RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies最新文献_第5页

PHENOMENOLOGY OF READING. THE QUASI-CORPOREALITY OF THE LANGUAGE AS THE BASIS OF TRADITION 阅读现象学。语言的准形体性作为传统的基础

RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies Pub Date : 1900-01-01 DOI: 10.28995/2073-6401-2019-3-12-21

Evgeniya A. Shestova

引用次数: 0

SOCIAL IDENTITY AS A RESULT OF INFORMAL INTERACTIONS FRIEND OR FOE 社会身份是朋友或敌人非正式互动的结果

RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies Pub Date : 1900-01-01 DOI: 10.28995/2073-6401-2023-2-73-83

Valentina F. Levicheva, Sergey L. Dimans

引用次数: 0

SOCIAL INTERESTS OF YOUNG PEOPLE. CURRENT PARTY-POLITICAL DISCOURSE AND GENDER ANALYSIS 青年人的社会利益。当前政党政治话语与性别分析

RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies Pub Date : 1900-01-01 DOI: 10.28995/2073-6401-2022-1-97-106

M. Milovanova

引用次数: 0

NEET-YOUTH: PROTEST POTENTIAL AND REALITY 啃老族:抗议的潜力和现实

RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies Pub Date : 1900-01-01 DOI: 10.28995/2073-6401-2019-1-120-129

M. Bulanova, V. Kostenko

引用次数: 2

SOCIO-ECONOMIC FEATURES OF THE DEVELOPMENT OF SINGLE-INDUSTRY TOWNS IN RUSSIA 俄罗斯单一工业城镇发展的社会经济特征

RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies Pub Date : 1900-01-01 DOI: 10.28995/2073-6401-2021-3-73-83

Elena N. Pyatsheva

{"title":"SOCIO-ECONOMIC FEATURES OF THE DEVELOPMENT OF SINGLE-INDUSTRY TOWNS IN RUSSIA","authors":"Elena N. Pyatsheva","doi":"10.28995/2073-6401-2021-3-73-83","DOIUrl":"https://doi.org/10.28995/2073-6401-2021-3-73-83","url":null,"abstract":"Among the diversity of cities as a specific social phenomenon, a special place is occupied by single-industry towns, the history of their origin, the functioning of their city-forming and city-servicing industries, the organization of social and cultural life of the population. The reasons for their occurrence in Russia are different. They are primarily manifested in the uniqueness of geographical and economic features, including natural resources, the variety of goals and objectives of the development of the national economy and the specifics of the territories, and often without considering the social structure and characteristics of the population of these territories. However, the development of many single-industry towns in the new Russia is undergoing serious difficulties, a significant part of them has practically ceased to exist or is in a state of degradation. The other part has some reserves for its partial functioning or a plan to rebuild its economic organism. After the crisis of the 1990s, the third part gradually retained and acquired a new niche in the changed economic conditions. But in addition to purely industrial, technical and technological problems, all single-industry towns face an acute social problem of further existence, development, and even survival, which directly affects the life of the population of these cities, well-being, quality and standard of living, and their future.","PeriodicalId":127301,"journal":{"name":"RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123634501","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

ASSOCIATIVE MONTAGE AS A TOOL OF THE AUTHOR’S INTENTION IN THE FILM “WATER-MIRROR OF GRANADA” (1955) BY J. VAL DEL OMAR 联想蒙太奇作为作者意图的工具在j. val del omar的电影《格拉纳达的水镜》(1955)中

RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies Pub Date : 1900-01-01 DOI: 10.28995/2073-6401-2022-3-135-152

Olga V. Kolotvina

{"title":"ASSOCIATIVE MONTAGE AS A TOOL OF THE AUTHOR’S INTENTION IN THE FILM “WATER-MIRROR OF GRANADA” (1955) BY J. VAL DEL OMAR","authors":"Olga V. Kolotvina","doi":"10.28995/2073-6401-2022-3-135-152","DOIUrl":"https://doi.org/10.28995/2073-6401-2022-3-135-152","url":null,"abstract":"The article analyzes how the Spanish film director J. Val del Omar, with assistance of associative montage of symbolic and allegorical images, created a complete narrative with a specific storyline in the film “Water-Mirror of Granada” (1955). The storyline is interpreted by the author of the article as a visualization at the figurative and metaphorical level of the initiatory spiritual path of human being. It is noted that such an approach formally unites the montage method of J. Val del Omar with principles of the Soviet montage school of the 1920s and 1930s. In contrast to the clearly expressed political and ideological orientation of Soviet cinema, the content of the works of J. Val del Omar has an ambiguous religious and symbolic character, due to both the personal preferences of the film director and the censorship requirements of the era of the authoritarian Franco regime. The article also analyzes the role of the systems of film sound accompaniment and multi-screen film projection invented by J. Val del Omar, which allow to “wake up” the viewer’s personal memory, providing with possibility to supplement the author’s semantics with own interpretation, thereby enhancing the effects of associative montage","PeriodicalId":127301,"journal":{"name":"RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies","volume":"18 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121613262","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

FAMILY VALUES IN A SECULARIZING COUNTRY. IRELAND’S GENDER POLICY IN THE SECOND HALF OF THE 20TH – EARLY 21ST CENTURY BETWEEN THE CATHOLIC CHURCH AND THE WOMEN’S MOVEMENT 世俗化国家的家庭价值观。爱尔兰的性别政策在20世纪下半叶- 21世纪初介于天主教会和妇女运动之间

RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies Pub Date : 1900-01-01 DOI: 10.28995/2073-6401-2021-1-315-324

D. Vershinina

{"title":"FAMILY VALUES IN A SECULARIZING COUNTRY. IRELAND’S GENDER POLICY IN THE SECOND HALF OF THE 20TH – EARLY 21ST CENTURY BETWEEN THE CATHOLIC CHURCH AND THE WOMEN’S MOVEMENT","authors":"D. Vershinina","doi":"10.28995/2073-6401-2021-1-315-324","DOIUrl":"https://doi.org/10.28995/2073-6401-2021-1-315-324","url":null,"abstract":"The paper deals in the issues of the evolution in the gender policy in Ireland and the role in that evolution of the women’s movement and the Catholic Church – two actors who took opposite positions in the process. It considers an influence of the Irish movement for women’s liberation on the change in the gender policy of the state, fighting the influence of the Catholic Church. Based on documents of the women’s liberation movement, legislative documents and materials from periodicals, the dynamics of the gender agenda development is revealed, as well as the factors of its change. The article reviews the change in policy in such issues as contraception, abortion, same-sex marriage, divorce, etc. The author concludes that there was the key role of the Catholic Church in the formation of a patriarchal society in independent Ireland of the first half – mid 20th century and that the disappointment of the Irish in the authority of the church played a significant role in the change of the gender agenda. Contemporary Ireland’s progressive policy on the gender, family and sexuality is associated with the influence of liberation movements in other Western countries, the fall of the influence of the Catholic Church, and the tradition of active women’s participation in the Irish national liberation movement.","PeriodicalId":127301,"journal":{"name":"RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies","volume":"86 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122744472","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

THE CRUCIFIED GOD AT THE BASIS OF MODERN EUROPEAN SCIENCE AND SOURCES OF THE INTERNALIST ANTIPOSITIVISM. ARTICLE TWO: KOJÈVE 被钉在十字架上的神是现代欧洲科学的基础和内部主义反实证主义的来源。第二条:kojÈve

RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies Pub Date : 1900-01-01 DOI: 10.28995/2073-6401-2020-4-41-56

I. Kurilovich

{"title":"THE CRUCIFIED GOD AT THE BASIS OF MODERN EUROPEAN SCIENCE AND SOURCES OF THE INTERNALIST ANTIPOSITIVISM. ARTICLE TWO: KOJÈVE","authors":"I. Kurilovich","doi":"10.28995/2073-6401-2020-4-41-56","DOIUrl":"https://doi.org/10.28995/2073-6401-2020-4-41-56","url":null,"abstract":"The Religion-Science relationship is often understood as problematic, and they themselves as sides in the confrontation between clericalism and scientism. Against the background of those polemic party positions stands out the study of the positive significance of theological toposes and mythology in science when it is secular and atheistic. One of the vivid examples of that one meets in the reflections of two French philosophers of Russian origin, Alexandre Koyré and Alexandre Kojève. By studying the genesis of science, Koyré discovers that modern mathematical physics requires a homogeneous world, and it became so for the first time in Christian Europe in the 16th–17th centuries. Kojève continues Koyré’s reflections – according to him, the application of the celestial science of mathematics to terrestrial physics became possible through the habit of European thinkers to the scandalous thought about the Incarnation of God, about the possibility for the infinity and for the perfection to be born in the flesh and thus “heal” it. The positions of both have their origin in Hegel’s thoughts, but in some points do not agree with him. The research consists of three parts published in three separate articles: on the foundation of Modern science at Koyré, Kojève and Hegel. The second part is about Alexandre Kojève.","PeriodicalId":127301,"journal":{"name":"RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies","volume":"34 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"123957389","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

CRITICISM OF MARX’S VIEWS ON RELIGION BY SERGEI BULGAKOV AND JOHN MILBANK 布尔加科夫和米尔班克对马克思宗教观的批判

RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies Pub Date : 1900-01-01 DOI: 10.28995/2073-6401-2019-2-12-23

Maxim I. Pereslavtsev

引用次数: 0

FAMILY AS AN OBJECT IN THE FORMATION OF A NEW GENDER ORDER 家庭作为一种客体在形成一种新的性别秩序

RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies Pub Date : 1900-01-01 DOI: 10.28995/2073-6401-2021-1-238-245

Elena Kruglova

{"title":"FAMILY AS AN OBJECT IN THE FORMATION OF A NEW GENDER ORDER","authors":"Elena Kruglova","doi":"10.28995/2073-6401-2021-1-238-245","DOIUrl":"https://doi.org/10.28995/2073-6401-2021-1-238-245","url":null,"abstract":"The article presents the main characteristics inherent in the Russian family as a small social group in line with a new gender order. In the 21st century one may see the new traits, characteristics and functions of the gender and gender relations, which is reflected in the emergence of a new gender order, which sociologists and feminologists have started talking about. The concept of a gender order is briefly defined and a historical retrospective of its emergence is given. The author marks three main subjects in which the changes taking place in the Russian family in recent decades are analyzed. First of all, it is the variability of family scenarios, which consists in different gender compositions of families (if we take the example of a country with officially permitted homosexual marriages); in matters of the childbirth, divorce, housekeeping practices, etc. Secondly, it is a change in gender roles, which is manifested in the growth of economic activity of women, their growing financial independence within the family, with the simultaneous transfer of the household responsibilities to a man. That plot leads to a third feature: changes in the family lifestyle what is most clearly evidenced by the strengthened educational function of the father. The family simultaneously reflects changes in a gender order and generates them, which speaks in favor of the relevance of the topic being studied.","PeriodicalId":127301,"journal":{"name":"RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies","volume":"79 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124645877","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0