RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies最新文献_第4页

FOREIGNERS’ PERCEPTION OF RUSSIAN ARTWORK IN THE 16TH-17TH CENTURIES 外国人对16 -17世纪俄罗斯艺术品的看法

RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies Pub Date : 1900-01-01 DOI: 10.28995/2073-6401-2022-3-112-124

Valentin D. Chernyi

{"title":"FOREIGNERS’ PERCEPTION OF RUSSIAN ARTWORK IN THE 16TH-17TH CENTURIES","authors":"Valentin D. Chernyi","doi":"10.28995/2073-6401-2022-3-112-124","DOIUrl":"https://doi.org/10.28995/2073-6401-2022-3-112-124","url":null,"abstract":"The article considers general approaches to the perception of Russian artwork by foreigners in medieval Russia from the end of the 15th to the 17th century. The establishment of a unified Russian state made ways for establishing various contacts with European countries. Representatives of different countries who came from Europe to Russia on various missions formed their own idea of the unfamiliar state, including its artistic culture. Artwork rarely came to the attention of travelers, who, due to the difference of religion, were usually not allowed into Orthodox churches. As a result, stable stereotypes were formed about the low artistic quality of icons and about the attitude of Russians to them as objects of pagan worship. Only a few of travelers, who got direct access to the best works and relevant explanations, could appreciate the artistic merits of icons as works of art. Along with icons, according to the testimony of foreign authors, since the end of the 15th century, portrait images also began to come into use. Despite the different foundations and traditions of ancient Russian and European art, the close interaction of the countries inevitably led to a common understanding of the tasks and forms of artistic work","PeriodicalId":127301,"journal":{"name":"RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies","volume":"74 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115015957","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

STRAWSON, RESPONSIBILITY, AND EMOTIONS 斯特劳森，责任和情感

RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies Pub Date : 1900-01-01 DOI: 10.28995/2073-6401-2021-3-38-46

E. Loginov

引用次数: 0

FEMINIZATION OF THE RUSSIAN CITY. FICTION OR TENDENCY? 俄罗斯城市的女性化。虚构还是倾向?

RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies Pub Date : 1900-01-01 DOI: 10.28995/2073-6401-2021-1-178-188

N. Dulina, E. Anufrieva

引用次数: 0

ON THE EFFECTIVENESS OF SOCIO-ECONOMIC FORECASTING LONG-TERM TRENDS OF THE SOVIET PERIOD 论苏联时期社会经济长期趋势预测的有效性

RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies Pub Date : 1900-01-01 DOI: 10.28995/2073-6401-2022-4-65-75

G. Tsvetkova

引用次数: 0

CLARIFYING THE EXISTENCE OF THE WORKSHOP OF HANS HOLBEIN THE YOUNGER DURING HIS PERIODS OF WORK IN ENGLAND 澄清小汉斯·霍尔拜因在英国工作期间工作室的存在

RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies Pub Date : 1900-01-01 DOI: 10.28995/2073-6401-2021-4-115-127

Sof’ya M. Borovikova

{"title":"CLARIFYING THE EXISTENCE OF THE WORKSHOP OF HANS HOLBEIN THE YOUNGER DURING HIS PERIODS OF WORK IN ENGLAND","authors":"Sof’ya M. Borovikova","doi":"10.28995/2073-6401-2021-4-115-127","DOIUrl":"https://doi.org/10.28995/2073-6401-2021-4-115-127","url":null,"abstract":"Hans Holbein Jr was a key figure in the history of English paint- ing. Many questions related to his biography and creative method still remain open. One of them is whether the artist had assistants in the work on orders for easel painting during his stay in England. In recent years, many studies of that period painting technology have been carried out in general and Holbein’s works in particular, that allow to approach the issue solution. The article con- tains and compares the results of the most significant works related to that. Their analysis shows that the probability of the existence of a workshop or as- sistants for Holbein in his English periods is very high. That is supported by a number of circumstantial evidence. Firstly, the method of work of the master and the specifics of the demand for easel painting in England of that period made it profitable to hire assistants. Secondly, the facts of the biography of Hans Holbein the Younger indicate that working in workshops based on the di- vision of labor or with a group of artists was a natural practice for him. Thirdly, there are many works created during Holbein’s lifetime, from his drawings, in his style, but not by his hand, which suggests the possibility of their painting under the direction of Holbein by his assistants or students. The final solution of the question of the existence of Holbein’s workshop is necessary to clarify the attribution of his works and to understand the genesis of the English paint- ing tradition.","PeriodicalId":127301,"journal":{"name":"RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies","volume":"44 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131741784","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

FUNCTIONS OF PROJECTIVE IDENTIFICATION IN CINEMA 电影中投射认同的功能

RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies Pub Date : 1900-01-01 DOI: 10.28995/2073-6401-2019-3-131-143

V. Kolotaev

引用次数: 0

M.M. BAKHTIN’S “HRONOTOP” IN A.Z. STEINBERG’S “TIME AND SPACE” ON THE JEWISH NATIONAL CHARACTER 巴赫金在斯坦伯格的《时间与空间》中对犹太民族性格的“透视”

RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies Pub Date : 1900-01-01 DOI: 10.28995/2073-6401-2019-4-20-33

L. Katsis

引用次数: 0

CONCEPTUALIZATION OF THE “CONSPIRACY OF SILENCE” AS AN ASPECT OF THE INVESTIGATION OF SOCIAL RISKS 将“沉默阴谋”概念化作为社会风险侦查的一个方面

RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies Pub Date : 1900-01-01 DOI: 10.28995/2073-6401-2019-2-35-45

Irina A. Kraynova

引用次数: 0

THE LABOR METAMORPHOSWES. MODERN INTERPRETATIONS 劳动发生了变化。现代的解释

RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies Pub Date : 1900-01-01 DOI: 10.28995/2073-6401-2019-3-35-45

Y. A. Sergeeva

引用次数: 0

GERMAN PHENOMENOLOGY ON THE RELIGIOUS CRISIS OF THE 1ST HALF OF THE 20TH CENTURY 德国现象学论20世纪上半叶的宗教危机

RSUH/RGGU Bulletin. Series Philosophy. Social Studies. Art Studies Pub Date : 1900-01-01 DOI: 10.28995/2073-6401-2019-2-59-70

A. Koltsov

引用次数: 0