{"title":"Creativity of Creation and Story-Telling in Open-Ended Learning with Visual Art Media for Early Childhood Education","authors":"N. Fadhilah, H. I. Dewi, Widia Winata","doi":"10.2991/assehr.k.200321.010","DOIUrl":"https://doi.org/10.2991/assehr.k.200321.010","url":null,"abstract":"—The ability of early childhood in the arts field is often overlooked, the facts in the art field knowledge are not used as a condition of admission to elementary school. Although the government prohibits the implementation of tests, but the cognitive abilities of children, still carried out in several elementary schools. The impact of early childhood education is not optimal in carrying out artistic activities. Art learning should be explored from an early age, to prepare a generation of creative industries that is developing rapidly in the 4.0 era. The research location was in Tanah Tingal Kindergarten South Tangerang, the research object were 11 children. The research objective is to determine the extent to which visual art media can foster creativity in work and story-telling, in open-ended learning in early childhood. The art used is visual art including drawing, clay and blocks. The research method used descriptive qualitative. The results of the study found that using visual art media in open-ended learning, early childhood can imagine optimally, produce a variety of works and be able to tell their imagination with the help of their work. The implication is that visual art media can be used to improve the ability of imagination, creativity in creating and telling stories. It is hoped that the culture of creation and story-telling can develop well in early childhood.","PeriodicalId":124955,"journal":{"name":"Proceedings of the 2nd International Conference on Arts and Design Education (ICADE 2019)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-03-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121352703","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Basic Study of Keroncong Music by Means of Pak Daeng’s Angklung Music Media in the Superior State Middle School Sindang, Indramayu","authors":"B. Sudradjat, Yudi Sukmayadi","doi":"10.2991/assehr.k.200321.038","DOIUrl":"https://doi.org/10.2991/assehr.k.200321.038","url":null,"abstract":"— Keroncong music has been recognized as authentic Indonesian music. The music has a unique and special method of playing the instrument music. This type of music almost disappears and is less desirable among adolescents, especially high school students. They consider that Keroncong music is too old-fashioned and outdated. The purpose of this article is to introduce, motivate, and increase the interest of adolescents in Keroncong music by using angklung music media. This study uses descriptive qualitative. Data collection was carried out using such techniques as observation, interview, literature study, and documentation. The data and results of this study explain that playing Keroncong music with angklung media will build habits of cooperation, tolerance, and increase creativity in playing music. The findings of this study reveal that adolescents are less fond of Keroncong music because the style of music is too slow and complicated as well as difficulties in playing musical instruments so creativity is needed to change the paradigm.","PeriodicalId":124955,"journal":{"name":"Proceedings of the 2nd International Conference on Arts and Design Education (ICADE 2019)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-03-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130628721","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Social Interaction on “Sleborz” Illustration in the Perspective of Sociological Study of Art","authors":"Nanang Ganda Prawira, N. Undiana","doi":"10.2991/assehr.k.200321.020","DOIUrl":"https://doi.org/10.2991/assehr.k.200321.020","url":null,"abstract":"Social interaction is a human need as a living creature that basically can only live if it is related to other creatures. Art is a product of human creation that is used as a form of cultural expression and social expression. The social interaction form of artwork can be seen from the illustration of \"Sleborz\" from Mufti Priyanka. The themes of the work raised are forms of events in everyday life that for some people might be considered 'trivial'. The focus of this research is the sociological study of art which aims to find out the forms of social interaction that occur in society in large cities through illustration works of Mufti. Qualitative descriptive research method will be used as a tool to analyze findings data. The data obtained is the result of observations and interviews directly with related artists to describe the findings and then describe according to facts or condition. The form of the \"Sleborz\" illustration from Mufti Priyanka is one of the many illustrative works that directly describe the daily lives of people in big cities. With the various polemics, the illustrations that emerge from the idea of the Mufti can be a complete picture of the forms of social interaction that takes place around us.","PeriodicalId":124955,"journal":{"name":"Proceedings of the 2nd International Conference on Arts and Design Education (ICADE 2019)","volume":"22 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-03-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126146848","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sinta and Social Criticism of the Wayang Tavip","authors":"Aditya Aditama Putri Hikmatyar, Nanang Ganda Prawira","doi":"10.2991/assehr.k.200321.050","DOIUrl":"https://doi.org/10.2991/assehr.k.200321.050","url":null,"abstract":"This study aims to uncover the messages and social criticisms conveyed through the Wayang Tavip in Rahvayana's play. Wayang Tavip is a contemporary wayang from Bandung that presents Rahvayana's story based on Rahvayana's novel by Sujewo Tejo. The appearance of the Wayang Tavip began when the creators experienced concerns about the lack of youthful interest in Indonesian local wisdom. Environmental issues such as plastic waste did not escape observation. The method used is descriptive-qualitative. The visual meaning is analyzed using Charles S. Peirce's semiotic theory through icons, indexes, and symbols. The results revealed that Every artist has a creative courage that it is sourced from his environment and his frame of mind. The frame of mind of academic artists can raise sociopolitical issues as part of social criticism in their innovations. Cases of corruption and the behavior of a contemporary society that is increasingly deviating from Islam and eastern norms are common topics discussed in Rahvayana's play through the main figures, for example, is Sinta. This method is considered quite effective as a medium of education, propaganda, as well as interesting entertainment for the younger generation.","PeriodicalId":124955,"journal":{"name":"Proceedings of the 2nd International Conference on Arts and Design Education (ICADE 2019)","volume":"221 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-03-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134338360","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Development of the Shoe Industry Village in the Urban Region","authors":"Bakti Bestin, D. Sulaeman","doi":"10.2991/assehr.k.200321.005","DOIUrl":"https://doi.org/10.2991/assehr.k.200321.005","url":null,"abstract":"This research is based on the phenomenon of industrial development in urban communities that have a social system of communities. The focus of the study relates to home industry management patterns and shoe product dynamics. Theoretically, the City community leads to individual interests with various characteristics, but the City community is the development of a rural community characterized by a community in meeting common needs. The craftsman community will be able to exist if it has these two characteristics which are bound by solidarity and interests in meeting the needs of life. On the other hand, the City community is known to emphasize the service economy more than the production of goods, theoretically, it can be characterized as a home industry community in Cibaduyut. The city community, the change shows the characteristics of rural and urban. The research locus is in the village of Cibaduyut, Bandung, Indonesia, which is home to more than 30 home industry groups. They have been in the business for more than 20 years. Now the Cibaduyut home industry by the government and the community is made into a tourist village in the City or a shopping place for domestic tourists so that its development experiences dynamics. Expertise in making shoes that are hereditary and production planning is largely driven at the request of consumers in the production of shoes that involve all family members with the division of tasks that complement each other's wholesale system also takes place when receiving orders in large quantities.","PeriodicalId":124955,"journal":{"name":"Proceedings of the 2nd International Conference on Arts and Design Education (ICADE 2019)","volume":"58 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-03-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134195529","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Perception Study of Dangdut Music in the Classic Motor Community","authors":"Venna Mutiara, Yudi Sukmayadi","doi":"10.2991/assehr.k.200321.043","DOIUrl":"https://doi.org/10.2991/assehr.k.200321.043","url":null,"abstract":"This article discusses the perception of dangdut music among the classic motorcycle community, Ador Motor Sport (AMS), the city of Tasikmalaya. Found dangdut music is very popular in this community. Asked how the perception of the classic motorcycle community of dangdut music, whether the classic motorcycle community likes dangdut music, whether dangdut music is part of every event held by the classic motorcycle community. Using qualitative methods with triangulation techniques the results of the study show that the perception of the AMS classical motorcycle community on dangdut music varies, including: perception of dangdut music, poetry or dangdut music messages, dangdut singers, and the existence of dangdut music.","PeriodicalId":124955,"journal":{"name":"Proceedings of the 2nd International Conference on Arts and Design Education (ICADE 2019)","volume":"218 ","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-03-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133941624","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Sorog and Pelog Scales in the Vocal and Rebab of Sundanese Gamelan Salendro","authors":"Mariko Sasaki, J. Masunah","doi":"10.2991/assehr.k.200321.029","DOIUrl":"https://doi.org/10.2991/assehr.k.200321.029","url":null,"abstract":"This study aims to analyse and explain the unique phenomenon of Sundanese gamelan salendro performances in West Java, Indonesia, that is the fixed pitch instruments of gamelan are in the salendro scale (laras salendro), but its vocal and rebab (a two-stringed fiddle) conventionally modulate into sorog scale (laras sorog), and occasionally into pelog scale (laras pelog). The study of this phenomenon at the same time serves as a review of Kusumadinata’s scale theory which has been taught in educational institutions, stating that “sorog and pelog are the scales derived from salendro (gamelan salendro)”. To analyse this phenomenon, the actual performances of various pieces of gamelan salendro, especially rebab, were examined. Based on the results of the analysis, it is explained that there are four types of sorog occur in the gamelan salendro performances; two of the four types appear most frequently, and in a long piece, three or all four types may appear. The results of this study indicate that pelog is not a scale derived from salendro, but sorog is presumed as a scale derived from salendro by this phenomenon. As to when this phenomenon took place, it would require further research with historical approaches.","PeriodicalId":124955,"journal":{"name":"Proceedings of the 2nd International Conference on Arts and Design Education (ICADE 2019)","volume":"20 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126991146","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Jurung Rahayu Dance in Fish Seeds Ceremony in Cianjur, Indonesia","authors":"A. Purnamasari, J. Masunah","doi":"10.2991/assehr.k.200321.026","DOIUrl":"https://doi.org/10.2991/assehr.k.200321.026","url":null,"abstract":"Jurung Rahayu dance is a dance that accompanies people who carry fish seeds to be sown in the Jangari Cianjur dam, West Java, Indonesia. This dance is intended to foster public awareness in order to preserve and protect the environment. The purpose of this article is to describe the way of presentation, movement, clothing, and dance music of Jurung Rahayu and the meanings contained therein. The method used is descriptive analytical. The results showed that the Jurung Rahayu dance was presented by female dancers at the fish sow seeds ceremony in Cianjur Indonesia. The hallmark of his movements is ngajurung, raising both hands by holding a shawl, then feet back and forth and making a circular floor pattern around traditional figures who are doing Rajah while carrying incense. The property used by a shawl that is as a mark of respect to the creator. The dancers wear traditional clothing in a simple manner, using a long cloth, head dressing using a veil with","PeriodicalId":124955,"journal":{"name":"Proceedings of the 2nd International Conference on Arts and Design Education (ICADE 2019)","volume":"179 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126007776","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Millennial Spirit in the Producing of Traditional Theatre “Tukang Asahan” Applying Pavis Method","authors":"Y. Mulyadi","doi":"10.2991/assehr.k.200321.071","DOIUrl":"https://doi.org/10.2991/assehr.k.200321.071","url":null,"abstract":"The study aims to reveal the creative process of the producing of traditional theatre “Tukang Asahan” the play script of Wahyu Wibisana. Tukang Asahan covers three styles of traditional theatre, they are Sandiwara Sunda, Gending Karesmen and Longser. The study is conducted to the fifth semester students taking traditional theatre subject for the three consecutive years. The producing of traditional theatre here uncovers the successive concretization exposed as Patrice Pavis method in mapping the ideas of transforming theatre work. It is to find out about the transformation of the dramatic text, written, then translated, analyzed dramaturgically, staged and received by the audience. The method will show how the artists contribute each other in designing the performance form and narrating the cultural values surrounding. The producing of the traditional theatre performance is bound by the target culture and the communities supporting the work, especially the audience and the actors. The process of responding the target culture and the supporting people shows the power of millennial as the target audience. More specifically, the result shows Tukang Asahan performance concretize the spirit of millennial in the producing of the traditional theatre.","PeriodicalId":124955,"journal":{"name":"Proceedings of the 2nd International Conference on Arts and Design Education (ICADE 2019)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129991510","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Anjun Dance Attraction: Pottery Inspiration of Sitiwinangun Tourism Village Cirebon Indonesia","authors":"Turyati Turyati","doi":"10.2991/assehr.k.200321.068","DOIUrl":"https://doi.org/10.2991/assehr.k.200321.068","url":null,"abstract":"The purpose of this article is to describe the creative process of Anjun dance attraction. Anjun dance was created based on inspiration from pottery craftsman creativity in the tourism village of Sitiwinangun Cirebon Indonesia. The creation of this dance uses the method of creativity and prioritizes imaginative thoughts related to feeling, living, imagining, and finally finding something essential which could transform an ordinary to a remarkable creation for its society. Creativity of Sitiwinangun society in making pottery product can be used as ideas and creative processes of performance art. This dance performance is an effort to empower the pottery craftsmen and develop potential in the field of community dance. The results of this creation explain the creative process of Anjun Dance, part of the process of assisting the tourism village of Sitiwinangun. The pattern of Anjun dance attraction uses floor pattern and dynamic movement that depict the people of Sitiwinangun as pottery craftsmen. The floor pattern begins with ten dancers entering performance arena by carrying a pottery bowl which is then followed by numbers of dancers circling the middle dancer. This pattern describes the community as pedestal symbol of pottery producer. The attraction of Anjun dance performance results in an attraction which is distinctive for tourism village of Sitiwinangun.","PeriodicalId":124955,"journal":{"name":"Proceedings of the 2nd International Conference on Arts and Design Education (ICADE 2019)","volume":"72 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"1900-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116292095","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}