Proceedings of the 2nd International Conference on Arts and Design Education (ICADE 2019)最新文献

Film as a Media of Internalization of Cultural Values for Millennial Generation in Indonesia 电影作为印尼千禧一代文化价值内化的媒介

Proceedings of the 2nd International Conference on Arts and Design Education (ICADE 2019) Pub Date : 2020-03-24 DOI: 10.2991/assehr.k.200321.052

Heri Supiarza, Ranti Rachmawanti, Djarlis Gunawan

{"title":"Film as a Media of Internalization of Cultural Values for Millennial Generation in Indonesia","authors":"Heri Supiarza, Ranti Rachmawanti, Djarlis Gunawan","doi":"10.2991/assehr.k.200321.052","DOIUrl":"https://doi.org/10.2991/assehr.k.200321.052","url":null,"abstract":"Degradation of cultural values is now threatening millennial generation who prefer popular culture products, and this happens as a result of the rapid globalization. The crisis of understanding and inheritance of local cultural values among the younger generation is an important agenda that must be sought for a solution. Giving space for cultural knowledge and local wisdom in each segment of community life becomes an effort in order to maintain the existence of the nation's cultural values that are increasingly eroded. At present, film is not only an art and entertainment product that presents images and life text from the images of artists. Film has become one of the most effective media in conveying ideological messages, concept, and values. The existence of films in the millennial era has become an arena for young people to interact, socialize and even be an ideal life stereotype. This article discusses the process of internalizing cultural values that exist in Indonesia, through films based on several literary, biographical and historical texts. By using a cultural, media and text study approach to several Indonesian film works, it can be said that millennials more easily capture information and messages through audiovisual media such as films, which are then imitated and internalized in everyday life. In addition, the rise of Indonesian films with the theme of the history and culture of the nation, become one of the efforts to maintain the cultural values among the millennial generation to be more concerned about the nation's cultural inheritance.","PeriodicalId":124955,"journal":{"name":"Proceedings of the 2nd International Conference on Arts and Design Education (ICADE 2019)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-03-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125111638","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

Learning Tonal System Using Black and White Angklung 用黑白Angklung学习调性系统

Proceedings of the 2nd International Conference on Arts and Design Education (ICADE 2019) Pub Date : 2020-03-24 DOI: 10.2991/assehr.k.200321.042

R. Milyartini, T. Hartono

引用次数: 0

Teaching Music Musically (Study of Animé String Orchestra Bandung, Indonesia) 音乐教学(动物研究弦乐团，印度尼西亚万隆)

Proceedings of the 2nd International Conference on Arts and Design Education (ICADE 2019) Pub Date : 2020-03-24 DOI: 10.2991/assehr.k.200321.015

Ferry Matias

引用次数: 0

‘Fair Game?’ (A Participatory Game Based on Bourdieu’s Theoretical Concept About Agency in Life) “公平游戏吗?(基于布迪厄生活代理理论概念的参与式博弈)

Proceedings of the 2nd International Conference on Arts and Design Education (ICADE 2019) Pub Date : 2020-03-24 DOI: 10.2991/assehr.k.200321.060

Agnisa Maulani Wisesa

{"title":"‘Fair Game?’ (A Participatory Game Based on Bourdieu’s Theoretical Concept About Agency in Life)","authors":"Agnisa Maulani Wisesa","doi":"10.2991/assehr.k.200321.060","DOIUrl":"https://doi.org/10.2991/assehr.k.200321.060","url":null,"abstract":"‘Fair Game?' is a participatory game that was designed to allow its players to comprehend the possibility of life choices and cultural capital throughout their lifespan. The game's objective is to engage the players with multiple questions about life choices and involve in a dialogue. 'Fair Game?' is likely a suitable platform to mediate a dialogue through participation, utilizing a concept that individuals will be able to establish a connection to the rules of the game from their acquired knowledge of their own specific cultural setting, as well as forge each of their own agency in the game that is basically imitates and illustrates the life itself. The methodology used in generating this game is qualitative data through journal and article reading and testing on several game platforms. After the theory and concept are formulated, the game itself is formed to adapt the surroundings, especially the people who participates in it. The game's visualization imitates a traditional game like hopscotch, also combined with snakes and ladders to illustrates about agency. By the end of the game, the participants reflect on how the dice give them a sense of agency but also limits it, which proves Bourdieu’s theoretical concept about agency and decision in life not just depends on the how human develop their life with their own ability but also their capability which governed by cultural capital of every player.","PeriodicalId":124955,"journal":{"name":"Proceedings of the 2nd International Conference on Arts and Design Education (ICADE 2019)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-03-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130203002","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Women’s Randai of Sirabuang Ameh the Alternative Development for Minangkabau Folk Theater Sirabuang Ameh的妇女Randai:米南卡保民间剧场的另类发展

Proceedings of the 2nd International Conference on Arts and Design Education (ICADE 2019) Pub Date : 2020-03-24 DOI: 10.2991/assehr.k.200321.032

Z. Zulkifli, Erlinda Erlinda

{"title":"Women’s Randai of Sirabuang Ameh the Alternative Development for Minangkabau Folk Theater","authors":"Z. Zulkifli, Erlinda Erlinda","doi":"10.2991/assehr.k.200321.032","DOIUrl":"https://doi.org/10.2991/assehr.k.200321.032","url":null,"abstract":"—This article aimed to discuss the model of women’s randai development which promotes the community of Minangkabau folk theatre. This research used product-based method. The efforts on randai’s theoretical comprehension and technical development are currently brightened up, both by the Minangkabau artists or cultural experts, or even non-Minangkabau artists. Creativity is a must if randai wants to be preserved within the always-developing Minangkabau society. Nowadays, the performance of randai in Minangkabau is only suitable for men and considered not appropriate for women. As the consequence, Minangkabau artists and cultural experts do not justify the women to be involved as randai performer, especially as the galombang player. Addressing to this issue, the development of women’s randai was seen to be important by exploring all artistic aspects of randai that are suitable for Minangkabau women. This randai development used the concept of art as the valuable experience that came from creative imagination. This new model is expected to be suitable and appropriate with the nature and characteristics of Minangkabau women.","PeriodicalId":124955,"journal":{"name":"Proceedings of the 2nd International Conference on Arts and Design Education (ICADE 2019)","volume":"436 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-03-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133191689","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Comparison Study of Keroncong Singing Style of Tuti Maryati and Sundari Soekoco Tuti Maryati和Sundari Soekoco的keronong演唱风格比较研究

Proceedings of the 2nd International Conference on Arts and Design Education (ICADE 2019) Pub Date : 2020-03-24 DOI: 10.2991/assehr.k.200321.057

Ismi Yasrika, R. Milyartini

引用次数: 2

The Adaptation of Novel “Bumi Manusia” Into Theater Performance 小说《布米手稿》的戏剧改编

Proceedings of the 2nd International Conference on Arts and Design Education (ICADE 2019) Pub Date : 2020-03-24 DOI: 10.2991/assehr.k.200321.007

Retno Dwimarwati

{"title":"The Adaptation of Novel “Bumi Manusia” Into Theater Performance","authors":"Retno Dwimarwati","doi":"10.2991/assehr.k.200321.007","DOIUrl":"https://doi.org/10.2991/assehr.k.200321.007","url":null,"abstract":"Novel Bumi Manusia (Earth of Mankind) written by Pramoedya Ananta Toer has received Magsaysay award and has been translated into several languages. This humanist novel is also adapted by Faiza Marzuki into theatre play script entitled “Nyai Ontosoroh”. Feminism issues are presented in the acts by showing the character of Nyai as a strong figure in the context of gender equalities. Her efforts in managing house, and the administration are not appreciated at all by the Dutch law. She does not even have the right to fight for her children. The adaptation process from the novel into a play script and a theatre performance can take place either intrinsically (physical form) or extrinsically (mental form) through creative process realized in theatre expression. The adaptation process’ Pavis can be conducted by: 1. Reposition the work from one genre to another; 2. Change the literature text into performance (dramaturgy); 3. Translate the text adjusted and loyal to the source text. The article is written based on the experience and practice in the creative process; the analysis of the novel into adaptation process in the play script (re-thinking) becomes a form of performance (dramaturgy). This article can be a model of creativity.","PeriodicalId":124955,"journal":{"name":"Proceedings of the 2nd International Conference on Arts and Design Education (ICADE 2019)","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-03-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124430898","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Study of the Form of the Gamelan Glundeng Performance in the Totta’an Dhereh Tradition in Bondowoso 邦都沃索地区Totta 'an Dhereh传统甘美兰Glundeng演奏形式研究

Proceedings of the 2nd International Conference on Arts and Design Education (ICADE 2019) Pub Date : 2020-03-24 DOI: 10.2991/assehr.k.200321.055

Dedy Setyawan, T. Karyono, R. Milyartini, J. Masunah

{"title":"Study of the Form of the Gamelan Glundeng Performance in the Totta’an Dhereh Tradition in Bondowoso","authors":"Dedy Setyawan, T. Karyono, R. Milyartini, J. Masunah","doi":"10.2991/assehr.k.200321.055","DOIUrl":"https://doi.org/10.2991/assehr.k.200321.055","url":null,"abstract":"Glundeng is a traditional art originating from Bondowoso Regency, East Java. The local people call it wood Gamelan because at first glance the shape of the instrument is almost like Javanese Gamelan Ageng. Glundeng staging in the totta'an dhereh tradition is held by the local community as a form of gratitude to God Almighty for the abundance of fortune given to the farmers. The purpose of this research is to find out how the form of the Glundeng Gamelan performance in the totta'an dhereh tradition in Bondowoso. The research paradigm uses a qualitative, descriptive analysis method. Data collected through interviews, observations, and documentation. The results showed that Glundeng's performance was a form of folk art performance as a means of entertainment. Glundeng music performances are held routinely once a year in November. In presenting Glundeng music there are no special rituals or readings when going to play Glundeng. The repertoire of songs presented in the Glundeng music performance is Madura regional songs such as Tanduk Majeng, pajjar laggu, olle ollang, gei' bintang and other songs. The rhythm (wirama) pattern used in the glundeng gamelan is sedheng and seseg. While the game techniques in gamelan glundeng are balungan melampah, nyaca rangkep, mbalung, kinthilan, and timpalan.","PeriodicalId":124955,"journal":{"name":"Proceedings of the 2nd International Conference on Arts and Design Education (ICADE 2019)","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-03-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130324224","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Bentang Banten Dance as Training of Art and Culture Teacher 本塘万腾舞蹈艺术文化培训教师

Proceedings of the 2nd International Conference on Arts and Design Education (ICADE 2019) Pub Date : 2020-03-24 DOI: 10.2991/assehr.k.200321.046

Dzakiyyah Latifah Nuraini, Yuliawan Kasmahidayat

{"title":"Bentang Banten Dance as Training of Art and Culture Teacher","authors":"Dzakiyyah Latifah Nuraini, Yuliawan Kasmahidayat","doi":"10.2991/assehr.k.200321.046","DOIUrl":"https://doi.org/10.2991/assehr.k.200321.046","url":null,"abstract":"—The purpose of this article is to describe the Bentang Banten dance as training materials of art and culture teacher. The paradigm used in this paper is descriptive qualitative with ethno choreology approach. Data collection techniques are done through observation, interviews, and study documentation. As a teacher of cultural arts, especially dance skills in the field of practice are needed, because learning in dance is not just discussing theory yet also improvement the kinesthetic work. Training becomes an alternative choice for teachers to develop themselves to become a professional teacher. Bentang Banten dance is chosen by researchers as a teaching material strategy that can be done in formal education or studios, because the Bentang Banten dance has several aspects that support the readiness of teaching. Bentang Banten dance is a dance creation, created from the birth of Banten history which is illustrated by its simplicity in the aspect of its movement which is seen from the minimalist movement which contained in Bentang Banten dance, but still accentuates the silat movement that characterized Banten province, namely “ jawara ”. The result of this researches are the Bentang Banten dance can be a stimulus for teachers in developing their practical skills, easier for teachers to be able to apply it in learning dance so the students can be honed in their knowledge of local dance.","PeriodicalId":124955,"journal":{"name":"Proceedings of the 2nd International Conference on Arts and Design Education (ICADE 2019)","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-03-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127272388","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Cheerful Crowd: The Representation of KPU Tagline in West Java Regional-Head Election 喜气洋洋的群众:西爪哇区长选举的代表口号

Proceedings of the 2nd International Conference on Arts and Design Education (ICADE 2019) Pub Date : 2020-03-24 DOI: 10.2991/assehr.k.200321.003

Afri Wita, A. Apip, Lina Marliana

{"title":"Cheerful Crowd: The Representation of KPU Tagline in West Java Regional-Head Election","authors":"Afri Wita, A. Apip, Lina Marliana","doi":"10.2991/assehr.k.200321.003","DOIUrl":"https://doi.org/10.2991/assehr.k.200321.003","url":null,"abstract":"Pasanggiri Longser is an event chosen by General Election Commission (KPU) of West Java Province to socialize about governor election on regional-head elections. This study reveals how the tagline of KPU of West Java Province in 2018 simultaneous Pilkada, “Pilgub Jabar SEMARAK, Pilkada Serentak GEMBIRA” is represented in Longser West Java traditional theatre. The data are obtained from the event of Pasanggiri Longser held by West Java KPU in collaboration with ISBI Bandung. There are 11 groups of traditional theatre in West Java participating in the prize contest. The data are analyzed by employing the model of Circuit of Culture comprising five moments, production, consumption, representation, identity, and regulation. The result shows that the main characteristics of Longser as traditional theatre which is intimate with the audience enable the performance to be significantly cheerful. During the performance, the audience keep interupting responding the events on the stage showing that they are involved in them. Moreover, the traditional language used in the traditional theatre performance allows the message of the performance to be received more communicatively by the audience. It can be concluded that the tagline of KPU in 2018 election is successfully presented through the traditional theatre Longser.","PeriodicalId":124955,"journal":{"name":"Proceedings of the 2nd International Conference on Arts and Design Education (ICADE 2019)","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-03-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130782912","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0