i1.2471","url":null,"abstract":"Bagurau Saluang Dendang performances discussed in this study are the Bagurau Saluang Dendang in the Communita Pagurau and the Lapau Community. This study aims to discuss the shift in the pattern of the Bagurau Saluang Dendang performances carried out by the Communita Pagurau and the Lapau Community. The approach taken in this study uses the theory of creativity related to the commodification of performances. This study uses an ethnographic method, where this method is carried out by participant observation. In addition, ethnography is also a method of writing. The findings in this study are that the Bagurau Saluang Dendang in the Communita Pagurau and the Lapau Community experienced a shift which was divided into several things, namely material, musicians, performance venue, management, audience, rules, time and interaction.Keywords: Bagurau; Saluang Dendang; Communita Pagurau, Lapau Community; Performance Pattern ShiftPertunjukan Bagurau Saluang Dendang yang dibahas dalam penelitian ini adalah Bagurau Saluang Dendang dalam communita pagurau dan Komunitas Lapau. Penelitian ini bertujuan untuk membahas pergeseran pola pertunjukan Bagurau Saluang Dendang yang dilakukan oleh Communita Pagurau dan Komunitas Lapau. Pendekatan yang dilakukan dalam penelitian ini menggunakan teori kreativitas yang terkait dengan komodifikasi pertunjukan. Penelitian ini menggunakan metode etnografi, dimana metode ini dilakukan dengan observasi partisipan. Selain itu etnografi juga sekaligus sebagai metode penulisan. Hasil temuan dalam penelitian ini bahwa Bagurau Saluang Dendang dalam Communita Pagurau dan Komunitas Lapau mengalami pergeseran yang terbagi atas beberapa item, yaitu materi, musisi, tempat pertunjukan, pengelolaan, penonton, aturan, waktu dan interaksi.Kata Kunci: Bagurau; Saluang Dendang; Communita Pagurau; Komunitas Lapau; Pergeseran Pola Pertunjukan","PeriodicalId":142581,"journal":{"name":"Bercadik: Jurnal Pengkajian dan Penciptaan Seni","volume":"38 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-03-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128686736","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"GAYA MUSIK MANTRA MINANGKABAU: STUDI KASUS NYANYIAN MANTRA MARINDU HARIMAU DI NAGARI GAUANG KECAMATAN KUBUNGKABUPATEN SOLOK","authors":"Rika Wirandi, Ediwar Ediwar, Hanefi Hanefi","doi":"10.26887/bcdk.v4i1.554","DOIUrl":"https://doi.org/10.26887/bcdk.v4i1.554","url":null,"abstract":"ABSTRACT This article aims at revealing “The Music Style of Minangkabau Spell: The Case Study of Marindu Harimau Spell Song in Gauang Village, Kubung Sub-district, Solok District.” Marindu Harimau is one of the spells used to exist in a ritual culture in Minangkabau area. This spell was practiced in order to summon tiger in a ritual management in Gauang village, Kubung sub-district, Solok district. It’s different from common spells, Marindu Harimau spell was uttered through singing performed by spell speaker called as Tukang Parindu. Method used in this research was ethnomusicology research method that involved two ways of research namely: first was fieldwork, in order to obtain the raw data of a music culture through observation, interview, and data documentation; second was desk work involving the data transcription, description, and analysis of Marindu Harimau spell song. Several theoretical concepts were used to analyze several points of problems such as ritual concept, literary theory, and music style theory. The result of this research is that Marindu Harimau spell song uses many metaphors in the arrangement of its spell text. While from the aspect of its musical style, Marindu Harimau spell song uses short tones at the end of its phrase. Its rhythm form tends to be in the free form because it follows text pattern such as conversational style or it’s also called as Parlando Rubato style. Keywords: Musical Style, Spell Song, Marindu Harimau, Ritual","PeriodicalId":142581,"journal":{"name":"Bercadik: Jurnal Pengkajian dan Penciptaan Seni","volume":"60 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-10-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115455805","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"MAKNA DAN FUNGSI TARI KAIN DALAM UPACARA BEGAWAI DI INDERAGIRI HULU, RIAU","authors":"Sri Raudah Basya, Erlinda Erlinda, Ediwar Ediwar","doi":"10.26887/bcdk.v2i1.45","DOIUrl":"https://doi.org/10.26887/bcdk.v2i1.45","url":null,"abstract":"ABSTRAKTari Kain merupakan tari tradisional yang terdapat pada masyarakat Talang Mamak di desa Talang Jerinjing Kabupaten Inderagiri Hulu Provinsi Riau, yang ditarikan oleh dua orang laki-laki. Tari ini merupakan tari yang dilakukan pada upacara Begawai masyarakat Talang Mamak Upacara Begawai adalah upacara perkawinan. Tari Kain berasal dari gerak yang berasal dari fenomena dan kejadian alam kemudian dibentuk menjadi sebuah gerak baku yang tidak boleh dirubah ataupun diganti di dalam upacara Begawai tersebut. Tujuan dari penelitian ini adalah untuk mengetahui bagaimana bentuk tari Kain dalam upacara Begawai. Adapun metode yang digunakan adalah metode kualitatif. Teori yang digunakan untuk membedah fenomena tari Kain ini adalah teori struktural dari Levi Strauss, teori semiotik Roland barthes.Hasil temuan dari penelitian ini adalah bahwa tari Kain merupakan tari untuk pengesahan perkawinan bagi masyarakat Talang Mamak, seandainya pada upacara perkawinan tidak dilaksanakan tari Kain maka perkawinan dianggap tidak sah secara adat. Dalam gerak-gerak tari Kain mengandung simbol-simbol dan makna-makna tertentu yang terkait dengan kepercayaan masyarakat Talang Mamak. Dengan demikian penelitian ini diberi judul Makna tari kain dalam upacara Begawai pada masyarakat Talang Jerinjing kecamatan Rengat Barat Kabupaten Inderagiri Hulu Provinsi Riau.Kata kunci: Tari Kain, Upacara Begawai, Makna, dan Inderagiri Hulu. ABSTRACTKain dance is a traditional dance that is present in the community in the village Talang Talang Mamak Jerinjing Inderagiri Hulu district of Riau province , which is danced by two men . This dance is a ritual dance performed in public Begawai Talang Mamak Begawai ceremony is the marriage ceremony . Cain dance derived from the motion derived from natural phenomena and events then formed into a raw motion should not be changed or replaced in the Begawai ceremony . The purpose of this study was to determine how the dance form fabrics in Begawai ceremony . The method used is qualitative method . The theory is used to dissect this phenomenon Kain dance is a structural theory of Levi Strauss , Roland Barthes' semiotic theory . The findings from this study is that Cain dance is a dance for the public endorsement for the Talang Mamak marriage , if the marriage ceremony was not held dance Cain then marriage is considered invalid by custom . In the dance movements of fabrics containing symbols and meanings associated with a particular public trust Talang Mamak . This study therefore entitled Meanings dance fabric Begawai ceremony at the sub-district community Jerinjing Gutter West Rengat Inderagiri Hulu Regency Riau Province . Keywords: Dance Fabrics, Begawai ceremony, Meaning, and Inderagiri Hulu.","PeriodicalId":142581,"journal":{"name":"Bercadik: Jurnal Pengkajian dan Penciptaan Seni","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121088515","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"KESENIAN GAMBANG SEBAGAI IDENTITAS ETNIS TIONGHOA DI KAMPUNG PONDOK KOTA PADANG","authors":"Rizdki Rizdki, Nursyirwan Nursyirwan, Ediwar Ediwar","doi":"10.26887/bcdk.v2i1.37","DOIUrl":"https://doi.org/10.26887/bcdk.v2i1.37","url":null,"abstract":"ABSTRAKKesenian Gambang merupakan salah satu bentuk kesenian yang bukan lahir dari tradisi masyarakat Minangkabau. Kesenian Gambang hadir karena terjadinya perpaduan dengan berbagai kebudayaan dari luar tradisi Minangkabau yaitu pengaruh kebudayaan Tiongkok. Kesenian Gambang pada awalnya adalah kesenian penghibur oleh sebagian masyarakat keturunan Cina atau disebut etnis Tionghoa yang ada di Kota Padang. Dalam tulisan ini dibahas tentang budaya apa saja yang mempengaruhi kesenian Gambang tersebut serta simbol dan bentuk komunikasi seperti apa yang teramati dalam kesenian tersebut. Pertunjukan kesenian Gambang juga dijadikan sebagai media interaksi sosial bagi masyarakat Kampung Pondok. Interaksi sosial dalam bentuk kerjasama, persaingan, pertikaian, dan akomodasi. Kajian kesenian Gambang Sebagai media interaksi simbolis dan non simbolis juga terdapat didalam pertunjukannya. Kesenian Gambang juga dijadikan sebagai media komunikasi intrapersonal bagi masyarakat Kampung Pondok untuk proses berfikir melahirkan ide-ide dalam berkreativitas, lain halnya dengan komunikasi interpersonal yang merupakan komunikasi antara individu dengan individu, dan komunikasi antar kelompok, serta sebagai media komunikasi antarbudaya. Selanjutnya untuk menyatakan bagaimana bentuk dan analisis musik dari kesenian Gambang di Kampung Pondok penulis menggunakan berbagai metode dalam mengungkap, menganalisa data sesuai dengan prosedur dan dengan teknik pengolahan. Metode kualitatif dan kuantitatif yang dipakai dalam penelitian ini serta transriptif analisis musik yang dibantu dengan wawancara dari berbagai pihak yang berkompeten dalam kelompok kesenian Gambang diharapkan mampu menjelaskan bagaimana bentuk dan fungsi pertunjukan Gambang sebagai media interaksi secara detail. dengan memakai disiplin kajian etnomusikologi sebagai teori utama, juga memakai pendekatan antropologi dan sosiologi sebagai teori pendukung. Adapun teori yang dipakai adalah teori fungsi, difusi, akulturasi dan analisis musik. Setelah melakukan penelitian maka dapat dijelaskan hasil temuan dari tesis ini. Pertama terjadinya interaksi dalam pertunjukan kesenian Gambang itu sendiri, mulai dari bentuk dan fungsi sebagai komunikasi dalam pertunjukan kesenian Gambang, sampai kepada analisis style dari musiknya. Kata kunci : Pertunjukan, Kesenian Gambang, Interaksi, Komunikasi.ABSTRACT Gambang art is one art form that is not born of a tradition of Minangkabau society. Gambang arts present for the blend with a variety of cultures outside the Minangkabau tradition, namely China. Art is art Gambang at first entertainer by most people of Chinese descent or called ethnic Chinese in the city of Padang. In accordance with the thesis title Gambang Performance Art As A Media Interaction In Chinese Ethnic Village Cottage In Tokyo City Chinatown, in this thesis discussed about the culture that influence the arts and the Gambang symbols and forms of communication such as what was observed in the arts. Performing Arts Gamba","PeriodicalId":142581,"journal":{"name":"Bercadik: Jurnal Pengkajian dan Penciptaan Seni","volume":"647 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122955948","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"TARI KEDURAI IMBANG SEMATO ALAM: REPRESENTASI BUDAYA BENGKULU","authors":"Venny Rosalina, Ediwar Ediwar","doi":"10.26887/bcdk.v2i1.41","DOIUrl":"https://doi.org/10.26887/bcdk.v2i1.41","url":null,"abstract":"ABSTRAKKedurai Imbang Semato Alam merupakan sebuah wujud karya tari yang mengusung sebuah peristiwa budaya di Kabupaten Lebong. Kedurai Imbang Semato Alam merupakan inovasi baru yang berpijak dari upacara kedurai apem kemudian dilahirkan ke dalam bentuk koreografi tari. Kedurai apem berfungsi sebagai ritual tolak bala. Bebarapa hal yang terdapat dalam peristiwa budaya tersebut diantaranya nilai-nilai yang menjadi pokok mengenai upacara ini yang sangat erat hubungannya dengan masyarakat. Berkaitan dengan upacara ini bahwa ada hubung kait antara penjamuan kue (pesta kue) dengan bersih desa.Kata kunci: Karya Tari Kedurai Imbang Semato Alam, tolak bala, sistem budaya. ABSTRACTKedurai Imbang Semato Alam is represent a existing dance masterpiece carrying a cultural event in Regency Lebong. Kedurai Imbang Semato Alam is represent the new innovation which tread on from ceremony of kedurai apem then borne into dance choreography form. Kedurai Apem function as ritual refuse the army. Several things which is there are in the cultural event among other things values that becoming fundamental of concerning this ceremony is very hand in glove of its relation with the society. Correlate of this ceremony that there is linking barb between cake feast (cake party) with the countryside cleanness.Keys Word: Dance Masterpiece of Kedurai Imbang Semato Alam, refuse the army, cultural system.","PeriodicalId":142581,"journal":{"name":"Bercadik: Jurnal Pengkajian dan Penciptaan Seni","volume":"2 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128182878","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"ESTETIKA MUSIK ZAPIN SEBAGAI BUDAYA POPULER DI PEKANBARU","authors":"A. Nafis, Rosta Minawati, Ediwar Ediwar","doi":"10.26887/bcdk.v2i2.46","DOIUrl":"https://doi.org/10.26887/bcdk.v2i2.46","url":null,"abstract":" ABSTRAK Musik Zapin di Kota Pekanbaru sebagai budaya populer merupakan fenomena pergeseran konsep, bentuk, fungsi, estetika dan makna bagi masyarakat pendukungnya. Pendekonstruksian pola-pola tertentu (tradisi) kepada keseragaman, standarisasi, pencitraan, kapitalisme, kreatifitas dan inovasi seniman. Secara praktis hal tersebut sebagai bentuk kreativitas dan inovasi seniman dalam berkarya, baik kaitan pengembangan ataupun pelestarian seni budaya Melayu. Musik Zapin sebagai budaya populer memiliki estetika posmodern, di antaranya: Parodi, pastiche, parodi, kitsch, camp, dan skizofrenia. Pertunjukan musik Zapin mengalami pergeseran nilai-nilai keteradisiannya (konsep estetika tradisi) ke estetika modern bahkan posmodern. Pergeseran tersebut oleh karena perubahan sosial masyarakat Kota Pekanbaru. Keterbukaan dan homogenitasan, baik etnis dan budaya menciptakaan keterbukaan ruang bagi pertunjukan musik Zapin untuk beradaptasi dengan ruang dan kebutuhan masyarakatnya. Oleh sebab itu, pertunjukan musik Zapin sebagai budaya populer (estetika profan). Kata Kunci: Komodifikasi, Budaya Populer, Musik Zapin, dan Kota Pekanbaru  ABSTRACT Music Zapin in Pekanbaru as popular culture is a phenomenon of shifting concept, form, function, aesthetics and meaning to community supporters. Pendekonstruksian certain patterns (traditions to uniformity, standardization, imaging, capitalism, creativity and innovation of artists. Practically it is a form of creativity and innovation in the work of artists, both regard the development or preservation of Malay culture and art. Zapin music as popular culture has a postmodern aesthetic, including: parody, pastiche, parody, kitsch, camp, and schizophrenia. Zapin music performances shifting values keteradisiannya (traditional aesthetic concept ) to the modern aesthetic and even postmodern. The shift is due to social change Pekanbaru. Openness and homogenitasan, both ethnic and cultural openness menciptakaan Zapin space for musical performances to adapt to the space and the needs of society. Therefore, musical performances Zapin as popular culture (aesthetic profane). Keywords: Commodification, Popular Culture, Music Zapin, and the city of Pekanbaru","PeriodicalId":142581,"journal":{"name":"Bercadik: Jurnal Pengkajian dan Penciptaan Seni","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116190401","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"EKSISTENSI TARI ANDUN DALAM UPACARA ADAT NUNDANG PADI MASYARAKAT PINO RAYA KABUPATEN BENGKULU SELATAN","authors":"Septri Mizliati, Ediwar Ediwar, S. Suherni","doi":"10.26887/bcdk.v2i1.39","DOIUrl":"https://doi.org/10.26887/bcdk.v2i1.39","url":null,"abstract":"ABSTRAKTulisan ini membahas tentang tari Andun dalam upacara adat Nundang padi di Desa Selali Kecamatan Pino Raya Kabupaten Bengkulu Selatan. Penelitian ini bersifat deskriptif analisis yaitu mencoba mendeskripsikan aspek-aspek pertunjukan tari Andun dan menganalisis upacara adat Nundang padi sesuai dengan prosesi pelaksanaanya. Upacara adat Nundang padi ini dilaksanakan oleh masyarakat Desa Selali setiap lima tahun sekali, kegiatan upacara ini merupakan ritus kesuburan untuk pembenihan padi, yang didalamnya terkandung aspek spiritual yang mencerminkan semangat kebersamaan dan kegotong-royongan masyarakat Desa Selali dalam melakukkan aktifitasnya bertani.Tari Andun adalah tari tradisional masyarakat Bengkulu selatan, tari ini didalam upacara adat Nundang padi sebagai rangkaian dari upacara adat. Tari Andun ditampilkan pada hari pertama dan hari ketiga, hari pertama berfungsi sebagai hiburan diitarikan oleh masyarakat selali, selanjutnya hari ketiga ditarikan oleh remaja dan berfunggsi sebagai kesuburan. Kata kunci: Tari Andun, Nundang padi. ABSTRACTThis paper, discusses the ceremonial dance Andun Nundang rice in Pino Raya village Selali District of South Bengkulu. This study is a descriptive analysis that tries to describe aspects of dance perpormance and tries to describe aspects of dance performance and analyze Andun ceremonial procession Nundang rice according to the implementation. The traditional ceremony was conducted by Nundang rice of fertility for rice seeding, in which there are spiritual aspects that reflect the spirit of togedherness and community Selali vilage in conducting farming activities.Dance is a traditional dance community Andun south Bengkulu, this dance Nundang rice in traditional ceremonies as  a series of traditional ceremonies. Andun dance show on the first day and the third day, the first day of intertainment serves as danced by the community Selali. theree days later danced by teenagers and serves as fertility. Keywords: Andun dance, Nundang rice","PeriodicalId":142581,"journal":{"name":"Bercadik: Jurnal Pengkajian dan Penciptaan Seni","volume":"46 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-07-27","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128030544","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}