Aktuālās problēmas literatūras un kultūras pētniecībā rakstu krājums最新文献

{"title":"Aleksandra Čaka lektora darbība Rūdolfa Egles Literatūras studijā","authors":"Antra Medne","doi":"10.37384/aplkp.2024.29.095","DOIUrl":"https://doi.org/10.37384/aplkp.2024.29.095","url":null,"abstract":"In the history of Latvian literature, Aleksandrs Čaks (1901–1950) is better known as a poet-urbanist. There is much less information about his work as a lecturer. In 1924, after entering the Faculty of Medicine of the University of Latvia, Čaks could not pass the necessary exams of the first semester and abandoned his studies. Encouraged by his family, in 1925, he entered the Compulsory School Teacher’s Course in Riga and graduated from it, obtaining practical teaching experience at the Drabeši six-grade boarding school and in the Literary Studio of Rūdolfs Egle (1889–1947). The purpose of the research is to describe and find out what was the importance of Čaks as a lecturer in Egle’s Literary Studio from 1935 to 1939, where Čaks gave lectures on the theory of poetry and the history of Russian poetry, paying special attention to the modernists. The study was carried out using the biographical method, which helps to reveal the relationship between the personality and the environment, using documents and memories of colleagues. This allows us to see Čaks’s personality in specific historical circumstances – his interest in the work of a lecturer, which, in the first decades of the 20th century, taking into account the political and social changes in society after the First World War, forced to re-evaluate the subjects and learning methods so that students acquired new skills through practical training. Teaching by doing was also the main idea of John Dewey (1859–1952), and it formed the basis for Čaks’s interest in the lecturer/student collaboration process. Čaks’s interest in Russian poetry began in the 1930s when he published descriptions of contemporary Russian poets in the press. Čaks’s public introductory articles about Latvian writers and their works were also important. It is difficult to evaluate the period of activity of Egle’s Literary Studio in the biography of Čaks because there are no preserved plans and notes of Čaks’s lectures, which could provide a deeper insight into his opinion as a literary theorist. Čaks’s activity in the Studio is evaluated through his publications, the books on the field in his personal library, and notes on memories of colleagues and the Studio’s students, which confirm the importance of Čaks’s personality in the overall context of the activities of the Egle’s Literary Studio.","PeriodicalId":127071,"journal":{"name":"Aktuālās problēmas literatūras un kultūras pētniecībā rakstu krājums","volume":"72 2","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140439154","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Meklējot piederību pēctrimdas laikā. Daži aspekti Indras Gubiņas un Gunara Janovska dzīvē un daiļradē","authors":"Ingūna Daukste-Silasproģe","doi":"10.37384/aplkp.2024.29.116","DOIUrl":"https://doi.org/10.37384/aplkp.2024.29.116","url":null,"abstract":"The present article aims to focus on a phenomenon that has received little attention in the context of not only the historical processes but also the Latvian literary process, literature as such, and creative personalities. The attention is centred on the period that was marked by substantial changes on both sides of the so-called Iron Curtain, which had created two separate closed spaces – that of Soviet Latvia and the various countries of residence of Latvian exiles. When Latvia regained its independent statehood, it changed the historical significance of the exile which included the idea of homecoming. For many years, living and working in a foreign country with their thoughts of lost Latvia, waiting for this significant event, the exiles were facing a choice – how and where to live, what was the justification of exile and life outside Latvia in the new situation. This new situation actualised the question of who were the Latvians outside Latvia in such circumstances, clearly understanding that they were no longer exiles. The metaphor of a gateway precisely expresses this feeling – should they remain standing at the gate (in exile) or enter the gate, that is, return to Latvia, the country that has changed, is undergoing change, and, in fact, is being recreated anew. The reality proved to be much more complicated, as nearly half a century had passed since the day when, at the end of WWII, such a great number of Latvians left their homeland. Based on archive studies, the article provides an insight into several aspects of life and creative activity of two exile writers – Indra Gubiņa (1927–2017) and Gunars Janovskis (1916–2000) – in the post-exile period, concentrating on the belonging, the feelings of being between Latvia and exile, and seeking the answers to the questions: what in their everyday life and creative activity was changed (if at all) by the closure of their exile, and if they managed to find in themselves the sense of belonging to the Latvian (cultural) space. The article not only uses the archive studies but also attempts to look for new opportunities for theoretical research; namely, it tries to carry over into the Latvian literature research the theoretical phenomenon of post-exile (Nachexil, Post-Exile) that has entered the German literary study (Bannach, Sarkowsky 2020), and provides a new potential in exile literature study, with the end of exile being the starting point, directly related to the restoration of Latvia’s independence.","PeriodicalId":127071,"journal":{"name":"Aktuālās problēmas literatūras un kultūras pētniecībā rakstu krājums","volume":"2 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140439381","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Laikmeta komentārs teātra valodā. Latviešu dramaturģija Rīgas Strādnieku teātra repertuārā: modernisma aspekti","authors":"Sanita Duka","doi":"10.37384/aplkp.2024.29.209","DOIUrl":"https://doi.org/10.37384/aplkp.2024.29.209","url":null,"abstract":"The repertoire of the Riga Workers’ Theatre (1926–1934) reflected the trends of the time and leftist progressive ideas. City life as a nodal point of modern reality became inspiration and material for plays, poetry performances, dramatised feuilletons and interludes commenting on current events. The aesthetic programme of the theatre envisaged the creation of a peculiar sovereign artistic style, where the new dramaturgy played an important role. Topical and recently created works by contemporary authors were chosen for the repertoire with an emphasis on the search for novelty. In the first years, while the director was Roberts Dukurs, the dramaturge was Jānis Grots, then Arvīds Grigulis; after this function was taken over by the director Kārlis Dziļleja. The article aims to introduce the main principles of the Riga Workers’ Theatre repertoire policy, focusing on an overview of the contributions of Latvian authors. Rainis, Andrejs Upīts, and Pāvils Gruzna played a dominant role in the ideological decisions of the repertoire. A circle of progressive authors gathered around the theatre, creating a contemporary drama laboratory. Young authors Aleksandrs Čaks, Valdis Grēviņš, Fricis Rokpelnis, Jūlijs Vanags, and others experienced their first works on stage in this theatre. The research object is dramaturgical works and testimonies describing the productions – programme leaflets, reviews, reminiscences, etc. The article discusses innovative trends in drama and the expansion of the concept of dramaturgy to the dynamics of stage set, musical and choreographic action. As a result, the consistently executed repertory policy heralded a new type of drama programme by achieving a synthesis of contemporary content and new visual, musical and choreographic forms. The article concludes that creating innovative drama forms and genre experiments on the Riga Workers’ Theatre stage significantly contributed to the development of Latvian dramaturgy.","PeriodicalId":127071,"journal":{"name":"Aktuālās problēmas literatūras un kultūras pētniecībā rakstu krājums","volume":"58 12","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140440125","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Nogaidīšanas stratēģija kā pretestības izpausme Latvijas Padomju rakstnieku savienībā vēlīnā staļinisma un destaļinizācijas periodā","authors":"Madara Eversone","doi":"10.37384/aplkp.2024.29.106","DOIUrl":"https://doi.org/10.37384/aplkp.2024.29.106","url":null,"abstract":"Under the conditions of the Soviet totalitarian regime, creative self-expression and individual freedom were severely restricted. In order to exert control and ideological supervision over the creative process, writers were compelled to join the Union of Soviet Writers of Latvia, where the Board of the Union of Soviet Writers of Latvia supervised the implementation of the Communist Party’s directives and principles. Opposing the ideological framework within the creative process was nearly impossible, yet some members of the Writers’ Union adopted strategies that may be interpreted as acts of resistance. The article aims to present a case study of everyday resistance practices within the Union of Soviet Writers of Latvia during the late Stalinism and de-Stalinisation period, focusing on the poet Valdis Grēviņš’ (1895–1968) case. The article is based on the documents of the Union of Soviet Writers of Latvia and its local organisation of the Communist Party that are available at the Latvian State Archives of the National Archives of Latvia. The study applies the field theory of the sociologist Pierre Bourdieu (1930–2002) and its key concepts. Although literary autonomy in the Union of Soviet Writers of Latvia was rather conditional during the period under examination, nevertheless, despite political and ideological restrictions, some practices of resistance can be observed, and some expressions of resistance can be found in the Union, which manifested as a “wait-and-see” strategy and are exemplified through the case of Grēviņš, which is thoroughly analysed in the article. Through his creative endeavours, Grēviņš attempted to counter the official discourse of the Party by delaying the composition of works that endorsed communist ideology. At the same time, in an effort to maintain his position within the Writers’ Union, he engaged in translation work. His patient “wait-and-see” strategy demonstrates elements of both autonomy and resistance, while according to Bourdieu’s field theory, it also aims to acquire economic and symbolic capital.","PeriodicalId":127071,"journal":{"name":"Aktuālās problēmas literatūras un kultūras pētniecībā rakstu krājums","volume":"42 9","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140440164","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Liepājas Centrālās zinātniskās bibliotēkas Vecbibliotēkas fonda 17.–19. gadsimta franču valodas vārdnīcas","authors":"Simona Sofija Valke","doi":"10.37384/aplkp.2024.29.285","DOIUrl":"https://doi.org/10.37384/aplkp.2024.29.285","url":null,"abstract":"From the 17th century onwards, the French language dominated international communication and the exchange of current information within educated Europe, strengthening its position in the 18th century with the spread of Enlightenment ideas. The importance of French literature of this period can also be seen by observing the shelves of libraries. In the range of resources offered by the reading library of the city of Liepāja, founded in 1777, books in French occupy second place (second only to books in German, which was the dominant language of the educated part of society at the time studied) according to their number, including those intended for language learning: grammars, reading books, phrasebooks, and other dictionaries. The article studies and analyses the range of 17th–19th centuries monolingual French dictionaries, bilingual and multilingual dictionaries with a French section from the collection of the Liepāja library, a total of 20 units. The research area chronologically covers the period from the oldest dictionary, published in 1674, to the last dictionary, published in 1847. In the context of the study, the status and place of the French language in international circulation and on the local scale of Courland are discussed to study what the mentioned dictionaries say about the social and cultural space of Liepāja. The research does not belong to the field of lexicography, as it does not offer an analysis of dictionary creation methods; it focuses on social and cultural practices possibly linked to the use of dictionaries and uses research methods of intellectual history and cultural transfer. The research results reflect the development trends of language use in Liepāja and provide insight into the interaction of the French language with other languages. Monolingual dictionaries, French sections of bilingual and multilingual dictionaries integrate specific elite cultural knowledge and emphasise accuracy of expression. Travellers’ dictionaries show the importance of mobility and communication with European French-speaking elites, but the dynamic rhythm of Liepāja, a port city, is illustrated by dictionaries for businessmen and sailors, in which the French language is not predominant, but is only one of the possible means of communication.","PeriodicalId":127071,"journal":{"name":"Aktuālās problēmas literatūras un kultūras pētniecībā rakstu krājums","volume":"10 21","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140441558","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Metodoloģiski risinājumi romānu sērijas “Mēs. Latvija, XX gadsimts” imagoloģiskajai analīzei","authors":"Madara Stāde","doi":"10.37384/aplkp.2024.29.056","DOIUrl":"https://doi.org/10.37384/aplkp.2024.29.056","url":null,"abstract":"The aim of this paper is to identify the possible methodological solutions that would enable a comprehensive imagological analysis of the national characters portrayed in the “We. Latvia, 20th Century” (Mēs. Latvija, XX gadsimts) novel series. Imagology, a sub-field of comparative literature studies, examines the representation of national and ethnic groups in literature and helps identify the stereotypes these images contain. However, in terms of theoretical schematics, the theory of imagology is quite loosely structured. On the one hand, this may cause a lot of uncertainty, but on the other hand, it promotes enough methodological freedom to adapt the theory of imagology to each individual research. This article offers two methodological solutions for text sample selection and data interpretation. Both models are based on already existing theoretical sources, schematising the information found in them and rearranging them into clearly defined criteria and function systems. To further improve the given theoretical models, the theory of semiotics, or more precisely, Charles Peirce’s (1839–1914) system of semiotic signs, was used. Since both methodological models were developed specifically for the analysis of the “We. Latvia, XX century” series, each of the described aspects and functions of these models is illustrated with examples from the novels, demonstrating the application of the proposed solutions in the actual process of literary analysis. The results of the analysis performed during the research are sufficiently varied and reliable to motivate further improvement of the given theoretical models.","PeriodicalId":127071,"journal":{"name":"Aktuālās problēmas literatūras un kultūras pētniecībā rakstu krājums","volume":"72 7","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140439942","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"“Rakstu Avots” – Latvijas Evaņģēliski luteriskās baznīcas grāmatu sērijas ideja un tās īstenojums (1932–1940)","authors":"Jana Dreimane","doi":"10.37384/aplkp.2024.29.161","DOIUrl":"https://doi.org/10.37384/aplkp.2024.29.161","url":null,"abstract":"Appreciating the essential role of books in shaping the worldview of individuals, the Evangelical Lutheran Church of Latvia (LELB) and its pastors actively published books on Christian themes in the independent Republic of Latvia (1918–1940). Among them was the book series “Source of Writings” (Rakstu Avots) initiated and edited by a pastor, bibliophile, and librarian Gustavs Šaurums (1883–1952). Almost 90 titles of books were published in the series from 1933 until the Soviet occupation in the summer of 1940. The aim of the book series was to prevent the influence of “harmful” literature on society, offering good religious reading material instead. The research aims to determine the opinion of LELB pastors about the most important ethical values and reading material needed by society, as well as society’s attitude towards this literature. The main source of the research is the book set of the series. The bibliographic method (collection of bibliographic information about the book series and its analysis) used in the research allows us to ascertain the range of authors and works chosen by the publishers, the frequency of publishing, the circulation and other important characteristics of books. The text analysis method provides an opportunity to determine the essential ideas the publisher wanted to popularise and strengthen in society. The publishing frequency of the series (one printed work every month) and the consistently low price (the annual set cost one lat) are commendable. The annual sets of the series did have 12 issues, but they were small in size, modestly designed, and mostly printed in Gothic script (except for the children’s books, which were printed in antique type and usually illustrated). The works postulated a strong Christian faith and complete trust in God’s destiny as a fundamental ethical value. The works of the series, kept in the spirit of conservatism, did not take into account the complex life situation of the 20th-century individual, in which he had to face various spiritual, intellectual movements and growing secularism. The series gained attention only in the LELB environment.","PeriodicalId":127071,"journal":{"name":"Aktuālās problēmas literatūras un kultūras pētniecībā rakstu krājums","volume":"51 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140440278","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Reālisms un ideālisms 19. un 20. gadsimta mijas latviešu literatūrā","authors":"Benedikts Kalnačs","doi":"10.37384/aplkp.2024.29.016","DOIUrl":"https://doi.org/10.37384/aplkp.2024.29.016","url":null,"abstract":"The article traces late 19th and early 20th-century theoretical discussions of the concepts of realism and idealism and their impact on Latvian literature, paying attention to the terminological and ideological aspects and the poetics of literary texts. The introductory part explains the topicality of research on realism and idealism. The main body of the article traces the genesis of realism and idealism in 19th-century European and Latvian literature by using the up-to-date methodology of literary studies and the humanities. Detailed attention is paid to the late 19th and early 20th-century discussions in Latvia that explain the historical use of these concepts. By scrutinizing the available material, it is possible to conclude that concepts of realism and idealism are historically rooted and interactive. It is, therefore, possible to state that literary practices at times substantially deviate from 19th-century theory, where both concepts are used inconsistently and at times polarised. The up-to-date theoretical approach based on the methodology of cultural studies and new historicism that accentuates the polyphony of an age helps to reveal the many-sidedness of 19th-century literature and provides an insight into the possibilities and meanings of the concepts of realism and idealism. Such an approach opens up new potential for interpreting well-known texts by Latvian writers.","PeriodicalId":127071,"journal":{"name":"Aktuālās problēmas literatūras un kultūras pētniecībā rakstu krājums","volume":"12 5","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140439872","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Dziesmu virknes kāzu apdziedāšanās tradīcijas kontekstā: īpatnības un problemātika","authors":"Arta Krūze","doi":"10.37384/aplkp.2024.29.250","DOIUrl":"https://doi.org/10.37384/aplkp.2024.29.250","url":null,"abstract":"Singing of mutual mocking songs in Latvian traditional culture is an ancient and highly cultivated custom. It can be found at clean-up days, traditional annual celebrations and family-related festivities. Of all the festivities, this tradition is most vividly manifested in weddings and has been preserved in some places until today. Singing usually takes place between two groups – boys and girls, unmarried girls and married women, guests and housemates, etc. During the wedding, the singing takes place mainly between the relatives of the groom and the bride. This custom, which permeates the entire wedding ritual, symbolically features a clash between the groom’s family and the bride’s family, which allows psychological tension to be discharged by reaching the catharsis. In particular, singing mocking songs effectively discharges the accumulated negative feelings in a socially permitted manner. The 12th volume of the academic edition “Latvian Folk Songs” (Latviešu tautasdziesmas) was published in the summer of this year. This volume continues, which was started in the previous volume by publishing wedding songs. This edition covers the wedding theme more completely than all the ones published so far, so the texts included in the 12th volume and those not included were selected as the sources for this study. A folk song is usually understood as a content-autonomous and structurally closed quatrain, but when working with song manuscripts, it turns out that they are not always complete texts in content and form or aesthetically perfect texts. Additionally, a fairly large number of songs consist of much more than four lines. If we look at the tradition of Latvian folk songs as a whole, it can be seen that, for various reasons, long songs and strings of songs have been significantly less studied; therefore, the article focuses on one of these phenomena – strings of songs. The article also focuses on the importance and development of the wedding mutual mocking song singing tradition over time and the variability and improvisational nature of the mocking songs. At the end of the article, attention is paid to the following problems of publishing strings of songs: lack of classification principles, volume limitations, including whether and how the mentioned reasons have influenced the inclusion of a string of songs in the 12th volume of “Latviešu tautasdziesmas”.","PeriodicalId":127071,"journal":{"name":"Aktuālās problēmas literatūras un kultūras pētniecībā rakstu krājums","volume":"30 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140442160","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Tomasa Stērnsa Eliota “Nīkā zeme” pirms 30 gadiem un šodien: Ievas Lešinskas tulkojuma versijas","authors":"Sigita Ignatjeva","doi":"10.37384/aplkp.2024.29.302","DOIUrl":"https://doi.org/10.37384/aplkp.2024.29.302","url":null,"abstract":"In 2022, a hundred years were celebrated since the publication of the poem The Waste Land by Thomas Stearns Eliot (1888–1965). The article deals with a comparison of two translations of the poem in Latvian. The first translation was published in the magazine Avots in 1990, and the second – in Eliot’s Selected Poems, published in 2022. Both translations are done by Ieva Lešinska (b. 1958) in completely different cultural and historical contexts. The article aims to analyse the differences between two Lešinska’s Latvian translations of The Waste Land and establish the main tendencies, tracing the changes made in the text of the translation. The comparative analysis of the translations uses some concepts and approaches of cognitive poetics. Attention is paid to changes in dominants; the changes are analysed in the context of English modernism and Eliot’s works and in comparison with the source text. The changes in the translation can be observed on the level of lexis, syntax, morphology, and semantics, as well as in the aspects of form.","PeriodicalId":127071,"journal":{"name":"Aktuālās problēmas literatūras un kultūras pētniecībā rakstu krājums","volume":"42 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2024-02-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"140439697","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}